New Banksy Mural At Centre Point London

Artist: Banksy
Title: Centre Point Mural

*speculation online indicates that the Centre Point building behind the Banksy is being used as a reference to Centrepoint charity. This building has been long criticized for being deliberately left empty despite London’s housing crisis. Banksy has not taken credit for it, yet! 

Kid Robot 'Fanta Dunny' Series Available

Artist: Kid Robot
Title: Fanta x Dunny
Medium: Resin Figures
Size: (4) 3 Inches
Edition: UNSURE
Prices: $120

Hannah Forward 'Compact Cameras' Print Available

Artist: Hannah Forward
Title: Compact Cameras
Medium: 7 Block Linocut Print
Size: 54 x 50 cm
Edition: 50
Prices: £380

Hannah Forward is a contemporary British artist and printmaker based in Brighton who is best known for her vibrant depictions of everyday life and social interactions. Her work primarily utilizes the medium of linocut printing, though she also explores painting and mixed media to capture the nuances of modern existence. Forward graduated from the University of Brighton with a degree in Graphic Design and Illustration, an educational background that heavily informs her bold use of color, strong graphic compositions, and meticulous attention to texture.

Her artistic practice often centers on the British experience, focusing on communal spaces such as cafes, swimming pools, and public transport. These scenes are characterized by a sense of quiet observation, elevating mundane moments into celebratory narratives. A hallmark of her style is the inclusion of intricate patterns and a nostalgic yet modern aesthetic that emphasizes the tactile nature of relief printing. Forward often incorporates motifs of mid-century design, vintage packaging, and domestic objects, creating a bridge between historical graphic arts and contemporary social commentary.

Forward gained significant recognition when her linocut titled Cassette Tapes was selected for the Royal Academy of Arts Summer Exhibition in 2018. Since then, her reputation has grown through various solo and group exhibitions across the United Kingdom. Her creative process involves a labor-intensive method of hand-carving blocks and layering inks, which results in a rich depth of color. Through her art, Hannah Forward offers a joyful and reflective look at the shared habits and environments that define twentieth and twenty-first century living.

Poser 'Street Bunnies'Shipping Container Replica Available

Artist: Poser
Title: Street Bunnies
Medium: UV Printed Replica Shipping Container
Size: 12 x 5 x 5 Inches
Edition: 11
Prices: $370

 

Poser aka Eric Kristmanson is a prominent figure in the Canadian graffiti scene, widely recognized for his stylized depictions of bunnies that have become a signature element of Toronto’s urban landscape. His work is defined by a consistent visual language that bridges the gap between traditional graffiti and pop-oriented street art. The recurring bunny motif serves as a versatile icon, appearing in various forms ranging from simple, quick tags to massive, multi-story murals. This character-driven approach has allowed Poser to establish a strong brand identity that is instantly recognizable to both art enthusiasts and casual commuters.

Beyond the repetition of his central character, Poser’s style is characterized by bold outlines, a vibrant use of color, and a sense of movement. His technique often involves exaggerated proportions and expressive facial features that imbue his characters with distinct personalities. While his roots are firmly planted in the underground culture of illegal street pieces, his influence has expanded into more formal environments. He has participated in numerous sanctioned public art projects and gallery exhibitions, demonstrating an ability to translate the energy of the street onto canvas and large-scale architectural surfaces.

Poser’s contribution to Canadian art is significant because of how he navigates the tension between public space and personal expression. By saturating the city with his imagery, he challenges traditional notions of ownership and aesthetic value in the built environment. His work continues to evolve, maintaining its relevance within the contemporary urban art movement while remaining a quintessential part of Toronto's visual identity.

Hadi Falapishi 'Love Bomb' (Persian Cat) Print Available

Artist: Hadi Falapishi
Title: Love Bomb (Persian Cat)
Medium: Hand Finished 19 Color Screen Print
Size: 16 x 24 Inches
Edition: 30
Prices: $2,700

Hadi Falapishi is an Iranian born artist based in New York whose multidisciplinary practice challenges the traditional boundaries of photography, painting, and sculpture. He is most widely recognized for his singular technique of creating large scale photograms without the use of a camera. By manipulating flashlights and light sources directly onto light sensitive paper in total darkness, he produces whimsical yet unsettling compositions that exist at the intersection of performance and image making. His work often features a recurring cast of archetypal characters, including a human, a cat, and a dog, which serve as vessels for exploring themes of power, isolation, and domestic entrapment.

These stylized figures are frequently depicted in claustrophobic environments, such as small houses or pens, where their interactions shift between companionship and predatory aggression. This symbolic narrative framework allows the artist to investigate the complexities of social hierarchies and the inherent violence of boundaries. While the vibrant colors and childlike outlines suggest a sense of playfulness, the underlying tone is often dark and satirical. Falapishi also incorporates sculpture and installation into his exhibitions, using found objects, stuffed animals, and architectural interventions to expand his flattened photographic narratives into three dimensional space. Through his rejection of conventional photographic equipment, he emphasizes the physical gesture and the unpredictability of light. His work has been exhibited at major institutions such as the Whitney Museum of American Art, where his ability to blend personal mythology with broader social critique has established him as a significant voice in contemporary art.

Isaac Cordal + Ernest Zacharevic 'Sink About It' Print Available

Artist: Isaac Cordal + Ernest Zacharevic
Title: Sink About It
Medium: Hand Finished Giclee Print
Size: 30 x 35 cm
Edition: UNSURE
Prices: $450

 

Isaac Cordal is a Spanish sculptor and photographer known for his thought-provoking street art installations featuring miniature cement figures. Born in 1974 in Pontevedra, Cordal began his artistic journey by studying at the School of Fine Arts in Pontevedra and the Camberwell College of Arts in London. His most recognized project, titled Cement Eclipses, consists of small, melancholic businessmen dressed in gray suits, often placed in precarious or overlooked urban environments.

The figures are typically no more than twenty-five centimeters tall and are meticulously hand-crafted from cement. Cordal strategically positions these characters in city puddles, atop building ledges, or half-buried in debris to mirror the struggles of modern society. Through these tiny sculptures, he explores themes of capitalism, climate change, and the isolation of the individual within a bureaucratic world. The use of cement is a deliberate choice, reflecting the industrialization and urban decay that define contemporary life.

One of his most famous pieces, Follow the Leaders, depicts a group of businessmen partially submerged in water, which many interpret as a powerful commentary on the indifference of political leaders toward rising sea levels and environmental collapse. By placing art in public spaces rather than traditional galleries, Cordal invites pedestrians to discover his work accidentally, forcing a moment of reflection on the human condition. His work has been exhibited across major cities like Berlin, London, Brussels, and Bogota, where it continues to serve as a silent yet piercing critique of the modern socio-political landscape.

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Ernest Zacharevic is a Lithuanian-born contemporary artist who gained international acclaim for transforming the urban landscape of George Town, Penang, into a world-class street art destination. Born in 1986, he moved to Malaysia after studying at the Middlesex University in London. His breakthrough came in 2012 during the George Town Festival when he was commissioned to create a series of murals titled Mirrors George Town. These works, most notably Kids on a Bicycle and Boy on a Chair, became iconic symbols of the city by blending traditional oil painting techniques with physical objects like actual bicycles and furniture. This interactive approach allowed pedestrians to become part of the art, bridging the gap between the static image and the 3D world.

Zacharevic is often described as the Banksy of Malaysia, although his style is distinctly more painterly and emotive. His work typically features children, capturing moments of innocence, play, and wonder against the weathered textures of historical architecture. Beyond Malaysia, his portfolio spans the globe with major projects in Singapore, Norway, Iceland, and the United States. He frequently explores themes of environmentalism and social commentary, as seen in his Splash and Burn campaign which highlighted the impact of the palm oil industry on Indonesian rainforests. Through his ability to integrate local culture with universal human experiences, Zacharevic has redefined the role of street art in urban regeneration, proving that public murals can serve as both a catalyst for tourism and a poignant reflection of community identity.

Vasilisa Romanenko 'Blue Heron' Print Available

Artist: Vasilisa Romanenko
Title: Blue Heron
Medium: Giclee Print
Size: 16 x 20 Inches
Edition: 20
Prices: $75

 

Miss Bugs 'Generated April' HPM Available

Artist: Miss Bugs
Title: Generated April
Medium: Gold Leaf, Aerosol, Acrylic, Paper Cups, Capsules in Resin
Size: 60 x 77 cm
Edition: 77
Prices: £1,985

 

Miss Bugs is a Bristol-based artist duo consisting of two individuals who have operated under this singular pseudonym since 2007. Their collaborative practice is rooted in the intersection of street art, pop culture, and high art history, often characterized by a meticulously layered aesthetic. By utilizing a diverse array of media including resin, screen printing, stenciling, and laser cutting they create complex compositions that challenge traditional notions of authorship and originality.

A central theme in their work is the recontextualization of iconic imagery. They frequently lift fragments from famous artworks by masters like Picasso or Matisse and fuse them with contemporary symbols, comic book elements, and pharmaceutical motifs. This process of visual sampling serves as a commentary on the consumerist nature of the modern art market and the way digital culture fragments our perception of history. Their resin works are particularly notable, often encapsulating thousands of tiny objects like pills, surgical blades, or miniature figures within a glossy, translucent surface. This technique creates a physical depth that mirrors the conceptual layers of their subject matter.

Despite their anonymity, Miss Bugs has gained significant international recognition through exhibitions in major cities such as London, New York, and Los Angeles. Their pieces often invite viewers to look closer, revealing hidden narratives within the intricate patterns and textures. By blending the raw energy of urban art with the polished finish of gallery-bound objects, the duo continues to push the boundaries of contemporary mixed media, focusing on the tension between the beautiful and the provocative.

Thomas Ascott 'Bear Sitting' Print Available

Artist: Thomas Ascott
Title: Bear Sitting
Medium: Giclee Print
Size: 16 x 20 Inches
Edition: 20
Prices: $70

 

Thomas Ascott is an American painter and illustrator whose work invites viewers into a meticulously crafted world of whimsical melancholy. Based in Tennessee, he has developed a signature aesthetic that blends the charm of vintage storybook illustrations with the unsettling undertones of a dark fairy tale. His paintings typically feature wide-eyed, enigmatic characters, often children or anthropomorphic creatures, navigating overgrown landscapes or quiet, ethereal voids. These subjects frequently appear accompanied by peculiar companions, such as oversized insects, spectral animals, or mechanical curiosities, suggesting a narrative that is both ancient and surreal.

The technical proficiency of Ascott is evident in his masterful use of texture and light. Working primarily with oil or acrylic on wood panels, he utilizes a muted, earthy color palette dominated by mossy greens, deep ochres, and weathered sepias. This choice of materials and tones gives his pieces an aged, heirloom quality, as if they were artifacts recovered from a forgotten attic. His brushwork is deliberate, focusing on the soft diffusion of light to create a dreamlike atmosphere that feels heavy with unspoken history.

Beyond the visual appeal, Ascott’s art explores themes of loneliness, curiosity, and the delicate intersection between the natural world and the supernatural. There is a profound sense of stillness in his compositions, capturing a fleeting moment of contemplation or discovery. By balancing the grotesque with the beautiful, he challenges the audience to find comfort in the strange. His contributions to the contemporary pop-surrealism movement remain significant, offering a uniquely gentle approach to the bizarre.

Ferris Plock 'Deltron 3030' Print Available

Artist: Ferris Plock
Title: Deltron 3030
Medium: Giclee Print
Size: 18 x 24 Inches
Edition: 50
Prices: $100

 

*one of my favorite albums from Mo'Wax

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Ferris Plock is a contemporary artist based in San Francisco whose work blends the precision of traditional Japanese aesthetics with the chaotic energy of modern pop culture. Known for a style that is both highly detailed and deceptively playful, Plock utilizes a diverse range of media including acrylic, ink, spray paint, and gold leaf on wood panels. His compositions often feature a recurring cast of idiosyncratic characters, ranging from anthropomorphic animals and samurai-inspired figures to skate-culture icons and pizza-loving monsters. These figures are typically rendered with sharp lines and flat color fields, reflecting his deep appreciation for Ukiyo-e woodblock prints while simultaneously nodding to the subversive spirit of street art.

The thematic core of Plock’s oeuvre often explores the intersection of domestic life and wild imagination. He frequently draws inspiration from his daily environment, family experiences, and personal interests, yet he filters these relatable subjects through a surrealist lens. The result is a body of work that feels narratively rich and culturally layered. He has gained significant recognition through his involvement with the Mission School movement and has showcased his art in galleries globally, including cities like Tokyo, London, and New York. Beyond his solo practice, Plock is one half of the artistic duo known as Keefe Plock, collaborating with his wife, Kelly Tunstall. Together, they create large-scale installations and intertwined figurative pieces that harmonize their distinct illustrative styles. His ability to balance intricate craftsmanship with a sense of humor makes his work uniquely accessible and enduring.

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Deltron 3030 is a definitive pillar of underground hip hop that redefined the boundaries of the concept album upon its release in 2000. The project is a collaborative effort between three masters of their respective crafts: rapper Del the Funky Homosapien, producer Dan the Automator, and DJ Kid Koala. Set in a dystopian future where corporations rule the galaxy and technology has stripped humanity of its spirit, the self-titled debut album follows the journey of Deltron Zero. This protagonist is a disillusioned mech soldier and gravity-surfing rebel who uses the power of rhyme and rhythmic linguistics to combat a global monopoly on culture and thought.

The brilliance of the group lies in the synergy of its members. Dan the Automator provides a cinematic, operatic backdrop that blends orchestral sweeps with futuristic boom-bap, creating a sonic landscape that feels both vast and claustrophobic. Del the Funky Homosapien delivers some of the most complex lyricism of his career, weaving together scientific terminology, comic book mythology, and social commentary to critique contemporary greed through a sci-fi lens. Kid Koala adds the finishing touches with intricate, avant-garde scratching that serves as the sound effects for this mechanical odyssey.

While many rap albums flirt with narrative themes, Deltron 3030 remains one of the few to maintain a rigorous, world-building internal logic from start to finish. It is a work of speculative fiction that remains relevant decades later, warning of a world where individual expression is a crime and the only weapon against tyranny is the frequency of the beat.