Noriyoshi Ohrai 'Godzilla vs Space Godzilla' Art Print Available

Artist: Noriyoshi Ohrai
Title: Godzilla vs Space Godzilla
Medium: Multi Color Screen Print
Size: 24 x 36 Inches
Edition: 85
Price: $60

*available at Noon EST on Thursday October 30th, 2025

Noriyoshi Ohrai 'Godzilla vs Mothra' Art Print Available

Artist: Noriyoshi Ohrai
Title: Godzilla vs Mothra
Medium: Multi Color Screen Print
Size: 24 x 36 Inches
Edition: 85
Price: $60

*available at Noon EST on Thursday October 30th, 2025

Noriyoshi Ohrai 'Godzilla vs King Ghidorah' Art Print Available

Artist: Noriyoshi Ohrai
Title: Godzilla vs King Ghidorah
Medium: Multi Color Screen Print
Size: 24 x 36 Inches
Edition: 85
Price: $60

*available at Noon EST on Thursday October 30th, 2025

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Noriyoshi Ohrai was a Japanese illustrator celebrated for his vivid, cinematic artwork that blended science fiction, fantasy and meticulous realism. Born in Akashi on November 17, 1935, he briefly studied painting at Tokyo University of the Arts before leaving in 1957 to pursue commercial illustration. After early struggles exhibiting oil paintings in Ginza, he joined the Tokyu Agency in 1962 and soon became one of Japan’s most prolific cover artists, producing over 1,300 book and magazine covers noted for their dynamic colour and exhaustive research.

Ohrai’s international breakthrough came when George Lucas saw his Star Wars illustrations in a Japanese magazine and invited him to create the global poster for The Empire Strikes Back. The resulting image, featuring a heroic Luke Skywalker and looming Darth Vader rendered in luminous acrylics, won the 1980 Seiun Award and cemented Ohrai’s reputation overseas. He followed this success with a series of powerful posters for the Godzilla films of the 1980s and 1990s, each depicting the monster with muscular intensity audiences said surpassed the on-screen creature.

Working from a packed studio in Miyazaki, Ohrai approached every commission like a historian, studying blueprints, weather data and period photographs to ensure accuracy in every bolt, shadow and starfield. His palette ranged from molten oranges and cyans for explosions to subtle earth tones for historical scenes, all applied with brushes and airbrushes on illustration board. Later projects included box art for Koei strategy games and premium booklets for Metal Gear Solid, bringing his cinematic style to a new generation of fans.

After a stroke forced his retirement in 2011, retrospective exhibitions and lavish art books introduced his work to younger artists. Ohrai died on October 27, 2015, yet his posters continue to circulate online, inspiring illustrators with their perfect marriage of meticulous craft and unbridled imagination.

Timothy Gatenby 'The Lord Of Kirby' Original Available

Artist: Timothy Gatenby
Title: The Lord Of Kirby
Medium: Airbrush on Paper
Size: 14 x 14 Inches
Edition: UNIQUE
Price: £250

Timothy Gatenby is a London-based figurative painter who fuses Renaissance glazing with pop-culture satire to probe modern idolatry. Born in 1986, he first studied film at Queen Mary University, analysing Herzog and Tarkovsky, then spent five years at Florence’s Charles Cecil Studios mastering the sight-size method, an optical technique that trains the eye to translate minute shifts of light into form. This rigorous grounding surfaces in his canvases: portraits and still-lifes built from dozens of translucent oil and air-brushed layers that glow like sixteenth-century panels seen through neon glass.

Gatenby selects universally recognisable subjects Michelangelo’s David, Warhol’s Coke bottle, Disney princesses, and various pop culture characters then renders them in soft, almost out-of-focus focus, as if recalled from a half-remembered dream. The blur evokes digital fatigue and the erosion of collective memory, asking whether a streaming childhood icon carries the same mnemonic weight as a five-hundred-year-old sculpture. Fast-food wrappers, Evian bottles and cartoon heroes are elevated onto velvet-dark pedestals, equating classical marble with mass-produced plastic to critique consumerist fetish. Despite the conceptual heft, the paintings pulse with dry British humour: a cherub clutches a vape pen, Belle and the Beast binge Netflix, cherubs selfie-stick their way into heaven.

Recent solo show And All Shall Be Memorialised at Blond Contemporary (2025) pairs antiquity and advertising as co-equal cultural totems, underscoring Gatenby’s belief that nostalgia now attaches as fiercely to soda logos as to Laocoön. Finalist in the 2012 BP Portrait Prize, he continues to dissect how images become relics, producing hyper-real relics for an age when icons are streamed, scrolled and instantly replaced.

2Choey 'Teamwork' Print Available

Artist: 2Choey
Title: Teamwork
Medium: Handpulled 18 Color Screen Print
Size: 28 x 20 Inches
Edition: 50
Price: $395

*there are also some slick looking uniques available

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2Choey is a Thai street and pop artist based in Bangkok who turns playful humour into pointed social observation. Originally trained in Urban Architecture, he worked as an advertising art director before ditching commercial briefs to paint walls and canvases covered with his signature “Fingies”, finger-faced characters that skip eyes and mouths yet somehow shout volumes about modern anxiety.

Using bold outline, candy colours and crisp vector shapes, 2Choey places Fingies in absurd situations: clutching phones, drowning in paperwork, surfing on giant soup cans or posing beside re-mixed Mona Lisa. The simplified forms nod to pop art masters, but the messages feel freshly digital, poking fun at consumer overload, online vanity and work-till-you-drop culture . He builds each piece through a hybrid process: rough sketches on iPad, precise Illustrator refinement, then hand-pulled screen prints or aerosol layers on outdoor walls, often adding gold or neon ink so colours buzz under gallery spotlights or sunrise streetlight.

Since his debut solo “Sorry I Can’t Talk Right Now” sold out at Vertical Gallery Chicago in 2023, demand has surged, with releases snapped up online in minutes. Despite the hype, 2Choey keeps prices accessible, believing art should reach everyday people, not only collectors. Fresh murals now bloom across Bangkok alleyways, and upcoming shows promise new characters wrestling with themes of balance, burnout and the search for offline authenticity in an always-on world.

Antonia Hazlewood 'Mindscape' Print Available

Artist: Antonia Hazlewood
Title: Mindscape
Medium: Giclee Print
Size: 50 x 40 cm
Edition: 50
Price: $405

   

Antonia Hazlewood is a British contemporary artist celebrated for luminous mixed-media pieces that merge urban energy with natural serenity. Born in 1979 and raised in Brighton, she grew up surrounded by sea air and carnival colour, influences that now pulse through every canvas. Working from a sunlit studio on the Sussex coast, Hazlewood layers acrylic, aerosol, screen-printed collage and thick resin, building surfaces that shimmer like wet pavement after rain. Her process is physical: she pours, scrapes, sands and sprays, embedding fragments of vintage music sheets, street posters and gold leaf until hidden lyrics or city maps ghost through the final image.

The work balances spontaneity with precision. Vivid neons explode across monochrome cityscapes, while delicate koi, soaring gulls or blooming poppies glide above the chaos, suggesting hope amid commotion. Each piece is finished with a high-gloss coat that reflects the viewer, inviting personal memories into the narrative.

Hazelwood’s collectable editions have sold out at Enter Gallery, Brighton, and her large originals now hang in private collections across Europe, Asia and the United States. Commissions range from luxury yacht interiors to a six-metre mural at Heathrow Terminal 5. Despite demand, she remains committed to sustainable practice, recycling off-cuts and using water-based paints.

Whether rendering a lone saxophonist silhouetted against a copper sunset or cherry blossoms drifting across a graffiti-tagged alley, Antonia Hazlewood captures the fragile moment when city life and coastal calm collide, reminding viewers that beauty thrives in the clash between order and chaos.

Duggie Fields 'Big Tit' Print Available

Artist: Duggie Fields
Title: Big Tit
Medium: Giclee Print
Size: 65 x 65 cm
Edition: 50
Price: $595

  

Duggie Fields was a British painter who fused pop art, punk graphics and digital aesthetics into a singular visual universe. Born in 1945 in the coastal town of Lyme Regis, he studied architecture and fine art at the University of London before settling in a Kensington flat that became his lifelong studio and evolving artwork. Fields first gained notice in the early seventies with bold canvases that paired hard edge geometry with figurative fragments, anticipating the postmodern sampling culture that would follow.

His palette was unashamedly bright, deploying candy pinks, acid greens and chrome yellows in rhythmic patterns that vibrated against jet black outlines. Figures appeared as silhouettes, doubled profiles or disembodied limbs, suggesting both fashion illustration and classical statuary. Throughout the eighties and nineties he embraced emerging computer software, scanning hand drawings and manipulating pixels to create layered compositions that questioned originality and authorship.

Fields exhibited internationally, from the Institute of Contemporary Arts in London to galleries in Tokyo and New York, while his prints, rugs and scarves brought art into domestic spaces. Record sleeves for post punk bands and collaborations with fashion labels extended his reach beyond the white cube. Despite evolving technology, he continued to paint by hand, regarding the brush as a relational tool that humanised digital precision.

Now represented by The Wrong Shop, his estate releases archival prints and previously unseen works that celebrate his democratic spirit. Whether on canvas, carpet or screen, Fields legacy lies in proving that high art and pop culture can coexist vibrantly, inviting viewers to revel in colour, pattern and playful philosophical inquiry.

Helene Brox 'Kyss' Print Available

Artist: Helene Brox
Title: Kyss
Medium: Giclee Print
Size: (A3) 29.7 x 42 cm
Edition: 100
Price: $90

  

Helene Brox is an Oslo based illustrator, hand letterer and mural painter who has been brightening Norway’s capital since 2007. Born Helene Ryenbakken Brox, she grew up surrounded by west coast fjords and rainy city streets, an atmosphere that now feeds the gentle humor and quiet optimism that run through her images. After studying visual communication at Bergen Academy of Art and Design she moved east, trading coastal fog for tram bells and never looked back.

Her signature language pairs chunky hand drawn letterforms with flat, playful color blocks that recall mid century posters yet feel fresh and Nordic. Working primarily in Procreate, gouache and acrylic, she builds scenes of everyday wonder: a cluster of cats peering from apartment windows, two cyclists sharing an umbrella, chess pieces pausing mid game to admire a sunset. The compositions look simple, but subtle texture and precise alignment give each print a satisfying tactile punch.

Brox is also co founder of Heiaklubben, an illustration hub and gallery that champions local talent through group shows, art fairs and studio visits. Recent murals enliven schoolyards and co working spaces across Oslo, while limited screen prints released through Too Many Prints sell out within hours. Whether she is designing a city cycling map, painting a kindergarten facade or lettering a protest sign, Helene Brox approaches every surface with the same goal: to slow hurried gazes, spark small smiles and remind urban neighbors that creativity can turn ordinary streets into shared living rooms.

Evert A. Steen 'Gulefinkene' Print Available

Artist: Evert A. Steen
Title: Gulefinkene
Medium: Giclee Print
Size: 50 x 70 cm
Edition: 100
Price: $200

 

Evert Anton Steen is a young multidisciplinary creator from Tønsberg, Norway, who fuses digital design, printmaking and performance energy into a fresh visual voice. Born in the coastal city south of Oslo, he launched an independent clothing brand while still in his teens, translating hand drawn graphics onto limited apparel drops that quickly sold out online. That early entrepreneurial push revealed a knack for branding and storytelling, skills he later channelled into screen printed posters, stickers and zines that circulate across Europe.

Steen’s imagery pairs playful characters with subtle social commentary: cartoonish figures ride whales through cityscapes, or lounge inside floating bubbles that mirror smartphone screens. He builds these scenes through bold vector shapes, candy colour gradients and thick outlines reminiscent of skateboard decks and manga panels. Each composition starts as a loose sketch in Procreate, moves to Adobe Illustrator for crisp refinement, then hits a local print studio where he pulls small editions on recycled paper, often adding hand painted details or metallic ink so no two sheets are identical.

Beyond the studio Steen works as a professional stuntman, a job that feeds his art with motion, risk and behind the scenes camaraderie on Norwegian film sets. The physical discipline shows up in dynamic perspectives and freeze frame poses that suggest mid leap suspension. Recent exhibitions at Too Many Prints showcase works like “Langtidsparkering,” where abandoned cars sprout gardens, and “Gulefinkene,” a glowing yellow finch perched on a traffic cone, both prints selling out within days. Through every poster, tee or mural, Evert A. Steen invites viewers to find humour and hope tucked inside everyday urban chaos.

Tony Thielen 'South Of Colorado' Print Available

Artist: Tony Thielen
Title: South Of Colorado
Medium: Giclee Print
Size: 13 x 13 Inches
Edition: 150
Price: $60

Tony Thielen is an American painter who translates coastal light into serene, atmospheric abstractions. Born in 1984 and raised in Huntington Beach, California, he grew up surfing at dawn, an experience that imprinted the shifting hues of sky, sea and mist into his visual memory. After studying studio art at Loyola Marymount University he spent several years as a scenic artist for film and television, learning to manipulate acrylics on enormous backdrops; that training surfaces today in his ability to build luminous depth across canvases that often exceed six feet. Working in mixed media, Thielen layers acrylic, ink, powdered pigment and clear resin, sanding between coats to reveal ghostly undercurrents of color. The process is both additive and reductive: he pours, wipes, scrapes and glazes until a soft horizon line emerges, suggesting an ocean that never quite comes into focus. Turquoise dissolves into blush, charcoal into pearl, creating a meditative tension between calm and instability. His stated aim is to capture the moment when sunlight first cracks the marine layer, a fleeting glow that surfers call glass off. Collectors respond to that emotional clarity; solo exhibitions at Sue Greenwood Fine Art, Samuel Owen Gallery and Studio 7 Gallery regularly sell out, while commissions hang in corporate lobbies from Newport Beach to Tokyo. Despite demand, Thielen maintains a daily ritual of paddling out before sunrise, returning to the studio with salt still on his skin and the day’s first palette already mixed in his mind.