Neverwork 'Angel 2' Print Available

Artist: Neverwork
Title: Angel 2
Medium: Giclee Print on Card
Size: 30 x 30 cm
Edition: 25
Prices: £45

Neverwork is the professional alias of a British post-urban contemporary artist born in Leeds in 1979. The tag itself is a manifesto: a refusal of nine-to-five repetition and a declaration that creativity should never be confined to tidy galleries. Armed early with spray cans and a restless imagination, he began transforming vacant walls, billboards and found scraps into vivid declarations that celebrate chaos over conformity.

His visual language fuses situationist detournement with the raw colour of street culture and the irreverent pulse of punk. Surrealist fragments collide with abstract expressionist gestures, producing works that feel like dream journals written in public space.

Layered acrylics, torn paper and stencilled slogans overlap until a single piece can suggest both a nightclub flyer and an archaeological relic of consumer excess. Neverwork exhibits internationally and sells original canvases and prints through his own website and online auction platforms, yet he still prefers the immediacy of a brick wall to the silence of a white cube. By turns celebratory and critical, his output invites onlookers to question mass produced reality and to reclaim city surfaces as shared sketchbooks. In doing so, he proves that a name scrawled in alley light can carry as much weight as any formal signature, and that art truly lives when it refuses to behave.

Canvaz 'Good Grief (Charlie Brown)' Print Available

Artist: Canvaz
Title: Good Grief (Charlie Brown)
Medium: Hand Pulled 3 Color Screen Print
Size: 50 x 70 Inches
Edition: 75
Prices: €180

*there is also a hand embellished special edition for €850

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Canvaz is the working name of an Irish street artist who began painting on the walls of Dublin in the late 1990s. Using a mix of stencils, spray paint and urban intervention, he combines figurative imagery with bold graphic shapes, producing works that range from metre high paste ups to large building facades. His early pieces appeared around Temple Bar and the Liberties, often featuring a mischievous panda or a wide-eyed bear that became informal mascots for the city’s growing graffiti scene.

Over the past two decades he has extended his practice to canvas, sculpture and limited-edition screen prints that sell through independent Irish galleries and online platforms. Recurring motifs include native wildlife, childhood toys and political slogans, all rendered in layered colour that nods to both pop art and traditional sign painting. Recent outdoor projects have taken him to Barcelona, Paris and Berlin, where he has painted collaborative murals under his “Big Bad Me” banner, inviting local artists to add their own marks to his outlined characters.

Canvaz maintains a low public profile, preferring to let the work speak from walls, alleyways and abandoned warehouses. By keeping production small and messages playful, he continues to champion the idea that street art can be both a civic gift and a personal diary, proving that a single image pasted in the right spot can still brighten a passer-by’s day.

Ted Patrick 'Think Outside The Box' Statues Coming Soon

Artist: Ted Patrick 
Title: Think Outside The Box
Medium: Cold Cast Iron
Size: 15 x 35 cm
Edition: 28
Prices: £499

*there will also be a bronze version for £989

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Ted Patrick is the playful alias adopted by an anonymous UK printmaker who surfaced in 2019 with a small screen print handed out to visitors near Banksy’s pop-up project Dismaland in Weston-super-Mare. The image, a crude beach scene stamped “Ted Patrick edition,” was offered free on the street and later sold online for modest sums, fuelling online chatter about whether the name masked Banksy himself or simply capitalised on the event’s afterglow.

Forum debates reveal no solid proof of direct authorship by Banksy; instead, Ted Patrick appears to be an independent figure riding the coattails of the anonymous star, using the same tactic of low edition drops, punning titles and cloak-and-dagger distribution to create buzz without revealing identity. Some buyers hoped for a hidden Banksy signature, yet Pest Control, the only body that can authenticate Banksy works, has never endorsed a Ted Patrick print. The moniker may even reference the American “father of deprogramming,” adding another layer of mischief. Today the prints circulate as affordable souvenirs of the Dismaland summer, valued less for artistic innovation than for their place in the ongoing mythology surrounding Banksy and the urban art circus his stunts inevitably attract.

Luke Martin 'Big Bud' (Panama Red) Print Available

Artist: Luke Martin
Title: Big Bud (Panama Red)
Medium: 1 Color Screen Print
Size: 24 x 24 Inches
Edition: 25
Prices: $55

Luke Martin is an American illustrator and silk screen printer who has quickly become a sought after name in contemporary rock poster circles. Working under the banner Suburban Avenger Studios, he blends 1960's psychedelia with modern graphic punch, producing limited-edition prints that sell out within minutes of release. His process starts as loose pencil thumbnails inspired by song lyrics and venue atmosphere; the strongest sketches are inked, scanned and separated for hand-pulled screen prints that layer up to eight transparent colours. The resulting images feel both vintage and futuristic: melting skylines, cosmic wolves and neon lightning bolts float around bold lettering that honours the musical act while establishing Martin’s distinct voice.

Raised on skate graphics, comic books and California surf culture, Martin taught himself printmaking through trial, error and late-night pulls in a garage studio. That self-directed energy caught the eye of promoters for Phish, Jerry Garcia, Dave Matthews Band, My Morning Jacket, The Black Keys, Avett Brothers, Jack White, Robert Plant and Guns N Roses all of whom have commissioned posters that now trade on secondary markets for several times their original price. Each job begins with a deep listen to the band’s latest record, after which Martin translates rhythm and mood into swirling visual narratives that invite viewers to discover hidden symbols keys, eyes, constellations tucked between sweeping colour bands.

When he is not drawing, Martin hits the road to sell prints at merch tables, believing that face-to-face exchanges keep the art grounded in the communal spirit of live music. By merging DIY ethic with meticulous craft, Luke Martin proves that a concert poster can still be a pocket-sized revolution you can pin on your wall.

Justin Hampton 'Lunar Impulses' Print Release Details

Artist: Justin Hampton
Title: Lunar Impulses
Medium: 9 Color Screen Print
Size: 18 x 24 Inches
Edition: 50
Prices: $125

*these are "Coming Soon" with some variants

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Justin Hampton is an American illustrator and printmaker whose dramatic imagery has shaped rock music culture for three decades. Born in 1971 and raised in the Pacific Northwest, he studied graphic design at Western Washington University before moving into concert posters, drawn by the energy of live music and the freedom of screen-printed art. Working primarily in scratchboard and ink, Hampton carves intricate textures that he enhances with layers of translucent colour, creating depth without losing the stark contrast that defines his style.

His client list reads like a hall of fame: Pearl Jam, Nine Inch Nails, KISS, Soundgarden, The Beastie Boys, The Black Keys, Ween, The Flaming Lips, Mark Lanegan Band, 311, QOTSA and The Who have all commissioned posters that merge gothic symbolism with art nouveau curves. Each design begins as loose thumbnails made while listening to the band’s latest record, then develops into detailed compositions where serpents coil around microphones, roses bloom from skulls and cityscapes dissolve into star fields. The final prints are produced in limited editions that sell out within minutes, turning gig memorabilia into collectible art.

Beyond music, Hampton has created covers for DC Comics, packaging for craft breweries and murals for Seattle’s Pike Place Market. When he is not drawing, he lectures on design history and mentors young artists, advocating for craftsmanship in an era of digital speed. By merging Victorian engravings with modern iconography, Justin Hampton continues to prove that a concert poster can be both a souvenir and a timeless work of art.

Anthony Sunter 'No Reason To Be Afraid' Available

Artist: Anthony Sunter
Title: No Reason To Be Afraid
Medium: Archival Pen on Paper
Size: 29.7 x 29.7 cm
Edition: UNSURE
Prices: £165

Nina Chanel Abney 'Digital Blue' Available

Artist: Nina Chanel Abney
Title: Digital Blue
Medium: Looping Digital Video Encased In Acrylic
Size: 11.4 x 7.5 x 1 Inches
Edition: 50
Prices: $3,500

Nina Chanel Abney is an American artist born in Harvey Illinois in 1982 who now lives and works in New York. She earned her BFA from Augustana College in 2004 and her MFA from Parsons School of Design in 2006. Abney is celebrated for large scale paintings that merge representation with abstraction to mirror the frantic pace of contemporary life. Her canvases burst with bold color blocky figures and disjointed narratives that address race celebrity religion politics sex and art history without offering tidy resolutions. Instead she compresses time space and identity creating scenes where information overload feels both chaotic and spontaneously ordered.

Influenced by Matisse the cubists and Harlem Renaissance painters Abney updates historical modes of visual storytelling for the internet age. Her breakthrough came with the 2007 diptych Class of 2007 which portrayed herself as a police officer and her white classmates as inmates a work now in the Rubell Collection. She was the youngest artist included in the touring exhibition 30 Americans and has since mounted major solo shows at the Nasher Museum ICA Miami and Palais de Tokyo. Public commissions include a basketball court mural and a forthcoming facade at Lincoln Center. Whether working on canvas paper or an outdoor wall Abney invites viewers to confront systemic injustice while savoring the seductive power of color and pattern.

Joan Cornella 'Work Hard and Then Die' Print Release Details

Artist: Joan Cornella
Title: Work Hard and Then Die
Medium: Varnished Giclee Print with Glow In The Dark
Size: 43 x 60 cm
Edition: TIMED
Prices: €726

*available at 6am EST on Thursday October 23rd, 2025

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Joan Cornellà is a Spanish artist born in 1981 in Barcelona. He studied fine arts at the University of Barcelona and has become internationally known for his unsettling yet humorous visual narratives. Working primarily in acrylic on canvas and ink on paper Cornellà creates brightly colored minimalist figures that engage in absurd violent or taboo acts. His clean aesthetic recalls vintage advertising and classic comic strips yet the content subverts expectations with scenes of self harm deception and social hypocrisy rendered with deadpan smiles and vacant eyes. The contrast between cheerful palettes and disturbing subject matter forces viewers to confront uncomfortable truths about contemporary life including vanity cruelty and digital narcissism.

Cornellà began publishing comic strips in Spanish magazines before gaining viral fame through social media where his single panel images spread rapidly among audiences hungry for dark satire. Solo exhibitions in Hong Kong Taipei London New York Tokyo and Seoul have drawn long lines of fans eager to purchase prints books and merchandise featuring his instantly recognizable characters. Despite accusations of nihilism Cornellà insists his work is joyful arguing that laughter at tragedy is a healthy response to an absurd world. He continues to produce new paintings and comics daily sharing them with millions of followers online while preparing large scale installations that immerse viewers in his candy colored nightmare.

Mr Brainwash 'Free Museum Day' November 10th

Artist: Mr Brainwash
Title: Free Museum Day
Medium: National New Friends Day
Size: October 19th, 2025
Edition: OPEN
Prices: FREE

*free admission on Sunday October 19th, 2025

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Thierry Guetta known worldwide as Mr Brainwash was born in 1966 in Garges les Gonesse near Paris to a Tunisian Jewish family. He moved to Los Angeles at fifteen and built a life organizing Hollywood parties and running vintage clothing stores while obsessively filming every moment. His artistic awakening came during a 1999 trip to France when his cousin the street artist Invader introduced him to graffiti. Guetta began documenting Invader Shepard Fairey and later Banksy amassing thousands of hours of footage that would become the backbone of the 2010 Oscar nominated documentary Exit Through the Gift Shop. The film presents Guetta transformation from cameraman to creator after Banksy suggests he try making art himself.

Within weeks Guetta adopts the moniker Mr Brainwash and mounts the massive Los Angeles exhibition Life is Beautiful which sells over a million dollars of work and launches him into global fame. His style merges Warhol scale pop imagery with Banksy style stencils spray paint and silkscreen layering cartoon icons Marilyn Monroe Einstein Charlie Chaplin and Mickey Mouse amid slogans like Follow Your Dreams and Never Give Up. Critics debate whether the entire enterprise is an elaborate prank yet Guetta continues to produce exuberant murals prints and installations for brands Madonna Red Hot Chili Peppers and luxury houses. In 2022 he opened the Mr Brainwash Art Museum in Beverly Hills the first contemporary museum created and run by a living artist dedicated to spreading positivity through immersive color drenched experiences.

Andrew Scott 'Tug' Series Release Details

Artist: Andrew Scott
Title: Tug (10 DIFF DOGS)
Medium: Framed Multiples
Size: 33 x 44.5 cm Each
Edition: TIMED
Prices: £300

*available at 5am EST on Friday October 24th, 2025

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Andrew Scott is an American artist who turns destruction into beauty by painting on broken frames and shattered glass. Born in 1991 he grew up in rural Pennsylvania where he studied illustration at the local community college before moving to Philadelphia to pursue fine art. Scott began experimenting with damaged materials after noticing how cracks in a window resembled lightning across a night sky. He now collects discarded mirrors cracked picture frames and fragments of tempered glass from abandoned buildings then layers oil acrylic and spray paint directly onto the jagged surfaces. The resulting portraits and abstract landscapes appear to explode outward while remaining delicately held together by gravity and resin.

Each composition balances chaos and control as brushstrokes follow the lines of fracture turning splinters into petals and shards into rays of light. Scott describes his process as a conversation with chance because every crack dictates where the image can and cannot go. Recent series explore themes of resilience memory and the fragmented self inviting viewers to see brokenness as a form of honest storytelling. His work has been exhibited in galleries across the East Coast and is held in private collections throughout the United States. By transforming trash into luminous art Scott challenges conventional ideas of value and permanence proving that even the most shattered surface can hold a complete and powerful vision.