Harland Miller 'I'll Never Forget What I Can't Remember' Print Available

Artist: Harland Miller
Title: I'll Never Forget What I Can't Remember
Medium: Digital Print on Watercolour Paper
Size: 60 x 80 cm
Edition: OPEN
Price: £120

*this print has a printed signature

Harland Miller 'I Am The One I've Been Waiting For' Print Available

Artist: Harland Miller
Title: I Am The One I've Been Waiting For
Medium: Digital Print on Watercolour Paper
Size: 60 x 80 cm
Edition: OPEN
Price: £120

*this print has a printed signature

Harland Miller 'Love Saves The Day' Print Available

Artist: Harland Miller
Title: Love Saves The Day
Medium: Digital Print on Watercolour Paper
Size: 60 x 80 cm
Edition: OPEN
Price: £120

*this print has a printed signature

Harland Miller 'Not Giving In To Will Power' Print Available

Artist: Harland Miller
Title: Not Giving In To Will Power
Medium: Digital Print on Watercolour Paper
Size: 60 x 80 cm
Edition: OPEN
Price: £120

*this print has a printed signature

Harland Miller 'This Is Where It's Fuckin At' Print Available

Artist: Harland Miller
Title: This Is Where It's Fuckin At
Medium: Digital Print on Watercolour Paper
Size: 60 x 80 cm
Edition: OPEN
Price: £120

*this print has a printed signature

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Harland Miller is a prominent British artist and writer, widely recognized for his large-scale, vibrant paintings that merge the aesthetics of abstract art with a sharp, literary wit. Born in Yorkshire in 1964, Miller began his career as a writer, publishing his debut novel, Slow Down Arthur, Stick to Thirty, in 2000. This literary background heavily informs his visual work, which typically features oversized canvases designed to look like vintage Penguin paperbacks.

His distinctive style involves creating the illusion of a worn book cover, complete with faux creases, coffee stains, and an aged patina. He uses these familiar, nostalgic formats as a canvas for his own sardonic and often humorous titles, such as "Incurable Romantic Seeks Dirty Woman" or "I Am The One I’ve Been Waiting For." These titles often play on themes of self-help culture, the human condition, and popular clichés.

Miller's work gained significant traction in the early 2000s and quickly became a staple in contemporary art galleries worldwide. His art is collected by high-profile individuals and institutions. While his paintings often utilize a pop art sensibility in their appropriation of existing design, they maintain a painterly quality that gives each piece unique texture and depth. Miller lives and works in London, continuing to explore the intersection of text and image, solidifying his unique position in the contemporary art world as both an acclaimed painter and a published author.

Enzo Mari Due 'La Pera' Print Available

Artist: Enzo Mari Due
Title: La Pera
Medium: 2 Color Screen Print
Size: 112 x 112 cm
Edition: UNSURE
Price: £270

Enzo Mari (1932–2020) was a towering figure in post-war Italian design, renowned as the "critical conscience of design." An artist, product and furniture designer, theorist, and self-professed utopian, Mari believed design was a powerful tool for societal change, not merely a commercial pursuit. His ethical, anti-capitalist stance drove him to create work that was functional, accessible, and high-quality for everyone, not just the wealthy. Mari’s approach was rooted in both the Arts and Crafts movement and his communist ideals. He applied rationalist principles to his work, moving freely between fine art, graphic design, and industrial production for major manufacturers like Alessi, Danese, and Magis. He consistently challenged the design industry throughout his prolific 60-year career, winning the prestigious Compasso d'Oro award multiple times.

Key projects illustrate his profound philosophy. The 16 Animals puzzle from 1957 was an early, celebrated piece of kinetic art that doubled as a children's toy. The Timor perpetual calendar, developed in 1967, exemplified functional, intuitive design inspired by train station flip signs. Perhaps his most famous critique of consumerism was the Autoprogettazione project of 1973. This initiative provided free instructions for users to build their own furniture from simple wooden boards and nails, encouraging a critical understanding of mass production and the value of manual labor. Mari’s legacy, spanning over 2,000 projects, continues to inspire designers to pursue a more principled, human-centered approach to creation. He firmly believed that design should solve real problems and empower the user, leaving behind a body of work that is as intellectually rigorous as it is aesthetically pure.