Pose 'Zine #1' Available

Artist: Pose
Title: Zine #1 (2nd Edition)
Medium: 44 Page Full Color Zine
Size: 6 x 9 Inches
Edition: 100
Price: $30

*each zine comes with a hand-tagged POSE sticker

James Jean 'Sun Tarot Nebula' Print Release Details

Artist: James Jean
Title: Sun Tarot Nebula
Medium: Spot Varnished FancyAF Embossed Giclee
Size: 9 x 12.5 Inches
Edition: TIMED
Price: €375

*available at 1pm EST on Friday October 31st

James Jean 'Sun Tarot Nebula Pollen' Print Release Details

Artist: James Jean
Title: Sun Tarot Nebula Pollen
Medium: Spot Varnished FancyAF Embossed Giclee
Size: 9 x 12.5 Inches
Edition: TIMED
Price: €375

*available at 1pm EST on Friday October 31st

James Jean 'Sun Tarot Nebula Nectar' Print Release Details

Artist: James Jean
Title: Sun Tarot Nebula Nectar
Medium: Spot Varnished FancyAF Embossed Giclee
Size: 9 x 12.5 Inches
Edition: TIMED
Price: €375

*available at 1pm EST on Friday October 31st

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James Jean is a Taiwanese-American artist born in 1979 who moves between illustration, painting and monumental installation with fluid grace. Raised in New Jersey and trained at New York’s School of Visual Arts, he first gained fame creating intricate covers for DC Comics’ Fables and The Umbrella Academy, winning six Eisner Awards for his combination of delicate line work and jewel toned atmosphere . In 2007 he stepped away from commercial deadlines to focus on gallery painting, producing large canvases where human forms melt into blooming flora, rippling water and geometric shards, suggesting dreams caught mid transformation.

His relationship with Takashi Murakami is built on mutual admiration rather than pupilage. Murakami invited Jean to join the 2016 group show Juxtapoz x Superflat at Vancouver Art Gallery, placing Jean’s painting Bouquet at the centre of the exhibition branding . Murakami later curated Azimuth, Jean’s 2018 solo show at Kaikai Kiki Gallery in Tokyo, writing that Jean’s narrative drawings possess “a language original to his brain” and praising his ability to dissolve the boundary between illustration and high art . The two artists share an interest in flattening hierarchies: Murakami’s Superflat merges pop culture and fine art, while Jean fuses Renaissance detail, Chinese scroll painting and street art energy into luminous contemporary mythologies.

Today Jean lives in Los Angeles, where he continues to paint, publish limited prints and create immersive stained glass installations, proving that stories can glow as brightly on gallery walls as they once did on comic book covers.

Emilio Garcia 'Sponge Brain Wall' Release Details

Artist: Emilio Garcia
Title: Sponge Brain Wall (Yellow, Pink or Black)
Medium: Acrylic Painted Resin Sculpture
Size: 16 x 17 x 7.5 cm each
Edition: 30 each
Price: €490

*available on Wednesday October 22nd, 2025

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Emilio Garcia is a Spanish sculptor and painter born in Tarragona in 1981. Raised between the coastal town of El Vendrell and the city of Barcelona, he graduated in graphic design from Escola d’Art i Disseny de Tarragona and cut his creative teeth in cartoon animation studios along the Catalan coast. In 2008 he abandoned digital media to craft tactile objects, founding Secret Lapo Laboratories as a studio where pop culture, designer toys and neuroscience could collide in bronze, resin and vivid colour.

His breakout work is the Jumping Brain, a frog like brain that vaults across walls and pedestals. Conceived as commentary on reckless ideas that leap over barriers, the piece earned first prize at the Plastic and Plush Toy Awards in 2008 and sold out in every colourway, propelling Garcia onto the international art circuit. He has since produced an extended family of cerebral characters: Skull Brain, Sponge Brain and Brain Heart merge grey matter with skeletons, household sponges and arterial blood, turning the organ of thought into a playful avatar for identity, emotion and mortality.

Garcia’s sculptures begin as hand-sculpted maquettes, are cast in bronze or resin, and are finished with automotive lacquers that make synapses shimmer like candy. Large scale versions have appeared at SCOPE Miami, Swab Barcelona and Art Fair Tokyo, while collaborations with Disney, Chanel and Mark Ryden place his work at the intersection of high fashion and street culture. Publications such as Juxtapoz and Clutter have chronicled his rise, and his pieces are held in collections ranging from the Musée des Beaux-Arts in Québec to private galleries across Asia, Europe and the Americas. By transforming the brain into a charismatic protagonist, Emilio Garcia invites viewers to celebrate the jump of an idea and to recognise that every thought, no matter how wild, carries the spark of a new world.

2 Days Left For Shepard Fairey + Invader 'Positive Space/Negative Space' Application

Artist: Shepard Fairey + Invader
Title: Positive Space/Negative Space
Medium: Embossed Multi Color Screen Print
Size: 72.3 x 53.3 cm each
Edition: 250 each
Price: $1,000

*application open until 7am EST on Wednesday October 23rd, 2025

Ai Weiwei 'Forever Bicycle' (Blue + Silver) Print Release Details

Artist: Ai Weiwei
Title: Forever Bicycle (Blue + Silver)
Medium: Gold Leaf Embellished 3 Color Screen Print
Size: 75 x 75 cm
Edition: 100
Prices: €2,420

*application open until Monday November 17th, 2025

Ai Weiwei 'Forever Bicycle' (Red + Gold) Print Release Details

Artist: Ai Weiwei
Title: Forever Bicycle (Red + Gold)
Medium: Gold Leaf Embellished 3 Color Screen Print
Size: 75 x 75 cm
Edition: 100
Prices: €2,420

*application open until Monday November 17th, 2025

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Ai Weiwei is a Chinese artist, architect and activist born in Beijing in 1957 who uses sculpture, photography, film and social media to challenge authority and champion human rights. The son of poet Ai Qing, he grew up during the Cultural Revolution and later studied at Parsons School of Design in New York, where exposure to conceptual art shaped his belief that ideas carry more weight than objects. His best known works transform traditional materials into pointed political statements: Sunflower Seeds consists of one hundred million porcelain seeds hand painted by artisans in Jingdezhen, inviting viewers to consider mass labour and individuality, while Straight comprises ninety tons of rebar recovered from schools destroyed in the 2008 Sichuan earthquake, the bent metal painstakingly straightened to memorialise young lives lost to corruption.

Architecture is another arena of critique. He helped design Beijing National Stadium for the 2008 Olympics, yet later distanced himself from the project, calling the games a propaganda show. His subsequent installations often expose state surveillance: surveillance cameras cast in marble or bronze sit like silent idols, questioning who watches whom in modern society.

Detention in 2011 for eighty one days without charge intensified his global profile. Since regaining his passport he has lived in Portugal and Britain, continuing to produce work that links personal experience to universal themes of freedom and exile. Whether building a fence across New York landmarks or wrapping refugees in thermal blankets on Berlin concert hall steps, he insists that art must engage with the world beyond the gallery. By merging ancient craft with contemporary dissent, he proves creativity can be a powerful form of resistance.

Derrick Adams 'Fixing My Face' Print Release Details

Artist: Derrick Adams
Title: Fixing My Face
Medium: 21 Color Screen Print
Size: 20 x 20 Inches
Edition: 40
Prices: $4,000

*available Tuesday October 21st, 2025

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Derrick Adams is an American artist born in Baltimore in 1970 who works across painting, collage, sculpture, performance and digital media. He studied at Pratt Institute and earned an MFA from Columbia University, grounding his practice in both fine art and critical theory. His vibrant mixed media pieces celebrate Black joy, leisure and self fashioning, presenting everyday life as a site of cultural richness and resistance.

Adams layers acrylic, fabric, paper and found objects to build portraits and domestic scenes that pulse with pattern and colour. Flat planes of emerald, fuchsia and gold echo African textiles while recalling the geometric language of early modern abstraction. The work often incorporates hair weaves, clothing labels and magazine cutouts, turning consumer debris into signifiers of identity and aspiration. Recurring motifs include crowns, luxury bags and television static, suggesting that visibility and representation are constant negotiations.

Performance remains central to his output.

In 2018 he staged “We Came to Party and Plan” at the Brooklyn Museum, transforming the space into a disco where archival footage of 1970s Black dance shows played alongside live DJs, linking celebration to community organising. Recent exhibitions include “Where I’m From” at the Hudson River Museum and “Motion” at Luxembourg and Dayan, New York, while his collage “Style Variation #25” entered the collection of the Metropolitan Museum of Art.

When he is not in the studio, Adams mentors young artists and curates pop culture archives, believing that creativity is a collective resource. By merging celebration with critique, he invites viewers to recognise that joy itself is a radical act.

Jason Raish 'Destroy All Monsters' Prints Release Details

Artist: Jason Raish
Title: Destroy All Monsters
Medium: Giclee Print on Card
Size: 24 x 36 Inches
Edition: 100
Prices: $65

*available with a couple variants at Noon EST on Monday October 20th, 2025

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Jason Raish is a New York based illustrator whose hyper real, fashion-forward images merge couture flair with subtle social commentary. Born in Seoul and raised amid the forests of western New York, he spent six years freelancing across Beijing, Tokyo, Barcelona, Seoul, London and Paris before settling in Brooklyn, where he now jogs each morning with his rescue Husky Dubuchim. His style is self described as hyper-realistic, colourful and stylish, built with delicate ink linework and luminous digital colour that makes fabric shimmer and skin appear lit from within.

Raish’s breakout personal project, Croquet & Ink, blends his love of fashion illustration with observations on class and race, depicting genteel croquet matches populated by models of diverse heritage. The series earned a Silver Medal from the Society of Illustrators and opened the door to major editorial and advertising commissions, including the New York Times, Saatchi & Saatchi, Leo Burnett and The Times of London. He approaches each brief as a narrative vignette, researching period costumes, contemporary runway looks and symbolic props to create scenes that feel both aspirational and quietly subversive.

Working from a cluttered IKEA desk in a shared apartment studio, he combines a 2014 Mac Mini, Wacom tablet and vertical mouse, preferring the tactile friction of pen on screen to achieve hair-thin detail. Recent self-initiated work includes a tarot deck that weaves Korean folk motifs with modern divination imagery, further expanding his exploration of identity and heritage. Whether illustrating a silent WALL-E for the Criterion Collection or crafting a glamorous magazine cover, Jason Raish invites viewers to look twice, discovering that beneath the gloss lies a thoughtful commentary on who gets to sit at the garden party of contemporary culture.