Olga Esther 'Bad Cats' Print Available

Artist: Olga Esther
Title: Bad Cats
Medium: Giclee Print
Size: 16 x 22 Inches
Edition: 40
Price: $150

Olga Esther is a Spanish painter and illustrator who creates a dreamlike universe where princesses refuse to be saved. Born in Valencia on 2 January 1975, she grew up during the final days of Franco’s regime and later studied Fine Arts at the Polytechnic University of Valencia. Her canvases and works on paper are populated by wide-eyed girls, weeping birds and masked royalty who stare out at the viewer with equal parts innocence and defiance. Using delicate layers of oil on wood panel, she builds soft flesh against flat, jewel-toned backgrounds so that each figure appears to glow from within.

The artist’s recurring motif of reluctant princesses serves as a gentle but pointed critique of traditional gender roles. Lace collars, crowns and flower wreaths appear only to be undercut by tears, blood drops or a frog who “kills himself because he is ignored,” turning familiar fairy-tale imagery into quiet acts of feminist rebellion. The symbolism is further enriched by medieval and religious references sacred hearts, halos and ornate textiles that suggest both reverence and resistance to inherited narratives.

Exhibitions at Thinkspace, Beinart Gallery and Urban Nation have carried her work from Spain to the United States and Germany, while awards such as third place in the 2018 Beautiful Bizarre Art Prize have cemented her place in contemporary pop-surrealism. When she is not painting, Esther shares process videos and sketches with her 47,000 Instagram followers, inviting them into a world where vulnerability is strength and every princess is her own saviour.

Mr Callaby 'Get The Champagne, You Did The Bare Minimum' Available

Artist: Matthew Callaby aka Mr Callaby
Title: Get The Champagne, You Did The Bare Minimum
Medium: Giclee Print
Size: (A1) 59.4 x 84.1 cm
Edition: OPEN
Price: £140

Matthew Callaby, professionally known as Mr Callaby, is a British contemporary artist born in 1990 and currently based in Bristol. His instantly recognisable acrylic paintings introduce viewers to a candy-coloured universe populated by chubby, wide-eyed characters that balance on the tightrope between adorable and unsettling. Inspired by childhood nights spent watching Cartoon Network and by the graphic clarity he learned while studying design, Callaby builds each canvas with laborious precision, brushing four to six ultra-flat coats until the surface resembles polished plastic.

The process begins as tiny sketches made on trains or in cafés, loose drawings of anthropomorphic fruit, balloons or animals that later balloon into large scale compositions where subtle shadows hint at emotional depth beneath the glossy cuteness. That tension sweet yet vaguely eerie has become his signature, earning him solo shows at Helm Gallery and sell-out releases on Artsy, while his ceramics and charcoal works extend the cast of characters into three dimensions and monochrome dreamscapes.

After eight years of painting at night while working in advertising, Callaby saved enough to attempt six months of full-time art, a leap that quickly paid off when collectors connected with the playful sincerity of his vision. Social media now spreads his images worldwide, yet he remains cautious of influencer labels, preferring to protect the integrity of each handmade piece rather than flood the market with prints.

Whether rendering a smiling milk carton or a teary ice-cream cone, Mr Callaby invites us to confront the soft underbelly of consumer culture with a grin, proving that seriousness and fun can coexist on the same immaculate plane.

Alex DiPaola '24/7 Convenience Store' Print Available

Artist: Alex DiPaola
Title: 24/7 Convenience Store
Medium: Giclee Print
Size: 18 x 24 Inches
Edition: OPEN
Price: $80

Alex DiPaola is an American artist who bridges classical draftsmanship and cutting edge technology. Trained in traditional painting and drawing, he first gained notice as a pixel perfect illustrator, translating vintage comic covers and gig posters into crisp digital mosaics that nod to 8 bit arcade culture while retaining the warmth of hand placed colour . That early fluency in tiny squares now feeds a broader practice where code, cognition and canvas converge.

Working from both Brooklyn and San Francisco, DiPaola writes custom software that models how humans perceive emotion, then feeds the data into generative algorithms that produce swirling, painterly prints. The resulting images feel like Francis Bacon meets binary: faces melt into rivers of saturated teal and magenta, yet every curve is rooted in mathematical rules that track eye movement and heart rate. Recent installations at the Whitney Museum of American Art and the MIT Museum invite visitors to alter the art in real time through biometric sensors, proving that creativity can be a two way circuit between carbon and silicon .

When he is not coding, DiPaola still puts brush to linen, layering transparent oils until ghostly portraits emerge, their edges flickering like corrupted jpegs. The hybrid approach has earned him features in Wired, Scientific American and a 2021 election to the Royal Society of Canada’s College of New Scholars, an honour that places him among thinkers shaping the future of art and artificial intelligence . By asking what it means to feel in a digital era, Alex DiPaola keeps expanding the border between viewer and artwork, ensuring each exhibition is less a display than a living conversation.

Dave Baranes 'Love In Paris' Print Available

Artist: Dave Baranes
Title: Love In Paris
Medium: Giclee Print
Size: 30 x 30 cm
Edition: 50
Price: €55

Dave Baranes is a self taught French painter who transforms city walls into urgent elegies for the natural world. Raised on the outskirts of Paris, he absorbed the graffiti and decorative mural culture of the 1980s, learning to handle spray cans and rollers before he could drive. That early fluency in scale and speed now fuels monumental works where hyperreal animals stride, leap or crouch across brick and concrete, their fur rendered with near photographic patience while the backgrounds dissolve into streaks of saturated colour.

His chosen subjects are creatures on the brink: white tigers, black jaguars, gorillas, wolves and pangolins appear in states of calm dignity, yet human hands often intrude, painted as ghostly silhouettes that clutch, tear or pollute the scene. The contrast between soft living form and hard urban geometry creates an optical jolt, turning passers-by into witnesses of ecological crisis. Baranes describes his practice as environmental activism delivered through beauty rather than blame, hoping that awe will inspire protection.

Working without preliminary projections, he sketches directly onto the wall, then builds volume with acrylic and aerosol, finishing eyes and whiskers with tiny brushes to achieve a glow that seems lit from within. Recent murals in Nogent sur Marne and Saint Maur des Fossés have turned sleepy suburbs into open air galleries, while canvas editions and NFT drops fund new public pieces.

By merging street art immediacy with wildlife portraiture, Dave Baranes offers a vital reminder that every wall can become a plea for the planet, and that the wild still watches from the edges of our asphalt world.

Halfstudio 'Empathy' Wall Sculpture Available

Artist: Halfstudio
Title: Empathy
Medium: UV Printed Plexiglass Wall Sculpture
Size: 30 x 41.8 cm
Edition: 35
Price: €360

Halfstudio is the shared creative identity of Portuguese designers Cláudia Amorim and Sérgio Leitão, a couple who merge architecture, typography and bold colour into murals, objects and screen prints that pulse with urban optimism. Both born in the late 1980s and trained at Lisbon’s Faculty of Architecture, they met while painting stage sets for music festivals and soon discovered a mutual fascination with scale, signage and the emotional power of flat colour. In 2015 they founded Halfstudio as a vehicle for collaborative experimentation, choosing the name to signal that every project is only half finished until public interaction completes it.

Their process begins in the studio with precise vector drawings that distort letterforms into rhythmic ribbons. These shapes are then enlarged by hand onto building façades using rollers and brushes, allowing slight drips and texture to soften the geometry and to root digital clarity in human touch. The palette is unapologetically upbeat: tangerine, turquoise and bubble-gum pink collide in gradients that seem to vibrate against white masonry, transforming quiet alleys into open-air colour fields.

Clients such as Nike, Underdogs Gallery and the City of Lisbon have commissioned walls, window displays and limited-edition prints, yet the duo still volunteers for neighbourhood festivals, teaching children to paint giant initials that spell out local hopes. Living and working in Almada, across the river from Lisbon, Cláudia and Sérgio continue to treat every surface as a chance to exchange architectural rigor for contagious joy, proving that two imaginations can add up to far more than one.

Dan McCarthy 'Dwellings 9' Prints Available

Artist: Dan McCarthy
Title: Dwellings 9
Medium: 9 Color Screen Print
Size: 12 x 16 Inches
Edition: 200
Price: $30

*this is also available on wood for $70

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Dan McCarthy is a Massachusetts born artist whose quiet paintings and prints transform roadside America into dreamlike memory. Working from a small studio on Cape Cod, he begins each piece with quick notebook sketches made during long drives, capturing telephone poles, empty parking lots and low horizon skies in the soft light of late afternoon. Back at his table he translates these fleeting impressions into layered acrylic washes, allowing the tone of the linen to remain visible so that every image feels weathered by sun and salt air.

His palette leans toward muted ochres, pale blues and dusty roses, colours that echo faded postcards and old cinema posters. Figures appear rarely, and when they do they are turned away or blurred by distance, inviting viewers to inhabit the scene rather than observe a story.

The result is a body of work that feels both intimate and universal, where a single streetlamp can suggest the promise of company or the certainty of solitude.

McCarthy exhibits widely across the United States and Europe, and his affordable screen prints have made his imagery familiar to a generation of collectors seeking calm in an accelerated world. When he is not painting, he scans vintage paper and uploads found photographs to his website, sharing source material freely and encouraging others to look slowly. In this way his canvases become gentle reminders that beauty often hides in plain sight, waiting for anyone willing to pull over, breathe and notice the ordinary glow of an average day.

Enzo Prina 'That's A Moire' HPM #44 Available

Artist: Enzo Prina
Title: That's A Moire #44
Medium: Hand Embellished Giclee on Canvas
Size: 24 x 32 Inches
Edition: UNIQUE
Price: $1,000

Enzo Prina is an American contemporary artist born in 1997 and based in Salt Lake City, Utah, whose hypnotic paintings turn simple lines into shimmering fields of motion. He began drawing the moment he could grip a crayon, won a Game Boy in a Walgreens coloring contest at age five, and later taught himself oil painting with a Bob Ross set, experiences that instilled early respect for patience and pigment . While studying filmmaking in high school he discovered moiré patterns and became obsessed with their optical pulse, first replicating them by hand with rulers, then refining the process into a signature style that merges kinetic art with meditative repetition.

Prina now builds each work in layers: he designs digital line arrays, prints them onto fine weave canvas, then hand embellishes every sheet with acrylic and alcohol inks so that no two pieces are identical. The finished surfaces appear to vibrate, glitch and slide as viewers shift position, transforming static walls into living screens. Limited editions such as the That is a Moiré series sell out in weekly drops, and his large scale installations have been featured by Oliver Cole Gallery and across social media, where millions watch him peel masking tape to reveal undulating waves of colour.

Despite rapid success, Prina keeps production intimate, working out of a small studio and shipping worldwide himself. By blending analog precision with digital clarity, he offers a contemporary form of Op Art that feels both scientific and playful, reminding onlookers that vision itself is a moving target and that even the simplest line can contain infinite motion.

Max Sansing 'Rapture' Artist Proof Available

Artist: Max Sansing
Title: Rapture
Medium: Deckled Giclee Print
Size: 36 x 38 Inches
Edition: A/P
Price: $625

Max Sansing is a Chicago born muralist and fine artist whose vivid portraits fuse photorealistic technique with the explosive colour of street art. Raised in Avalon Park by two creative parents, he began drawing at four and joined graffiti crews as a teen, painting permission walls across the city and learning to handle aerosol, markers and rollers with precision. That early training in scale and speed still feeds his current practice, where oil painted faces emerge through swirling flames, neon clouds and cascading streaks of turquoise, emerald or magenta.

After two years at the American Academy of Art, Sansing translated his graffiti hunger into monumental murals that now span Chicago, Denver, Boston and beyond. His figures, often everyday neighbours or local schoolchildren, are rendered in hyperreal detail yet bathed in supernatural hues, a choice he calls “humanism over colourism”. Recurring symbols such as skeleton keys pay homage to childhood rides on the elevated train with his CTA employed father, suggesting that every person holds the tool to unlock new pathways.

Community anchors every project. He has partnered with Nike, Virgil Abloh and the Chicago Fire FC to fund youth programmes, and his 2024 mural at Michele Clark Prep Magnet School turns a brick wall into a beacon of possibility visible from the Eisenhower Expressway. Whether painting Fred Hampton, Frankie Knuckles or an unknown teen, Sansing scales individual stories to civic monuments, reminding viewers that culture is power and that the next revolution might begin with a spray can and an open wall.

Edit Tenyi 'Morning Silence' Print Available

Artist: Edit Tenyi
Title: Morning Silence
Medium: Screen Print on Canvas
Size: 13.6 x 19.7 Inches
Edition: UNIQUE
Price: $300

Edit Tényi was born in 1976 in Novi Bečej, a quiet town in the Vojvodina province of northern Serbia, and her art carries the open skies and fertile flatlands of that region into every canvas. Working from a studio filled with natural light, she begins each painting by laying down translucent fields of acrylic, allowing the tone of the linen to shine through like weathered plaster. Over these atmospheric bases she builds slow, delicate layers of oil, coaxing forward still life objects, distant horizons and solitary female figures that seem to breathe rather than pose.

Her palette leans toward sunlit ochres, muted olives and the occasional burst of cobalt, colours she mixes directly on the surface with a soft bristle brush to keep edges tender and alive. The result is a body of work that feels both intimate and expansive, where a single pear on a windowsill can suggest the promise of an entire harvest, and a turned back can hint at stories beyond the frame.

Edit exhibits widely across Europe and maintains a growing presence in the United States through Saatchi Art, where collectors praise the emotional quiet that radiates from each piece. When she is not painting, she teaches drawing to local children, believing that the act of seeing must be shared if it is to stay honest. In this way her canvases become quiet conversations between memory, place and the simple pleasure of looking, offering viewers a moment of calm reflection in an increasingly hurried world.

Barbara Kuebel 'Water Is My Life!' Print Available

Artist: Barbara Kuebel
Title: Water Is My Life!
Medium: Woodcut Print
Size: 24 x 33.9 Inches
Edition: 10
Price: $650

Barbara Kuebel was born in 1969 in Linz, Austria, and today lives and works in Daphne, Alabama. After earning two degrees from the Academy of Fine Art Vienna she moved from painting into large scale woodcut printing, an approach that allows her to carve life sized figures directly into raw timber without costly chemicals or elaborate tools . Her creative process is guided by a studio mantra of “no fun, no art,” a principle that keeps the work spontaneous and physically engaging.

Kuebel’s images spring from awkward social moments and the never ending search for being. She begins with swift charcoal sketches of bodies in motion, then translates those fluid lines into hefty woodblocks. Using only hand gouges and basic rollers, she cuts away negative space for about a week, prints the block in three concentrated hours, and allows the sheet to dry for two weeks, producing editions of five that bear rough hewn edges and velvety monochrome ink.

The finished portraits feel simultaneously abstract and figurative: limbs stretch and overlap, expressions remain unfinished, and the grain of the wood becomes a living element within the picture plane.

Exhibitions in Europe and the United States have presented these prints alongside painted variations that echo the same emotive energy in oil and pencil . Whether showing a single towering figure or a dense swarm of characters, Kuebel invites viewers to confront the uneasy beauty of human connection and the raw physicality of mark making itself.