Cleon Peterson 'Tired Of The Show' + 'Feudal Troubles' Print Available

Artist: Cleon Peterson
Title: Tired Of The Show + Feudal Troubles
Medium: Hand Pulled 2 Color Screen Prints
Size: 13 x 18 Inches each
Edition: 75 each
Price: $150/Set

Aaron De La Cruz 'Connected' (Series 3) Print Available

Artist: Aaron De La Cruz
Title: Connected (Series 3)
Medium: 5 Color Serigraph
Size: 22 x 30 Inches
Edition: 100
Price: $400

 

*there is also an AP version available for $550

Aiko/Montana 'Tokyo Pink' Can Available

Artist: Aiko
Title: MTN Spray Can
Medium: Custom Printed Montana Can in Box
Size: Spray Paint Can Size
Edition: 500
Price: $50

 

Aiko is a Japanese born street artist and printmaker who became one of the original members of the New York collective FAILE. Born Aiko Nakagawa in Tokyo in 1975, she studied filmmaking and graphic design before moving to New York City in 1997. There she met Patrick McNeil and Patrick Miller, and together they formed the trio that would evolve into FAILE, wheat-pasting layered pop culture collages across downtown walls.

Within the collective Aiko brought a refined stencil technique and a feminine perspective, often inserting elegant female silhouettes, kimono patterns and delicate line work amid the group’s chaotic posters. She documented early street missions on camera and helped develop the ripped, multi-layer aesthetic that became FAILE’s signature. In 2006 she left the group to pursue solo projects, adopting the moniker Lady Aiko, and quickly gained recognition for her own imagery: geishas, butterflies and a recurring bunny motif first sprayed on a bathroom door in Banksy’s London studio.

Today Aiko works on canvas, wood and large outdoor walls from Brooklyn to Miami, Tokyo and Berlin. Her process still relies on hand-cut stencils, gold leaf and spray paint, blending ukiyo-e influences with contemporary street energy. Murals such as Lady With Parasol in Little Italy and Geisha Walk on the Bowery have become landmarks, while gallery exhibitions in New York, London and Paris present limited edition prints that sell out rapidly. By merging Japanese iconography with punk attitude, Aiko continues to expand the dialogue between Eastern tradition and Western street culture, proving that grace and rebellion can coexist on the same wall.

JBoy 'Hollow' (Black/White or Silver/White) Timed Edition Available

Artist: JBoy
Title: Hollow (Black/White or Silver/White)
Medium: Acrylic + Marker on Canvas
Size: 50 x 50 cm
Edition: TIMED
Price: £195

 

*available for 24 hrs from Noon EST on Friday October 24th, 2025

Hollow is about anonymity, absence, and everything that leaks through when you try to hide. Some people see loneliness, others calm. I mostly see gravity doing its job. Each piece is hand painted with Grog and Molotow dripper paints in a messy, semi controlled way.

Nick Walker 'Vandal vs Louboutin' (Part 2) Print Lottery Open

Artist: Nick Walker
Title: Vandal vs Louboutin (Part 2)
Medium: Giclee Print
Size: 49.9 x 69.3 cm
Edition: 30
Price: £400

 

*email info@theartofnickwalker.com to enter lottery

________________

Nick Walker is a British street artist born in Bristol in 1969 who helped pioneer the stencil graffiti movement that would later define Banksy. Emerging from the city’s early 1980s scene alongside members of the Wild Bunch music collective, Walker began combining freehand spray technique with intricate hand-cut stencils, producing images that feel spontaneous yet photographically precise.

His signature character is “The Vandal,” a bowler-hatted gentleman who splashes vivid paint across grey walls, a witty self-portrait that questions the divide between order and rebellion. Works such as Moona Lisa, a stencil of the Mona Lisa baring her bottom, and the large mural Painting the City Red on Nelson Street, Bristol, have become landmarks in urban art tours.

Walker’s influence on Banksy is widely acknowledged: both artists refined stencil craft in the same Bristol circles, shared walls during the 1990s and exhibited through Pictures on Walls, the influential London print house that launched many street artists into the gallery market. In 2008 Walker’s solo show at Black Rat Gallery sold £750,000 of art in a single night, proving the commercial power of street aesthetics on canvas.

International residencies followed, including a 2013 stint at the Quin Hotel in New York where he filled the lobby with red paint drips and bowler-hatted silhouettes, extending his visual language into luxury spaces. Whether on brick, aluminium or restaurant wall, Walker continues to celebrate the city as “the ultimate canvas,” reminding viewers that a sharply cut stencil and a dash of humour can still stop traffic and start conversations.

Mike Mitchell 'Spontoons' Print Available

Artist: Mike Mitchell
Title: Spontoons
Medium: Giclee Print
Size: 8 x 8 Inches
Edition: 250
Price: $50

 

*another awesome Halloween themed art print

Mike Mitchell 'Pied Kingfisher' (Void) Print Available

Artist: Mike Mitchell
Title: Pied Kingfisher (Void)
Medium: Giclee Print
Size: 8 x 10 Inches
Edition: 150
Price: $75

Mike Mitchell 'Son' (Frog) Print Available

Artist: Mike Mitchell
Title: Son (Frog)
Medium: Giclee Print
Size: 11 x 14 Inches
Edition: 100
Price: $75

 

Mike Mitchell is an American illustrator and painter born in 1982 who lives and works in Austin, Texas. He studied graphic design at the University of Texas, where he learned to merge bold composition with narrative clarity, a skill that now fuels his instantly recognizable pop culture portraits. Working primarily in acrylic on panel, Mitchell builds each image through smooth, graphic layers of color, allowing the wood grain to remain visible so that every piece feels both polished and organic.

His breakout moment arrived in 2008 with a portrait of then candidate Barack Obama surrounded by retro comic book speed lines, an image that went viral and taught him that social media could propel a career as surely as gallery reviews. Since then he has created luminous paintings of movie characters, musicians and internet memes, rendering each subject with wide eyes and saturated hues that echo 1980s lunchboxes while radiating contemporary optimism. Limited edition screen prints sell out in minutes, while museum retrospectives at the Norman Rockwell Museum and M Modern Gallery have validated the work beyond Instagram.

Mitchell’s process begins as digital sketches that he refines into vector shapes, then translates by hand onto panel using masking tape and tiny brushes to achieve edges sharp enough to cut glass. Recurring symbols such as lightning bolts, confetti bursts and starry backgrounds function as visual exclamation points, amplifying the heroic mood of each portrait.

When he is not painting, he collects vintage toys and records, gathering reference material that feeds future compositions. By merging mid century advertising with twenty first century celebrity, Mike Mitchell proves that a single well crafted image can still compete with the visual noise of an entire city block.

Faile 'Hidden Worlds Come To Life' Print Available

Artist: Faile
Title: Hidden Worlds Come To Life
Medium: Giclee Print
Size: 24 x 28 Inches
Edition: 250
Price: $285

 

FAILE is a Brooklyn-based U.S. art collective founded in 1999 by Patrick McNeil (b. 1975, Edmonton, Canada) and Patrick Miller (b. 1976, Minneapolis, U.S.). The duo met as teenagers in Arizona, later reuniting in New York to create a multimedia practice that fuses street art tactics with fine art finish. Their name is an anagram of their first project, “A Life,” signalling rebirth through image making.

Working across painting, print, sculpture, mosaic and interactive installation, FAILE remixes pop culture detritus comic books, pulp ads, quilting patterns, religious icons into saturated collage compositions. Stencils and wheat paste remain core tools, yet recent works expand into hand-carved wood, glazed ceramic and even fully functioning arcade machines. Recurring emblems such as the Challenger shuttle, distressed comic heroines and the year “1986” serve as personal signatures and collective memory triggers, inviting viewers to decode layered references to consumerism, faith and urban anxiety.

Major institutional moments include a 240-square-foot mural on London’s Tate Modern in 2008 and the 2015 Brooklyn Museum exhibition Savage/Sacred Young Minds, where the collective installed Temple, a life-size ruin of iron and painted ceramic, alongside Deluxx Fluxx, a playable punk arcade co-built with artist Bäst (RIP). Through these immersive environments FAILE blurs the line between viewer and participant, high culture and street culture, celebrating the democratic potential of art in shared space. Today McNeil and Miller continue to produce limited screen prints, large murals and collaborative projects that travel worldwide, affirming their belief that images should live everywhere from alley walls to museum façades and that meaning emerges through constant visual dialogue with the city.

JBoy 'Hollow' (Gold) Painting Available

Artist: JBoy
Title: Hollow (Gold)
Medium: HPM Canvas
Size: 50 x 50 cm
Edition: 10
Price: £195

 

JBoy is the working alias of a London-based visual artist who prefers to keep his real name private. Born and raised in the city, he describes himself as “fairly (un)known” and treats art as a way to calm a restless, hyperactive mind. Rather than aligning with one signature style, he follows whatever feels right for the picture, moving between charcoal, pencil and paint, and letting the idea not the polish be the artwork.

Most of his output is black and white, a choice he finds “fairly slick,” with a single accent colour dropped in to guide the eye and amplify the message. This stripped-back palette heightens the dry, observational humour that runs through his pieces: visual commentaries on everything from social absurdities to personal pet peeves, delivered with a light, tongue-in-cheek twist.

Influences range from Gary Larson’s offbeat cartoons to the precise, surreal illustrations of Guy Billout, and he credits an eccentric early education technical drawing lessons from Timmy Mallett’s uncle for sparking his creative confidence. Although formally trained, JBoy insists he only truly focuses “when my mind clicks into the zone,” producing work in intense bursts and discarding anything that doesn’t feel 100 percent right.

Exhibiting through Signature Fine Art and releasing small print runs that sell out quickly, he maintains anonymity simply because he likes it that way, proving that in an age of constant self-promotion, a low profile can still command high attention.