Stephanie Babji 'In Flight' Print Available

Artist: Stephanie Babji
Title: In Flight
Medium: Giclee Print
Size: 12 x 6 Inches
Edition: UNSURE
Prices: CAD$85

 

Stephanie Babji is a talented artist hailing from Canada who has carved a distinct niche for herself within the vibrant world of visual storytelling. While her creative journey has evolved over many years, she began to focus intensely on her professional art practice during the global pandemic, a period that allowed her to refine her technique and explore deep cultural themes. Her educational background in the arts provided a strong foundation for her technical skill, and she is frequently recognized for her contribution to the Indigenous art scene as an Ojibwe creator.

One of her most significant accomplishments to date includes her involvement with the National Arts Centre (NAC) Indigenous Art Market, where she has successfully transitioned from a private creator to a publicly celebrated figure. This participation in the NAC Indigenous Art Market served as a major milestone, allowing her to present her intricate acrylic paintings to a diverse audience and advocate for greater representation of Indigenous creators in urban market spaces.

Collectors in the limited edition art print and poster community often look for her signature style, which seamlessly blends traditional motifs with a bold, graphic sensibility. Stephanie Babji is particularly well known for her acrylic works that capture the essence of her heritage, with pieces like her vivid animal portraits and botanical studies becoming sought after by those who value authentic storytelling. Her presence on social media has further amplified her reach, where Stephanie Babji (often cited as Stephanie Babij) frequently shares behind the scenes looks at her process and new releases.

In terms of gallery and show participation, her work has been showcased at significant cultural venues that prioritize high quality craftsmanship and cultural integrity. Beyond the National Arts Centre, her participation in various regional markets across Ontario has solidified her reputation as an artist whose work resonates with both casual fans and serious collectors of limited edition prints. These exhibitions provide a crucial platform for her to engage with the community and share the stories behind her most famous pieces.

Jay Vollmar 'Abstract Pop' Print Available

Artist: Jay Vollmar
Title: Abstract Pop
Medium: Handpulled 4 Color Screen Print
Size: 10 x 20 Inches
Edition: 25
Prices: $65

 

Based in Denver, Colorado, Jay Vollmar is an American artist and designer who has carved a distinct niche within the limited edition art print and poster collector community. His creative journey gained significant momentum after he earned his education at the Milwaukee Institute of Art and Design, where he developed the technical foundation for his multidisciplinary approach. Drawing inspiration from the remnants of industrial society and urban textures, Jay Vollmar often utilizes found objects, debris, and forgotten artifacts to create a visual dialogue that resonates with fans of screen printing and graphic illustration. His work is characterized by a blend of pop culture influences and experimental forms that challenge traditional aesthetic boundaries.

The career of Jay Vollmar is marked by numerous high profile accomplishments in the music and gig poster scene. He has produced official artwork for many iconic bands and events, including a notable poster for the legendary indie rock group Sleater-Kinney during season 41 of the renowned television program Austin City Limits. His portfolio also features sought after limited edition screen prints for major musical acts such as Queens of the Stone Age, Arctic Monkeys, Vampire Weekend, and the jam band moe.. Collectors frequently hunt for these rare pieces, which are often signed and numbered, representing a significant crossover between the fine art world and the live music industry.

Beyond the music scene, Jay Vollmar has participated in a wide array of prestigious art shows and gallery exhibitions across the globe. He was featured in the 528.0 Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities in Colorado. His solo and group exhibition history includes shows like Abstracts and Objects at Saatchi Art in Denver and Clocked Out. Internationally, his work has been displayed at venues such as Transformer Gallery in San Francisco for the Gleaming the Screen exhibit and even crossed the Atlantic for the Sub Screen Sonic show in Brighton England. Other notable participations include the Graphic Content exhibition which traveled from Texas Tech University to the Miami of Ohio Art Museum.

Village Green 'Double Zero + PFA Typefaces' Print Available

Artist: Village Green Studio
Title: Double Zero + PFA Typefaces
Medium: 1 Color Screen Print
Size: 50 x 70 cm
Edition: 100
Prices: £55

 

Operating out of the United Kingdom, Village Green Studio has established itself as a premier force in the niche world of limited edition art prints and high craft visual identities. The London based creative powerhouse is led by Tom Fearn who oversees a team dedicated to blending strategic design with striking graphic artistry. The studio first began focusing on its distinct brand of art and image making in the mid 2000s, with key collaborators like James Dawe bringing a foundation in illustration from the University of Brighton where he earned a First Class Honours degree in 2006. This academic background in traditional illustration, combined with a focus on modern digital execution, allows the studio to bridge the gap between commercial graphic design and collectible art, making their work highly sought after by poster collectors who value both technical precision and aesthetic longevity.

The significant accomplishments of Village Green Studio include high profile collaborations with major cultural institutions that have solidified their reputation in the global art community. One of their most recognized contributions was the environmental and graphic design for the Pop Art Design exhibition at the Barbican Centre in London. This project showcased their ability to translate the bold energy of the pop movement into a curated space, further highlighting their versatility. Additionally, the studio has maintained a long standing creative relationship with Tate Modern, specifically through their monthly Tate Lates activations which bring interactive art and visual storytelling to one of the most respected galleries in the world. Their work for the Victoria and Albert Museum for the Opera: Passion, Power and Politics exhibition resulted in a theatrical and highly collected hero poster that remains a benchmark for museum marketing as fine art.

Collectors of limited edition prints frequently hunt for specific famous pieces that define the studio's portfolio. Notable works include the Alphabeta series, which explores typographic forms through a minimalist lens, and their series of screen prints for the War Child charity. These typographic posters were released as limited edition screen prints in collaboration with Somerset House, featuring fonts from various global foundries to create a tactile and human connection through ink and paper. By consistently working with prestigious venues like Somerset House and the Southbank Centre, the studio ensures that their output is not merely disposable media but permanent fixtures in the world of high end graphic collectibles. Their portfolio also extends into sport and fashion, having produced iconic campaign imagery for Nike and Champion that collectors often treat as art objects in their own right. Through these varied projects, the studio maintains a reputation for thoughtful design that prioritizes high craft over fleeting trends.

Diogo Rustoff 'Refugee' Original Available

Artist: Diogo Rustoff
Title: Refugee
Medium: Collage Mixed Media Original
Size: UNSURE
Edition: UNIQUE
Prices: €720

 

Diogo Rustoff is a Brazilian visual artist born in 1985 in Goiânia. He lives and works in this same city, where his artistic practice is deeply influenced by the intersection of punk rock, comic books, and the surrounding agricultural industrial environment. A self taught painter and illustrator since childhood, he formally pursued his education in Visual Arts at the Universidade Federal de Goiás (UFG), where he began experimenting with stencils, printmaking, and poster art. Starting around 2006, he focused heavily on urban interventions, creating a distinct, gritty aesthetic that often explores themes of information manipulation, memory, and political satire. As an urban interventionist and fine artist, his work is characterized by the use of stencil graffiti to build a fictional, often chaotic, world on public walls. Diogo Rustoff has a notable career spanning over a decade, with four significant solo exhibitions. These exhibitions include a show at the Museu de Arte de Goiânia (MAG) in 2011, a major exhibition at the Vila Cultural Cora Coralina in 2021, and a 2022 exhibition at El Infierno Galeria in Bogotá, Colombia. Furthermore Diogo Rustoff curated and organized the Lambesgóia poster art festival in Goiás, bringing urban art to the streets.

His art is often characterized by bold, monochromatic, or limited color palettes, reflecting his roots in zine culture and punk aesthetics. Among his notable works, he has created pieces exploring the tension between citizens and the state, frequently incorporating agricultural imagery like chainsaws and, as seen in his collection with The Grapa Gallery. Famous pieces or series from his portfolio include "Serra" a painting highlighting environmental destruction"Devotee" an acrylic work, and his 2020 artist book "Rasura" which compiles his recent stencil and print work. 

Paul Jackson 'Worship' Sculpture Available

Artist: Paul Jackson
Title: Worship
Medium: Resin Sculpture in Custom Printed Box
Size: Approx 8 Inches
Edition: UNSURE
Prices: $200

Hailing from Brighton, England, and currently based in Toronto, Canada, the illustrator and mixed media talent 

Paul Jackson

 has carved a singular path within the limited edition art print and poster collector community. His professional journey is deeply intertwined with a lifelong obsession for music and drawing, a duality he often describes as a twenty year fusion of art and drums. While he identifies as a mixed media artist rather than adhering to traditional classifications, his work is distinctly modern, blending sci fi elements with surreal anatomical studies. Jackson began focusing on his craft at a young age, often sketching to the rhythm of movie soundtracks before his artistic voice matured through a rigorous formal education. He holds a Bachelor of Fine Arts in Sculpture from the Alberta College of Art and Design in Calgary and a Master of Fine Arts from the Chelsea College of Art and Design in London, where he graduated with distinction in 2004.

The precision and dystopian humor found in the portfolio of Paul Jackson have led to massive acclaim, including being named one of London’s top twenty five new artists by Art Review Magazine early in his career. His technical mastery of pen and ink on surfaces like Ampersand Claybord allows him to create intricate, often unsettling visualizations of pop culture icons. High profile collectors and enthusiasts often seek out his signature pieces such as Ellen Ripley Brain Parasite, Walts Revenge, and Death Vader, which showcase his unique ability to reveal the inner workings and "brains" of beloved fictional characters. His portfolio also extends into the music industry, where he has collaborated with legendary figures and bands including Slash, Blink 182, and The Pixies to produce high end screenprints and promotional materials.

The exhibition history for this artist is diverse, spanning major international hubs and prestigious institutions. Paul Jackson has showcased his intricate drawings at the Art Gallery of Alberta in Edmonton and has participated in group exhibitions like Remix The Art of Music at the Gabba Gallery in Los Angeles. In Toronto, his work has been featured in solo presentations such as the Culture Shock exhibition at Cry Baby Gallery, which highlighted his original ballpoint and Indian ink drawings alongside specialized print releases. Furthermore, his reach extends into the tabletop gaming world, having been commissioned by Wizards of the Coast to provide original illustrations for the Magic The Gathering Innistrad Midnight Hunt series.

Collectors of limited edition prints frequently target Paul Jackson for his specialized releases, including 3D lenticulars and woodcuts that push the boundaries of standard poster art. His ability to merge the natural world with technological "glitches" or anatomical deconstructions seen in famous works like In One Ear, De Evolution, and Do Not Feed The Monkeys makes his output a staple for those seeking edgy, rock and roll influenced imagery. Whether he is designing for the SyFy channel or crafting embossed snowboards for Gibson Guitars, Jackson remains a central figure in the movement of artists who elevate pop culture subjects into sophisticated, meticulously detailed fine art. His presence in the global art scene continues to grow as he explores new ways to challenge viewers with his meditations on humankind's reliance on technology and the supernatural.

Koralie 'Venezia' Wood Block Print Set Available

Artist: Koralie
Title: Venezia
Medium: Woodcut Print
Size: (A4) 21 x 29.7 cm Each
Edition: 50
Prices: €220/Set

Born in 1977 and raised in a small village within the Petite Camargue region of France, 

Koralie Carmen Flores is a multidisciplinary artist whose intricate aesthetic is deeply rooted in the intersection of architectural precision and organic growth. She first began focusing on art as a dedicated practice in 1999 when she discovered the graffiti universe while studying architecture in Montpellier from 1995 to 2001. This formative period allowed her to translate structural principles into the urban environment, eventually becoming one of the first French women to express herself through illegal in situ paintings. Over the last two decades, she has transitioned from the streets to global recognition, developing a visual language defined by symmetry, repetition, and a multicultural harmony that resonates strongly within the limited edition print and poster collector community.

Central to her professional journey is her long term personal and creative partnership with the artist SupaKitch, whose real name is Guillaume Grando. Together, the French duo founded the label and brand Metroplastique in the early 2000s, a venture that successfully merged their distinct styles into clothing, home decor, and collaborative murals. While SupaKitch often focuses on movement and liquid textures, the work of Koralie is recognized for its refined graphic balance and ethnic motifs. Their collaborative efforts have seen them travel the world, painting massive murals that combine stenciling, spray paint, and traditional brushwork to create dreamlike windows into nature. This synergy has made their joint signature highly sought after by enthusiasts of urban and illustrative art.

The artistic output of Koralie is characterized by a "language of motifs" that draws from her Mediterranean heritage, Asian influences, and Art Deco styles. Among her most famous pieces are her iconic Geishas, which she spent over twelve years evolving into sensual characters that blend the spirit of Russian Matryoshka dolls with Hopi Kachina figures. Other notable works include her large scale canvas series such as Kaleidoscopic Nature #15 and the detailed panels of her panoramic wallpaper collaboration titled Canopée. Her more recent focus involves the creation of complex kaleidoscopic rosettes and palm gardens that honor the principles of phyllotaxis and biomimicry, further solidifying her reputation for meticulous craftsmanship.

Throughout her career, she has achieved significant professional milestones, including high profile collaborations with international brands such as Pierre Frey, Reebok, and Ray Ban. Her exhibition history includes prestigious solo shows like Indigo Blood at the Jonathan LeVine Gallery in the United States and Hortus at Galerie Artcan in Marseille. She has also participated in significant group exhibitions at major institutions such as the Museo d’Arte Contemporanea di Roma and featured prominently at the Kolly Gallery in Geneva for her show Behind the Wall, by the Window. These appearances have established her as a vital figure in the global art scene, bridging the gap between public street interventions and the refined environment of international galleries.

Claudia Comte 'The Ceramic Fire Corals' Sculptures Available

Artist: Claudia Comte
Title: The Ceramic Fire Corals (12 Diff Colors)
Medium: Glazed Ceramic Sculpture
Size: 15 x 4 x 14 Inches Each
Edition: UNIQUE
Prices: €17,500 Each

  

Claudia Comte is a Swiss artist who has redefined the intersection of environmental consciousness and geometric abstraction. Born in 1983 in Morges, Switzerland, she spent her formative years surrounded by the lush forests of the Jura Mountains, an environment that continues to serve as the primary catalyst for her creative output. Claudia Comte began focusing seriously on her artistic practice during her early twenties, developing a unique methodology that marries traditional woodcarving techniques with digital industrial technologies. Her academic foundation is rooted in the Swiss art scene, having earned her Bachelor of Arts from the Ecole Cantonale d’Art de Lausanne in 2007, followed by a Master of Art in Science of Education from the Haute Ecole Pédagogique in 2010. This dual background in fine art and pedagogical science informs her ability to create immersive installations that educate the viewer while providing a profound aesthetic experience.

Collectors of limited edition prints and sculpture often admire Claudia Comte for her meticulous attention to material and form. Her significant accomplishments include the prestigious Swiss Art Award, which she received in 2014, and her massive public commissions that bridge the gap between museum walls and the natural world. One of her most celebrated works is the site specific installation titled Desert X, where she erected a massive wall of shifting gradients in the California desert. Other famous pieces that have captured the attention of global collectors include the playfully organic Zigzag and Grids series, as well as the monumental underwater sculpture project titled The Earth Could Open and Or All of This Could Melt. These works demonstrate her ability to translate complex environmental data into tangible, rhythmic patterns that resonate with modern design sensibilities.

The exhibition history of this artist is extensive, featuring prominent solo shows at world class institutions. In 2017, she presented 10 Rooms, 40 Walls, 1059 m2 at the Kohn Gallery in Los Angeles, which showcased her mastery of spatial dynamics. She also held a major solo exhibition titled The Electric Comma at Copenhagen Contemporary in 2019, where her use of biomorphic shapes and woodcarving was on full display. Her work has been featured at the Castello di Rivoli in Italy, further solidifying her status as a vital figure in the international art market. For those who follow limited edition releases, her ability to scale her vision from massive outdoor murals to intimate, hand finished wood sculptures makes her a highly sought after name for serious art portfolios.

In addition to her museum presence, her gallery representation includes prestigious venues such as Gladstone Gallery in New York and Brussels. These shows often highlight her interest in the lifecycle of materials, specifically wood and marble. By utilizing chainsaws to rough out forms before hand polishing them to a mirror finish, she creates a tactile contrast that is a hallmark of her brand. Whether she is exhibiting at the Kunshalle Basel or participating in global art fairs, her work remains a testament to the enduring power of organic geometry. Her commitment to sustainability and the preservation of natural habitats ensures that her art is not just a visual commodity but a meaningful contribution to the global dialogue on climate change.

If I Had $30K Laying Around, This Is What I Would Buy!

Artist: Shepard Fairey Obey
Title: Chuck D Modular + Biggie Modular
Medium: Deckled Collage, Stencil + Screen Print Mixed Media
Size: 23 x 36 Inch Each
Edition: UNIQUE
Prices: $15,000 Each

Subliminal Projects is pleased to present MODULAR FREQUENCY, an exhibition by gallery founder Shepard Fairey. This show features eighteen new mixed-media works, highlighting the artist’s latest explorations in visual distillation and synthesis. Fairey merges imagery, symbols, and text into modular geometric compositions, creating a resonant visual language that bridges abstraction, design, and cultural commentary.

For over three decades, modular, geometric, and patterned designs have been at the heart of Fairey’s practice, evolving from bold graphic-based street campaigns into intricate, layered mixed-media compositions. Drawing inspiration from Soviet Constructivism, Russian propaganda, and contemporary pop culture, Fairey organizes the chaos of pervasive imagery into structured forms. “I’m confronted with an overwhelming number of images and messages daily, forcing me to make sense of things and organize my ideas,” Fairey explains. “I embrace this process of distillation as inspiration to navigate the world and create art with intention.”

In addition to the new works, the exhibition includes unique works on paper, retired stencils, prints on wood, mono-engravings, and Hand-Painted Multiples (HPMs). As a unified body of work, MODULAR FREQUENCY engages viewers in an aesthetic “frequency” an ideal rhythm and harmony that celebrates political and artistic icons, as well as archetypes of peace, justice, and environmental responsibility.

Morgan Sheardown 'Raining Cows' Pink Thunder Print Available

Artist: Morgan Sheardown
Title: Raining Cows (Pink Thunder)
Medium: Giclee Print
Size: 24 x 36 Inch
Edition: OPEN
Prices: $30

  

Morgan Sheardown is a Toronto born and raised artist and designer renowned for his vibrant and emotional series Raining Cows, a body of work that emerged as a creative outlet for processing personal tragedy. Initially establishing a career in design, he graduated from OCAD University with a degree in Graphic Design and launched his own design studio in 2006, bringing an extensive background in illustration and painting to his creative endeavors. His focus shifted heavily toward painting the Raining Cows series around 2017, utilizing layered, mixed media techniques that combine acrylic, gesso, resin, and ink to create a threedimensional floating effect, often mimicking the visual impact of rain on a landscape.

Morgan Sheardown's Raining Cows series, which features cows in abstract, rainy landscapes, is designed to evoke a sense of joy, calmness, and resilience, acting as a personal symbol of triumph for the artist. A key, iconic, and highly collectible piece in this series is "Cotton Milk" a onepoint ofone acrylic painting from 2017. Other notable works within this portfolio include "Salmon Sunrise" and "Arose After the Storm" which frequently feature vibrant, contrasting colours and layered, textured surfaces. The popularity of his art has led to collaborations with brands such as Samsung and TELUS, and his work has been translated into limited edition apparel and NFTs.

Morgan Sheardown, reachable via Instagram and Facebook, has participated in numerous, reputable art and gallery shows across Canada. Significant exhibitions include a solo show, The Land of Raining Cows, presented by Steam Whistle Gallery in 2017, as well as showcases at the Artist Project in 2020 and 2022. He participated in the Queen West Art Crawl and the Toronto Outdoor Art Fair in 2020. His work has been exhibited at the Riverdale Hub Gallery in 2024 and at Tangled Arts Gallery. In addition to theseMorgan Sheardown launched his Raining Cows wearable art collection on the runway at Fashion Art Toronto. His work has also been featured in a group exhibit at The Local Gallery in 2025.

Winneke De Groot + Felix Van Dam 'Ortiz Sardinas' Print Available

Artist: Winneke De Groot + Felix Van Dam
Title: Ortiz Sardinas
Medium: Multi Color Risograph Print
Size: 30 x 40 cm
Edition: UNSURE
Prices: €50

 

Hailing from Utrecht in the Netherlands, Winneke De Groot and Felix Van Dam are the visionary creative force behind the acclaimed studio We Are Out of Office. The duo first began their artistic focus while studying Graphic Design at the School of the Arts Utrecht (HKU), where they shared a mutual discovery and passion for screen printing. This early fascination led to the establishment of a makeshift print workshop in a student bedroom, laying the foundation for their distinct DIY ethos. Their professional collaboration solidified during a transformative journey to New York, where they initiated a project designing and printing posters for local businesses in exchange for food and essentials, a concept that officially birthed the We Are Out of Office name. Today, they operate from an idyllic artist community situated in an old cherry orchard, producing a vibrant body of work that resonates deeply with the limited edition art print and poster collector community.

Significant accomplishments for We Are Out Of Office include their successful artistic residencies in both Japan and America, which have heavily influenced their recent aesthetic explorations. Their portfolio is characterized by bold, colorful depictions of mundane objects and packaging collected during their global travels. Collectors often seek out their famous pieces such as the Panasonic Airconditioner risograph print and the Japanese Can of Milky Tea print, which showcase their ability to elevate everyday items into striking graphic art. Other notable works include their series of Packaging Prints and specialized kinetic sculptures that bring their two dimensional designs into a physical space.

The duo maintains an active presence in the international gallery circuit with recent and upcoming exhibitions. They recently presented a solo exhibition titled Souvenirs at the Heartware Store and Gallery in Singapore, which featured handmade machines and limited edition risograph cards. Additionally, their work has been showcased at De Galerie Rotterdam in the exhibition Inspired by Japan, where they debuted a series of large scale paintings including the piece Books. Their participation in the Wonderful World of We Are Out of Office at KEVN (Kelderman en van Noort) in Eindhoven further highlights their standing as influential figures in modern graphic art and printmaking. By blending traditional screen printing with modern risography, they continue to produce highly collectible posters that capture the joyful essence of ordinary life.