Dan McCarthy 'Dwellings 9' Prints Available

Artist: Dan McCarthy
Title: Dwellings 9
Medium: 9 Color Screen Print
Size: 12 x 16 Inches
Edition: 200
Price: $30

*this is also available on wood for $70

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Dan McCarthy is a Massachusetts born artist whose quiet paintings and prints transform roadside America into dreamlike memory. Working from a small studio on Cape Cod, he begins each piece with quick notebook sketches made during long drives, capturing telephone poles, empty parking lots and low horizon skies in the soft light of late afternoon. Back at his table he translates these fleeting impressions into layered acrylic washes, allowing the tone of the linen to remain visible so that every image feels weathered by sun and salt air.

His palette leans toward muted ochres, pale blues and dusty roses, colours that echo faded postcards and old cinema posters. Figures appear rarely, and when they do they are turned away or blurred by distance, inviting viewers to inhabit the scene rather than observe a story.

The result is a body of work that feels both intimate and universal, where a single streetlamp can suggest the promise of company or the certainty of solitude.

McCarthy exhibits widely across the United States and Europe, and his affordable screen prints have made his imagery familiar to a generation of collectors seeking calm in an accelerated world. When he is not painting, he scans vintage paper and uploads found photographs to his website, sharing source material freely and encouraging others to look slowly. In this way his canvases become gentle reminders that beauty often hides in plain sight, waiting for anyone willing to pull over, breathe and notice the ordinary glow of an average day.

Enzo Prina 'That's A Moire' HPM #44 Available

Artist: Enzo Prina
Title: That's A Moire #44
Medium: Hand Embellished Giclee on Canvas
Size: 24 x 32 Inches
Edition: UNIQUE
Price: $1,000

Enzo Prina is an American contemporary artist born in 1997 and based in Salt Lake City, Utah, whose hypnotic paintings turn simple lines into shimmering fields of motion. He began drawing the moment he could grip a crayon, won a Game Boy in a Walgreens coloring contest at age five, and later taught himself oil painting with a Bob Ross set, experiences that instilled early respect for patience and pigment . While studying filmmaking in high school he discovered moiré patterns and became obsessed with their optical pulse, first replicating them by hand with rulers, then refining the process into a signature style that merges kinetic art with meditative repetition.

Prina now builds each work in layers: he designs digital line arrays, prints them onto fine weave canvas, then hand embellishes every sheet with acrylic and alcohol inks so that no two pieces are identical. The finished surfaces appear to vibrate, glitch and slide as viewers shift position, transforming static walls into living screens. Limited editions such as the That is a Moiré series sell out in weekly drops, and his large scale installations have been featured by Oliver Cole Gallery and across social media, where millions watch him peel masking tape to reveal undulating waves of colour.

Despite rapid success, Prina keeps production intimate, working out of a small studio and shipping worldwide himself. By blending analog precision with digital clarity, he offers a contemporary form of Op Art that feels both scientific and playful, reminding onlookers that vision itself is a moving target and that even the simplest line can contain infinite motion.

Max Sansing 'Rapture' Artist Proof Available

Artist: Max Sansing
Title: Rapture
Medium: Deckled Giclee Print
Size: 36 x 38 Inches
Edition: A/P
Price: $625

Max Sansing is a Chicago born muralist and fine artist whose vivid portraits fuse photorealistic technique with the explosive colour of street art. Raised in Avalon Park by two creative parents, he began drawing at four and joined graffiti crews as a teen, painting permission walls across the city and learning to handle aerosol, markers and rollers with precision. That early training in scale and speed still feeds his current practice, where oil painted faces emerge through swirling flames, neon clouds and cascading streaks of turquoise, emerald or magenta.

After two years at the American Academy of Art, Sansing translated his graffiti hunger into monumental murals that now span Chicago, Denver, Boston and beyond. His figures, often everyday neighbours or local schoolchildren, are rendered in hyperreal detail yet bathed in supernatural hues, a choice he calls “humanism over colourism”. Recurring symbols such as skeleton keys pay homage to childhood rides on the elevated train with his CTA employed father, suggesting that every person holds the tool to unlock new pathways.

Community anchors every project. He has partnered with Nike, Virgil Abloh and the Chicago Fire FC to fund youth programmes, and his 2024 mural at Michele Clark Prep Magnet School turns a brick wall into a beacon of possibility visible from the Eisenhower Expressway. Whether painting Fred Hampton, Frankie Knuckles or an unknown teen, Sansing scales individual stories to civic monuments, reminding viewers that culture is power and that the next revolution might begin with a spray can and an open wall.

Edit Tenyi 'Morning Silence' Print Available

Artist: Edit Tenyi
Title: Morning Silence
Medium: Screen Print on Canvas
Size: 13.6 x 19.7 Inches
Edition: UNIQUE
Price: $300

Edit Tényi was born in 1976 in Novi Bečej, a quiet town in the Vojvodina province of northern Serbia, and her art carries the open skies and fertile flatlands of that region into every canvas. Working from a studio filled with natural light, she begins each painting by laying down translucent fields of acrylic, allowing the tone of the linen to shine through like weathered plaster. Over these atmospheric bases she builds slow, delicate layers of oil, coaxing forward still life objects, distant horizons and solitary female figures that seem to breathe rather than pose.

Her palette leans toward sunlit ochres, muted olives and the occasional burst of cobalt, colours she mixes directly on the surface with a soft bristle brush to keep edges tender and alive. The result is a body of work that feels both intimate and expansive, where a single pear on a windowsill can suggest the promise of an entire harvest, and a turned back can hint at stories beyond the frame.

Edit exhibits widely across Europe and maintains a growing presence in the United States through Saatchi Art, where collectors praise the emotional quiet that radiates from each piece. When she is not painting, she teaches drawing to local children, believing that the act of seeing must be shared if it is to stay honest. In this way her canvases become quiet conversations between memory, place and the simple pleasure of looking, offering viewers a moment of calm reflection in an increasingly hurried world.

Barbara Kuebel 'Water Is My Life!' Print Available

Artist: Barbara Kuebel
Title: Water Is My Life!
Medium: Woodcut Print
Size: 24 x 33.9 Inches
Edition: 10
Price: $650

Barbara Kuebel was born in 1969 in Linz, Austria, and today lives and works in Daphne, Alabama. After earning two degrees from the Academy of Fine Art Vienna she moved from painting into large scale woodcut printing, an approach that allows her to carve life sized figures directly into raw timber without costly chemicals or elaborate tools . Her creative process is guided by a studio mantra of “no fun, no art,” a principle that keeps the work spontaneous and physically engaging.

Kuebel’s images spring from awkward social moments and the never ending search for being. She begins with swift charcoal sketches of bodies in motion, then translates those fluid lines into hefty woodblocks. Using only hand gouges and basic rollers, she cuts away negative space for about a week, prints the block in three concentrated hours, and allows the sheet to dry for two weeks, producing editions of five that bear rough hewn edges and velvety monochrome ink.

The finished portraits feel simultaneously abstract and figurative: limbs stretch and overlap, expressions remain unfinished, and the grain of the wood becomes a living element within the picture plane.

Exhibitions in Europe and the United States have presented these prints alongside painted variations that echo the same emotive energy in oil and pencil . Whether showing a single towering figure or a dense swarm of characters, Kuebel invites viewers to confront the uneasy beauty of human connection and the raw physicality of mark making itself.

Hans Karl Zeisel 'SPT-Bartók-Mikrokosmos III' Print Available

Artist: Hans Karl Zeisel
Title: SPT Bartók Mikrokosmos III
Medium: Fine Art Print
Size: 19.7 x 27.6 cm
Edition: 30
Price: $1,105

 

Hans Karl Zeisel is a German graphic artist, concrete artist and typographer whose disciplined visual language grows out of the Bauhaus tradition. Born in 1942, he trained in visual communication during the 1960s and quickly became fascinated by the creative power of basic geometric forms. His systematic approach treats circles, squares and triangles as alphabets that can be recombined endlessly to generate new patterns, symbols and even implied motion. The result is a body of work that feels both rational and playful, rooted in theory yet open to intuition.

In the studio Zeisel often begins with small wooden blocks that he paints, stamps and prints, using them as modular tools to build larger compositions on paper or canvas. Layer upon layer of flat colour accrue, creating subtle rhythms that echo concrete poetry and minimalist music. A single piece may contain hundreds of these hand pressed impressions, each one slightly different in pressure or hue, so the final surface pulses with human energy within a strict grid.

His art/design book Hundred and More distils this philosophy into a visual atlas of possibilities, showing how a few simple shapes can yield countless designs when guided by curiosity and restraint. Limited edition prints and mixed media works on Saatchi Art further demonstrate his commitment to craft, often incorporating gold leaf or embossed textures that catch light and invite touch. Whether exhibited in Berlin galleries or applied to contemporary carpet design, Zeisel’s output carries the Bauhaus spirit forward, proving that clarity of form and richness of experience can coexist when an artist never stops exploring the fundamentals.

Triple Trouble Show Posters Available

Artist: Shepard Fairey + Damien Hirst + Invader
Title: Triple Trouble (4 Different Designs)
Medium: Likely Offset Lithographs
Size: (A1) 59.4 x 84 cm
Edition: OPEN
Price: £20 Each

 

*love the top part of all 4 of these poster, the bottom 'Er...' not so much.

Triple Trouble Press Kit Available

Artist: Shepard Fairey + Damien Hirst + Invader
Title: Triple Trouble
Medium: Press Kit

 

Sophi Odling 'Wonder' Print Available

Artist: Sophi Odling
Title: Wonder
Medium: Giclee Print
Size: 42 x 60 cm
Edition: 10
Price: £150

 

Sophi Odling is an Australian muralist and visual artist born in 1983 in Seoul, South Korea, and raised in Sydney, where she still lives and works. After graduating with a BFA from UNSW College of Fine Arts in 2005, she spent fourteen years in the fashion industry before turning to large-scale painting in 2016. Her colourful dreamscapes now span walls across America, Europe, Asia and Australia, translating the people, streets and cultures she encounters into vivid narratives that celebrate diversity and the innocence of youth.

Odling’s process begins with travel and observation; she photographs local textures, palettes and faces, then distills these elements into repeated motifs often children or adolescents rendered in bold, flat acrylic layers. The repetition is intentional: by multiplying a single figure across a facade she invites passers-by to reflect on identity, memory and the idea of home as something both personal and universal. Recent works such as Shift in Tennessee and Something Real in Portsmouth position her own children as models, turning maternal longing into public art that speaks of constant change and the anchor of family.

Whether painting a five-storey portrait in Tullahoma or a coastal welcome wall in Dún Laoghaire, Odling approaches each surface with warmth and openness, aiming to create moments of self-reflection amid urban chaos. Her palette glows with sunset oranges, lagoon blues and gentle skin tones, an embrace she hopes will encourage borderless minds and ongoing dialogue about our shared social and environmental future

Maxx242 'Wash Away The Rain' Rainbow Foil Print Available

Artist: Maxx242
Title: Wash Away The Rain
Medium: Giclee Print on Rainbow Foil
Size: 18 x 24 Inches
Edition: 10
Price: $60

 

Maxx242 is the working alias of Max Gramajo, a Southern California illustrator, muralist, typographer and toy designer whose gritty yet polished graphics have become staples of rock posters, streetwear and pop-culture collectibles. Born and raised in Riverside, California, Gramajo grew up surrounded by comic books, lowrider art and the coastal graffiti scene; after high school he ditched a string of odd jobs, including garbage collector and repo-house cleaner, to pursue art full time . His breakthrough arrived through the influential apparel collective FM$, where he served as brand manager and lead visual architect, translating tattoo-line intensity and Chicano letterforms into silkscreened shirts that sold out in hours.

Maxx242’s concert posters for Metallica, Avenged Sevenfold, System of a Down and Phish merge skeletal iconography with candy-apple colour fades, often printed with metallic inks that shimmer under stage lights . He treats each commission like a narrative vignette: a skull cradling a rose becomes a meditation on beauty and decay, while a winged reaper hurling lightning bolts channels the adrenaline of live metal. The numeric tag “242” originated in his teenage graffiti crew CIA (Call It Art), a pager code the group used to mark walls and trains; keeping the number is, he says, a vow never to abandon the rebellious spark that sparked his career.

Beyond paper, Maxx242 has produced limited Bearbrick toys and a vinyl figure called The Bandit, expanding his universe into three dimensional collectibles. When not touring with bands or painting murals from Anaheim to Brooklyn, he works out of a sunlit studio packed with vintage horror magazines and spray cans, continually sketching the next image that will plaster both gallery walls and city streets with equal reverence.