Tom Shaw 'Dead Of Winter' Prints Available

 

Artist: Tom Shaw
Title: Dead Of Winter
Medium: Handpulled 3 Color Screen Prints
Size: 12 x 18 Inches Each
Edition: 12 Each
Price: $65

Tom Shaw 'Vibrating Roses' Prints Available

Artist: Tom Shaw
Title: Vibrating Roses
Medium: Handpulled 1 Color Screen Prints
Size: 16 x 20 Inches Each
Edition: 30 Each
Price: $50 Each or $160/Set

AJ Masthay '300 Years' Prints Release Details

Artist: AJ Masthay
Title: 300 Years: Bob Weir
Medium: Giclee Print on Rose Foil
Size: 12 x 16 Inches
Edition: 50
Price: $125

*available at Noon EST on Wednesday February 13th, 2026

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AJ Masthay is a premier American artist and master printmaker who has become a cornerstone of the modern gig poster and limited edition art print community. Based in Hartford, Connecticut, he operates out of his personal studio, Masthay Studios, where he meticulously crafts intricate linocut prints that bridge the gap between traditional fine art and underground concert culture. AJ Masthay first began focusing on art during his formative years, eventually pursuing a formal education at the Hartford Art School. It was during his time in the printmaking department that he honed his skills in the reduction linoleum cut process, a demanding technique that requires an artist to carve and print multiple layers of color from a single block of linoleum until the block is essentially destroyed.

After graduating in 2001, AJ Masthay dedicated his career to capturing the energy of live music through visual media. His work is characterized by a deep appreciation for the Grateful Dead and the jam band scene, often featuring recurring motifs like skeletons, vibrant botanicals, and whimsical landscapes. One of his most significant accomplishments is his long standing relationship with the band Phish, for whom he has created numerous official concert posters. His technical prowess is evident in famous pieces such as his "Dead and Company" tour prints and his celebrated "Botany" series, which showcases his ability to render organic textures through the bold, graphic nature of relief printing.

The artist is a frequent fixture at major industry events and has participated in prestigious exhibitions such as the TRPS Festival of Rock Posters, an annual gathering in San Francisco that celebrates the history and future of rock art. His presence in the gallery world is equally notable, with successful showings at The Rock and Roll Hall of Fame, where his work has been featured in exhibitions highlighting the intersection of music and visual design. Unlike many modern digital illustrators, his commitment to hand carved blocks and manual presses has earned him a reputation as a craftsman who values the physical labor of the printmaking tradition.

Collectors of limited edition art prints often seek out his work for its tactile quality and limited run sizes, which often sell out within minutes of release. His portfolio includes a wide array of official collaborations with legendary musical acts like Widespread Panic and Umphrey’s McGee. By maintaining a high standard of quality and a signature style that balances psychedelic whimsy with technical precision, he has secured his place as a leader in the poster collector community. His career serves as a testament to the enduring appeal of traditional printmaking in an increasingly digital world, ensuring that his hand pulled creations remain highly coveted assets for art enthusiasts globally.

Todd Slater 'Muir Beach 1965' Blind Prints Available

Artist: Todd Slater
Title: Muir Beach 1965
Medium: 17 Color Screen Print
Size: 11.9 x 14.1 Inches
Edition: 350
Price: $75

 

*dedicated to Bob Weir

Owen Murphy 'Jerry Garcia (There Is A Road)' Print Available

Artist: Owen Murphy
Title: Jerry Garcia (There Is A Road)
Medium: Giclee on White Sparkle Foil Paper
Size: 18 x 18 Inches
Edition: UNSURE
Prices: $90

Owen Murphy is a contemporary American artist whose work often explores the intersection of environment, memory, and industrial decay. Based in the Pacific Northwest, his practice is deeply informed by the rugged landscapes and the remnants of human infrastructure found within them. Murphy’s aesthetic frequently utilizes a muted color palette and heavy textures to evoke a sense of weathered history. His approach is multidisciplinary, though he is primarily recognized for his evocative photography and mixed media compositions.

His photographic series often focus on the quiet details of abandoned spaces or the subtle shifts in coastal light, capturing moments that feel both timeless and fleeting. Rather than documenting these scenes with clinical precision, Murphy emphasizes the atmospheric quality of a location. This creates a narrative that invites viewers to consider the passage of time and the resilience of nature as it reclaims developed land. His work has been exhibited in various regional galleries across Washington and Oregon, where he has gained a reputation for a thoughtful, contemplative style.

Beyond his personal projects, Murphy has contributed to the broader artistic community through collaborative efforts and printmaking. His pieces are noted for their balance between abstract forms and representational clarity, making his art accessible yet intellectually engaging. By focusing on the overlooked beauty of the mundane, Owen Murphy challenges the audience to find significance in the eroded and the everyday. His ongoing evolution as an artist continues to reflect a deep commitment to understanding the evolving relationship between the American landscape and its inhabitants.

Luke Martin 'Garcia: The Decades Between' Prints Available

Artist: Luke Martin
Title: Garcia: The Decades Between
Medium: 7 Color Screen Prints
Size: 12 x 36 Inches Each
Edition: RARE
Price: $200/Set

*there also some nice variants available

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Luke Martin is a Maryland based illustrator and screen printer who has become a rising star in the rock-poster world. Born in 1996 on the rural Eastern Shore he jokes his hometown had “one gas station and two stoplights” he spent study halls drawing retro futuristic cities in notebook margins instead of attending class. That self-taught draftsmanship led him to Towson University in 2015, where a single screen printing course hijacked his attention; he dropped out a year later, bought a press and began pulling all nighters in a Baltimore basement under the alias Suburban Avenger Studios.

Martin’s process marries analog precision with digital punch. He scrapes meticulous pen and ink drawings on clayboard, scans them, then colors in Photoshop, building surreal, narrative packed tableaux that ripple like sound waves made visible. Psychedelic landscapes melt into mythic creatures, while bold palettes, electric blues, ember reds and sunset gradients pulse with the energy of a front row riff. The result feels like a lucid dream set to arena volume.

Since 2017 he has created official posters for Phish, Metallica, Foo Fighters, Nine Inch Nails and Dead & Company, often selling out within minutes. Each design functions as a set-list in pigment: hidden Easter eggs reference song lyrics, tour inside jokes or venue history, rewarding fans who scrutinize every tendril of linework. In 2024 he published Nothing New, a 472 page retrospective that sold out on pre-order, cementing his reputation as a new generation godfather of gig art. Despite the hype, Martin still hand pulls limited editions in his studio, drinks too much coffee and posts progress clips to Instagram, proving that obsessive craft and DIY spirit can share the same stage.