Tim Conlon 'Blank Canvas #132 WPRR' Print Available

Artist: Tim Conlon
Title: Blank Canvas #132 WPRR
Medium: Deckled 12 Color Serigraph Print
Size: 24 x 24 Inches
Edition: 75
Price: $250

Tim Conlon is a preeminent American artist hailing from Alexandria, Virginia, who has successfully transitioned the raw energy of the streets into the refined atmosphere of global galleries. Since he first started focusing on art in the early nineties, Conlon has maintained a deep rooted fascination with the intersection of transport and isolation. While many enthusiasts recognize him for his hyper realistic depictions of weathered freight trains. The artistic education of Tim Conlon was forged through decades of active participation in the graffiti subculture rather than traditional academic institutions. This authentic background provides his limited edition art prints and original canvases with a level of grit and technical precision that is rarely matched in the world of urban realism. 

Significant accomplishments in his career are marked by high profile exhibitions and institutional recognition. One of his most notable milestones was his inclusion in the landmark exhibition titled Recognize! Hip Hop and Contemporary Culture at the Smithsonian National Portrait Gallery in 2008. This specific event solidified his status as a master of his craft and bridged the gap between subcultural expression and fine art prestige. Furthermore, his massive mural installations have been featured in the G-40 Art Summit and various international festivals, where he often scales his freight train imagery to monumental proportions.

Throughout his career, he has participated in prestigious gallery shows that cater to serious collectors of limited edition art. A standout moment was his solo exhibition titled Lonesome Whistle at the Corcoran Gallery of Art which showcased his ability to elevate industrial themes into the realm of high art. He has also been a recurring figure at the Museum of the City of New York where his contributions to the City as Canvas exhibition highlighted his historical importance to the movement. Famous pieces of art by him such as the G Scale series and the iconic Freight Train graffiti recreations remain staples of his legacy. Every new release continues to build upon this foundation, ensuring that his astronauts remain a permanent fixture in the ever evolving landscape of his creative output.

CRASH Zine Available

Artist: CRASH
Title: CRASH Zine
Medium: 96 Page Zine
Size: 8 x 10 Inches
Edition: UNSURE
Prices: $40

 

Born in the Bronx, New York, in 1961, the renowned artist John Matos, widely recognized by the moniker CRASH, is a pivotal figure in the evolution of street culture into the global art market. A child of Puerto Rican heritage, Matos was immersed in the vibrant visual landscape of 1970s New York City where he first began focusing on art as a teenager. By age thirteen, he transitioned from drawing portraits for church congregants to "bombing" subway trains in the local rail yards. This early period of his career saw the birth of his pseudonym after he accidentally crashed a computer at Mary Burcham High School, a vocational institution where he studied computer programming. Despite the lack of formal fine art training during these formative years, his natural talent for synthesizing pop culture and comic book aesthetics allowed John Matos to quickly distinguish himself from his peers.

The career of John Matos reached a historic turning point in 1980 when he curated the ground breaking exhibition Graffiti Art Success for America at Fashion Moda in the Bronx. This event is frequently cited as the moment graffiti was legitimized as a movement within the professional art world. His significant accomplishments include the creation of the iconic "Crashocaster" guitars for Eric Clapton, one of which famously auctioned at Christie's for over three hundred thousand dollars in 2004. Furthermore, his work has been integrated into the permanent collections of prestigious institutions such as the Museum of Modern Art and the Brooklyn Museum, where his pieces Aeroplane 1 and A U T O matic were featured in major retrospectives. These achievements solidifed his reputation among collectors of limited edition art prints and posters who value the intersection of urban energy and high art.

Throughout his decades of activity, John Matos has participated in numerous high profile art shows and gallery exhibitions that span the globe. In 1983, he had a significant showing at the Sidney Janis Gallery, and in 1984, he participated in the 5/5 Figuration Libre exhibition at the Musée d’Art Moderne de la Ville de Paris. More recent solo exhibitions include Breaking Ground Redefining the Urban Experience and Concrete Jungle at the JoAnne Artman Gallery, as well as Scripted Memories at Thinkspace Projects. His ability to maintain relevance across generations is evident in his 2019 participation in the Beyond the Streets showcase in New York City. For enthusiasts seeking to acquire his most famous pieces, titles such as Shutter Bug, Raw Electricity, Dear Prudence, and The Art of Mickey Mouse remain highly sought after staples of his vibrant and graphic portfolio.

CRASH 'Clockin' A/P Available

Artist: CRASH
Title: Clockin
Medium: Deckled 10 Color Screen Print
Size: 24 x 24 Inches
Edition: A/P
Price: $600

 

John Matos, professionally known as CRASH, remains a pioneering figure in the evolution of aerosol art from the New York City subway system to global galleries. Born in the Bronx in 1961, his journey began during the formative years of the graffiti movement in the 1970s. By the age of thirteen, he was already painting train cars, developing a signature style characterized by bold lettering and vibrant, comic book-inspired imagery.

A pivotal moment in his career occurred in 1980 when he curated the groundbreaking exhibition Graffiti Art Success for America at Fashion Moda. This event served as a bridge between the street and the formal art world, legitimizing the movement in the eyes of critics and collectors. His work is easily recognizable for its use of explosive colors, pop art aesthetics, and the recurring motif of a wide, stylized eye, which often peers through layers of abstract shapes.

Throughout the decades, CRASH has successfully transitioned his energetic street style onto canvas without losing its raw vitality. His influence extends beyond traditional paintings into high-profile collaborations. Notably, he designed custom painted guitars for Eric Clapton, one of which sold for nearly one million dollars at auction. His art is now held in permanent collections at prestigious institutions such as the Museum of Modern Art in New York and the Stedelijk Museum in Amsterdam. As of 2026, he continues to be an active force in the creative community, proving that the visual language of the streets possesses enduring power and sophistication.

Futura 'Snow Globe' Available

Artist: Futura
Title: Snow Globe
Medium: Glass + Resin on Metal Base
Size: 5.5 x 3.5 x 3.5 Inches
Edition: UNSURE
Prices: $60

Leonard Hilton McGurr, known professionally as Futura, is a foundational figure in the evolution of graffiti into fine art. Rising to prominence in the 1970s New York City subway scene, he distinguished himself through a radical departure from the letter-based styles of his peers. While others focused on elaborate typography, Futura pioneered an abstract aesthetic characterized by ethereal sprays, thin lines, and a sense of cosmic motion. His seminal 1980 work on a subway car, titled Break, serves as a historic milestone for introducing pure abstraction to a medium previously defined by linguistic representation.

His influence extends far beyond the transit tunnels of his youth. Throughout the 1980s, he transitioned into the traditional art world, exhibiting alongside contemporaries such as Jean-Michel Basquiat and Keith Haring. His signature style—often featuring floating orbs, crane-like motifs, and sharp, geometric elements—found a natural home in the burgeoning hip-hop and streetwear cultures. He gained further international recognition for his live painting during the Clash’s 1981 European tour, effectively bridging the gap between American street culture and global punk movements.

In the decades since, Futura has become a prolific collaborator with major global brands, applying his distinct visual language to everything from high-fashion apparel to athletic footwear. This commercial success has not diminished his status as an innovator; instead, it has solidified his role as a bridge between the grit of the street and the prestige of contemporary galleries. Today, he remains a vital force in the art world, continuing to explore the intersection of technology, graphic design, and abstract expressionism.

Shepard Fairey 'Out Of Print' Art Show Announced

Artist: Shepard Fairey
Title: Out Of Print Retrospective Show
Date: November 15th-December 7th, 2025

*over 400 pieces of Obey art on display

_______________

BEYOND THE STREETS is proud to present SHEPARD FAIREY: OUT OF PRINT, a landmark exhibition devoted to the artist’s lifelong dialogue with printmaking. Bringing together more than 400 original screen prints alongside new and re‑mixed works that combine screen printing and stenciling, the exhibition surveys Fairey’s enduring commitment to the image, the multiple, and the power of mass communication.

“I’m a product of the era of mass production, and the mass culture printing has created. I can’t imagine my art practice without the influence of, and the use of, printing,” says Shepard Fairey. “Some of my biggest art influences were not paintings but printed things like posters, album covers, skateboard graphics, punk flyers, and t‑shirt designs. Printing is a cornerstone of my art practice and philosophy. The printing press began the democratization of art, and I have used printed posters to spread my artwork and messages in public spaces as well as keep my art affordable by printing multiples.”

Spanning early underground interventions to celebrated cultural icons, OUT OF PRINT charts Fairey’s evolution across three and a half decades: from guerrilla placements and hand‑pulled posters to studio editions whose graphic precision and political urgency have entered the global visual lexicon. The presentation highlights the artist’s fluency in the language of advertising and propaganda, recoding those strategies to “arrest visually and provoke intellectually,” and underscores how the reproducible image circulated on walls, in windows, and through wardrobes functions as both civic dialogue and cultural memory.

Alongside historic and rare editions, the exhibition debuts a focused group of hybrid works in which layered stencils, paper, and ink collide expanding Fairey’s print vocabulary while remaining rooted in the immediacy of the street. Archival materials, process ephemera, and contextual graphics round out the presentation, offering a behind‑the‑scenes look at the artist’s methods and influences posters, album art, skateboard graphics, and punk flyers among them.  “OUT OF PRINT brings together the spirit of the street and the discipline of the studio,” notes Director Dante Parel. “It’s an opportunity to experience the breadth of Shepard’s print practice in one sweep from the subcultural pulse that shaped him to the images that, in turn, helped shape public imagination.”

“Some people say digital media has ended print, but the provocative, tactile experience of a print on a wall or in the wild can’t be replaced” says Shepard Fairey, “Printing still matters!”

Aiko/Montana 'Tokyo Pink' Can Available

Artist: Aiko
Title: MTN Spray Can
Medium: Custom Printed Montana Can in Box
Size: Spray Paint Can Size
Edition: 500
Price: $50

 

Aiko is a Japanese born street artist and printmaker who became one of the original members of the New York collective FAILE. Born Aiko Nakagawa in Tokyo in 1975, she studied filmmaking and graphic design before moving to New York City in 1997. There she met Patrick McNeil and Patrick Miller, and together they formed the trio that would evolve into FAILE, wheat-pasting layered pop culture collages across downtown walls.

Within the collective Aiko brought a refined stencil technique and a feminine perspective, often inserting elegant female silhouettes, kimono patterns and delicate line work amid the group’s chaotic posters. She documented early street missions on camera and helped develop the ripped, multi-layer aesthetic that became FAILE’s signature. In 2006 she left the group to pursue solo projects, adopting the moniker Lady Aiko, and quickly gained recognition for her own imagery: geishas, butterflies and a recurring bunny motif first sprayed on a bathroom door in Banksy’s London studio.

Today Aiko works on canvas, wood and large outdoor walls from Brooklyn to Miami, Tokyo and Berlin. Her process still relies on hand-cut stencils, gold leaf and spray paint, blending ukiyo-e influences with contemporary street energy. Murals such as Lady With Parasol in Little Italy and Geisha Walk on the Bowery have become landmarks, while gallery exhibitions in New York, London and Paris present limited edition prints that sell out rapidly. By merging Japanese iconography with punk attitude, Aiko continues to expand the dialogue between Eastern tradition and Western street culture, proving that grace and rebellion can coexist on the same wall.

Pose 'Zine #1' Available

Artist: Pose
Title: Zine #1 (2nd Edition)
Medium: 44 Page Full Color Zine
Size: 6 x 9 Inches
Edition: 100
Price: $30

*each zine comes with a hand-tagged POSE sticker

Futura 2000 'FL-001 Pointman' Sculpture Available

Artist: Futura 2000
Title: FL-001 Pointman GLOW IN THE DARK
Medium: Vinyl Figure
Size: 12 x 3.75 Inches
Edition: LIMITED
Prices: $425

Obey Shepard Fairey 'Fan The Flames' Sculpture Available

Artist: Obey Shepard Fairey
Title: Fan The Flames
Medium: Resin Sculpture
Size: 12 Inches
Edition: 250
Prices: $400

Pose 'Home' Print Available

Artist: Pose
Title: Home
Medium: Giclee Print
Size: 24 x 32 Inches
Edition: 100
Price: $250