Jason Raish 'Destroy All Monsters' Prints Release Details
Artist: Jason Raish
Title: Destroy All Monsters
Medium: Giclee Print on Card
Size: 24 x 36 Inches
Edition: 100
Prices: $65
*available with a couple variants at Noon EST on Monday October 20th, 2025
______________________
Jason Raish is a New York based illustrator whose hyper real, fashion-forward images merge couture flair with subtle social commentary. Born in Seoul and raised amid the forests of western New York, he spent six years freelancing across Beijing, Tokyo, Barcelona, Seoul, London and Paris before settling in Brooklyn, where he now jogs each morning with his rescue Husky Dubuchim. His style is self described as hyper-realistic, colourful and stylish, built with delicate ink linework and luminous digital colour that makes fabric shimmer and skin appear lit from within.
Raish’s breakout personal project,
Croquet & Ink
, blends his love of fashion illustration with observations on class and race, depicting genteel croquet matches populated by models of diverse heritage. The series earned a Silver Medal from the Society of Illustrators and opened the door to major editorial and advertising commissions, including the
New York Times
, Saatchi & Saatchi, Leo Burnett and
The Times
of London. He approaches each brief as a narrative vignette, researching period costumes, contemporary runway looks and symbolic props to create scenes that feel both aspirational and quietly subversive.
Working from a cluttered IKEA desk in a shared apartment studio, he combines a 2014 Mac Mini, Wacom tablet and vertical mouse, preferring the tactile friction of pen on screen to achieve hair-thin detail. Recent self-initiated work includes a tarot deck that weaves Korean folk motifs with modern divination imagery, further expanding his exploration of identity and heritage. Whether illustrating a silent WALL-E for the Criterion Collection or crafting a glamorous magazine cover, Jason Raish invites viewers to look twice, discovering that beneath the gloss lies a thoughtful commentary on who gets to sit at the garden party of contemporary culture.
