Mike Mitchell 'Spontoons' Print Available

Artist: Mike Mitchell
Title: Spontoons
Medium: Giclee Print
Size: 8 x 8 Inches
Edition: 250
Price: $50

 

*another awesome Halloween themed art print

Mike Mitchell 'Pied Kingfisher' (Void) Print Available

Artist: Mike Mitchell
Title: Pied Kingfisher (Void)
Medium: Giclee Print
Size: 8 x 10 Inches
Edition: 150
Price: $75

Mike Mitchell 'Son' (Frog) Print Available

Artist: Mike Mitchell
Title: Son (Frog)
Medium: Giclee Print
Size: 11 x 14 Inches
Edition: 100
Price: $75

 

Mike Mitchell is an American illustrator and painter born in 1982 who lives and works in Austin, Texas. He studied graphic design at the University of Texas, where he learned to merge bold composition with narrative clarity, a skill that now fuels his instantly recognizable pop culture portraits. Working primarily in acrylic on panel, Mitchell builds each image through smooth, graphic layers of color, allowing the wood grain to remain visible so that every piece feels both polished and organic.

His breakout moment arrived in 2008 with a portrait of then candidate Barack Obama surrounded by retro comic book speed lines, an image that went viral and taught him that social media could propel a career as surely as gallery reviews. Since then he has created luminous paintings of movie characters, musicians and internet memes, rendering each subject with wide eyes and saturated hues that echo 1980s lunchboxes while radiating contemporary optimism. Limited edition screen prints sell out in minutes, while museum retrospectives at the Norman Rockwell Museum and M Modern Gallery have validated the work beyond Instagram.

Mitchell’s process begins as digital sketches that he refines into vector shapes, then translates by hand onto panel using masking tape and tiny brushes to achieve edges sharp enough to cut glass. Recurring symbols such as lightning bolts, confetti bursts and starry backgrounds function as visual exclamation points, amplifying the heroic mood of each portrait.

When he is not painting, he collects vintage toys and records, gathering reference material that feeds future compositions. By merging mid century advertising with twenty first century celebrity, Mike Mitchell proves that a single well crafted image can still compete with the visual noise of an entire city block.

Faile 'Hidden Worlds Come To Life' Print Available

Artist: Faile
Title: Hidden Worlds Come To Life
Medium: Giclee Print
Size: 24 x 28 Inches
Edition: 250
Price: $285

 

FAILE is a Brooklyn-based U.S. art collective founded in 1999 by Patrick McNeil (b. 1975, Edmonton, Canada) and Patrick Miller (b. 1976, Minneapolis, U.S.). The duo met as teenagers in Arizona, later reuniting in New York to create a multimedia practice that fuses street art tactics with fine art finish. Their name is an anagram of their first project, “A Life,” signalling rebirth through image making.

Working across painting, print, sculpture, mosaic and interactive installation, FAILE remixes pop culture detritus comic books, pulp ads, quilting patterns, religious icons into saturated collage compositions. Stencils and wheat paste remain core tools, yet recent works expand into hand-carved wood, glazed ceramic and even fully functioning arcade machines. Recurring emblems such as the Challenger shuttle, distressed comic heroines and the year “1986” serve as personal signatures and collective memory triggers, inviting viewers to decode layered references to consumerism, faith and urban anxiety.

Major institutional moments include a 240-square-foot mural on London’s Tate Modern in 2008 and the 2015 Brooklyn Museum exhibition Savage/Sacred Young Minds, where the collective installed Temple, a life-size ruin of iron and painted ceramic, alongside Deluxx Fluxx, a playable punk arcade co-built with artist Bäst (RIP). Through these immersive environments FAILE blurs the line between viewer and participant, high culture and street culture, celebrating the democratic potential of art in shared space. Today McNeil and Miller continue to produce limited screen prints, large murals and collaborative projects that travel worldwide, affirming their belief that images should live everywhere from alley walls to museum façades and that meaning emerges through constant visual dialogue with the city.

JBoy 'Hollow' (Gold) Painting Available

Artist: JBoy
Title: Hollow (Gold)
Medium: HPM Canvas
Size: 50 x 50 cm
Edition: 10
Price: £195

 

JBoy is the working alias of a London-based visual artist who prefers to keep his real name private. Born and raised in the city, he describes himself as “fairly (un)known” and treats art as a way to calm a restless, hyperactive mind. Rather than aligning with one signature style, he follows whatever feels right for the picture, moving between charcoal, pencil and paint, and letting the idea not the polish be the artwork.

Most of his output is black and white, a choice he finds “fairly slick,” with a single accent colour dropped in to guide the eye and amplify the message. This stripped-back palette heightens the dry, observational humour that runs through his pieces: visual commentaries on everything from social absurdities to personal pet peeves, delivered with a light, tongue-in-cheek twist.

Influences range from Gary Larson’s offbeat cartoons to the precise, surreal illustrations of Guy Billout, and he credits an eccentric early education technical drawing lessons from Timmy Mallett’s uncle for sparking his creative confidence. Although formally trained, JBoy insists he only truly focuses “when my mind clicks into the zone,” producing work in intense bursts and discarding anything that doesn’t feel 100 percent right.

Exhibiting through Signature Fine Art and releasing small print runs that sell out quickly, he maintains anonymity simply because he likes it that way, proving that in an age of constant self-promotion, a low profile can still command high attention.

Dylan Thomas 'Five Ravens' Print Available

Artist: Dylan Thomas
Title: Five Ravens
Medium: Giclee Print
Size: 30 x 18.5 Inches
Edition: 125
Price: $200

Dylan Thomas is a Canadian artist born in Victoria, British Columbia, in 1986. He is a member of the Lyackson First Nation (Valdes Island) and carries Coast Salish, Songhees, Squamish and Snuneymuxw ancestry. Although raised in an urban setting, he was introduced to Salish art as a child through family cultural practice and later undertook formal training in Northwest Coast form line, studying jewellery techniques under the late Seletze (Delmar Johnnie) and working with established artist Rande Cook.

Thomas describes his creative approach as “Sacred Geometry,” a term that also served as the title of his 2016 solo exhibition at Alcheringa Gallery. His paintings, prints and engraved jewellery merge traditional Salish ovoids, crescents and trigons with precise mathematical patterning drawn from Buddhist mandalas, Celtic knot work and Islamic tessellations. The result is luminous, symmetrical imagery that speaks to both cultural continuity and cross-cultural connection. Deep jewel tones and crisp line work animate drums, paddles and large canvases, while his gold and silver bracelets often embed subtle equations within the curves, linking ancestral iconography to contemporary concepts of infinity and balance.

Thomas has exhibited at the Art Gallery of Greater Victoria, has been featured in Contemporary Art on the Northwest Coast and has had work published in The Journal of Mathematics and the Arts, underscoring the scholarly interest in his fusion of art and numeric harmony. By situating Coast Salish visual language within global geometric traditions, Dylan Thomas expands the conversation around Indigenous art, demonstrating that ancestral form line can converse fluently with modern science, spirituality and design.

David Newton 'Happy Place' (Bubble Gum) Print Available

Artist: David Newton
Title: Happy Place (Bubble Gum)
Medium: Gold Leaf Embellished Screen Print
Size: 50 x 70 cm
Edition: 200
Price: £200

 

David Newton is a UK artist who creates highly coloured acrylic paintings, screenprints and picture book imagery that celebrate the collision of words, shapes and clashing colour. Born in the Midlands and now based in London, he studied Graphic Design at Birmingham Institute of Art and Design before completing an MA in Children’s Book Illustration at Cambridge School of Art, training that taught him to build narratives through bold, economical form.

Newton describes himself as an image maker who works entirely by hand. He cuts, scribbles and collages real pens, pencils and found paper, then exposes these hand-built layers directly onto silk-screens, embracing every mis-registration, splodge and colour bleed as part of the finished artwork. The process yields limited-edition prints and paintings where Art Nouveau curves meet mid-century poster geometry, all saturated in vivid oranges, purples and acid greens that he insists must clash to feel alive.

When he is not printing at Print Club London he can be found sketching in city parks and zoos, collecting visual fragments that feed picture books, festival posters and commercial commissions for clients including Pelican Books and The London Illustration Fair. By championing analogue craft in a digital age, David Newton invites viewers to celebrate the happy accident and to see storytelling in every imperfect layer of ink.

Jonathan Lawes 'Apple' Print Available

Artist: Jonathan Lawes
Title: Apple
Medium: 7 Color Screen Print
Size: (A3) 29.7 x 42 cm
Edition: 10
Price: £80

 

Jonathan Lawes is a London based artist and designer celebrated for bold geometric abstractions created through the alchemy of silkscreen print. Born in Salisbury, he completed a foundation course at Arts University Bournemouth before earning a BA in Printed Textiles and Surface Pattern Design from Leeds Arts University in 2009. Drawn to the immediacy of ink on paper, he spent a formative decade in Berlin, absorbing Bauhaus palettes and urban rhythms that now pulse through his work.

Back in south-east London, Lawes treats printing as drawing. He cuts loose stencils, builds layers of translucent pigment and pulls each sheet by hand, allowing colour to dictate direction. Flat planes of coral, indigo and ochre interlock into rhythmic patterns that suggest mid-century tapestries viewed through a contemporary lens. Seasonal walks along the Thames feed his ever-shifting palette, while vintage textiles and Matisse cut-outs sit in a mental library of shapes he rearranges on the fly.

Recent experiments extend the language beyond paper: he prints directly onto raw canvas, reclaimed timber and even vintage book covers, letting texture interrupt the geometric perfection and introducing a quiet human irregularity. Collaborations with COS, The Conran Shop and Joseph Joseph translate his visual grammar into scarves, ceramics and kitchen textiles, proving abstraction can live comfortably within daily ritual.

Whether releasing a limited edition of twenty or covering a gallery wall, Lawes remains committed to the tactile surprise of ink meeting surface, reminding viewers that colour, shape and instinct are enough to build a world.

Eric Tan 'Ratatouille' Print Available

Artist: Eric Tan
Title: Ratatouille
Medium: Multi Color Screen Print
Size: 24 x 36 Inches
Edition: 170
Price: $85

Eric Tan is an American illustrator and graphic designer born in San Diego, California, and now based in Los Angeles. Raised on a steady diet of Disney animated films, Marvel comics and Star Wars action figures, he studied Graphic Design and Packaging at Art Center College of Design in Pasadena, where he learned to balance bold composition with narrative detail. After graduation he joined the creative team at Disney Consumer Products, spending over twenty years producing artwork and merchandise for Mickey & Friends, Pixar, Lucasfilm and Disney Parks. Working digitally, he builds dramatic action scenes and sweeping landscapes that feel both cinematic and warmly nostalgic, layering luminous colour and precise linework until characters appear to glow.

In 2016 Tan left full-time studio life to freelance, allowing him to explore personal projects and limited edition screen prints. His breakout series for Cyclops Print Works re-imagines classic Disney properties such as The Nightmare Before Christmas and Steamboat Willie as vibrant, retro-styled posters that sell out within hours. Each design begins as loose thumbnails drawn on an iPad Pro, then refined into layered vector art that is separated by hand for traditional screen printing, ensuring every sheet carries the subtle texture of ink on paper.

When he is not drawing, Tan enjoys woodworking, gardening and riding bikes with his son along California coastal paths, gathering reference photographs that feed future compositions. By merging mid-century graphic flair with contemporary digital craft, he invites viewers to rediscover beloved stories through fresh, colourful eyes.

Katia Lifshin 'Space Bloom' Print Available

Artist: Katia Lifshin
Title: Space Bloom
Medium: Hand Embellished Giclee Print
Size: 21 x 21 Inches
Edition: 10
Price: $950

 

Katia Lifshin is an Israeli artist born in Ukraine in 1993 who paints introspective worlds where women merge with moonlit nature. Using mainly oil, graphite and cyanotype, she layers translucent blues and greens until skin, bark and water seem made of the same living substance. Figures climb, float or curl inside hollow trees, their closed eyes suggesting dreams more real than waking life. Recurring motifs such as bioluminescent light, spiral trunks and drifting hair act as emotional markers, turning each canvas into a diary of solitude and resilience.

After immigrating to Israel at age four and studying art in Tucson, Arizona, Lifshin returned to Tel Aviv, where she now works in a small studio filled with potted plants and night sounds. Recent solo exhibitions include Lunar Pathways at Kandlhofer Gallery in Vienna and Parallels at Moosey Gallery in London, while group shows have taken her dreamscapes to Taipei, Como and Paris. Press features in Artmaze, The Jerusalem Post and Booooooom underline her rising international voice. Whether rendering a single figure cupping foxfire or entire forests breathing with hidden faces, Lifshin invites viewers to step beyond the visible and to feel the quiet pulse where identity and landscape become one.