Ewa Medrek 'Downpour' Print Available
Wednesday, October 29, 2025 Artist: Ewa Medrek
Title: Downpour
Medium: 1 Color Linocut Print
Size: 38 x 27 cm
Edition: UNSURE
Price: $80
Limited Edition Art Prints, Posters, Giclee Prints & Screen Print Releases
Wednesday, October 29, 2025 Artist: Ewa Medrek
Title: Downpour
Medium: 1 Color Linocut Print
Size: 38 x 27 cm
Edition: UNSURE
Price: $80
Wednesday, October 29, 2025
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Tuesday, October 28, 2025
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Tuesday, October 28, 2025 Artist: Jillian Mundy
Title: Ergot On Rye
Medium: Giclee on Blotter Paper
Size: 7.5 x 7.5 Inches
Edition: 25
Price: $60
Jillian Mundy is an interdisciplinary artist based in Vancouver, British Columbia. She works across traditional and digital media, creating bright, bold illustrations rooted in the natural world. Her murals and large scale installations transform public spaces with flowing botanicals, abstract landscapes and hand cut sculptural forms that invite viewers to slow down and notice everyday magic.
Commissions have brightened the Squamish Mural Walk, Chilliwack Mural Festival, Bass Coast Music Festival and city centers in Nanaimo and Surrey, while her studio paintings explore the boundary between two dimensional and three dimensional through layered colour and rhythmic composition. In 2023 and 2024 she also guest curated for Vancouver Mural Fest, further shaping the region’s creative landscape.
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Tuesday, October 28, 2025 Artist: Marq Spusta
Title: Dazzled
Medium: Multi Color Screen Prints
Size: 12 x 16 Inches
Edition: 140
Price: $100
*the black and other awesome color variants will be released through Spoke Art
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Tuesday, October 28, 2025 Artist: Elicser Elliott
Title: Slumbers Cousin 4th Removed #19
Medium: HandEmbellished Screened Giclee Print
Size: 14 x 11 Inches
Edition: 20 (UNIQUE)
Price: $250
Jabari “Elicser” Elliott is a Canadian muralist and graffiti artist who turned aerosol energy into community storytelling. Born in Montreal in 1984, he spent childhood years in Saint Vincent helping his mother create carnival costumes, an immersion in color, rhythm and public celebration that still pulses through his paint. Back in Toronto he studied animation at Sheridan College after a high school art teacher steered him toward creative careers, yet he found truer expression on exterior walls than on a computer screen. Adopting the tag “Elicser,” he began filling blank brick across the city with flowing character based pieces: interlocking figures, swirling hair and botanical forms that feel half human, half breeze.
His process is improvisational, starting with a rough mental image then letting spray caps, fat caps and latex rollers guide the composition, building translucent layers until faces emerge from abstract clouds. Over two decades his murals have become landmarks of Toronto’s downtown core, stretching along alleyways, schoolyards, transit corridors and the iconic Rush Lane graffiti strip. Beyond personal work, Elliott teaches youth workshops that trace graffiti from New York subways to contemporary street art, encouraging students to channel rebellion into disciplined craft. Commercial commissions have arrived from Nike, Manifesto Festival and the City of Toronto itself, yet he balances paid projects with community walls that celebrate local heroes, Black history and Indigenous solidarity. Whether painting a thirty metre facade or a single roller piece, Elliott seeks the same goal: to replace grey concrete with vivid narratives that invite passersby to pause, reflect and feel a little more connected to the living city around them.
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Tuesday, October 28, 2025 Artist: Stephanie Inagaki
Title: Eternity
Medium: Giclee Print
Size: 24 x 13 Inches
Edition: 20
Price: $95
Stephanie Inagaki is a Japanese-American artist and metalsmith based in Los Angeles who weaves personal memory, folklore and the female form into haunting charcoal drawings and sculptural wearables. Born in Los Angeles to a Japanese mother and Mexican-American father, she earned a BFA from Boston University and an MFA from the San Francisco Art Institute, training that grounded her technical skill yet left room for cultural excavation. Her monochrome portraits depict women, often self-portraits, whose flowing hair transforms into crows, snakes, feathers or kimono silk, symbols she chooses for their layered meaning: crows suggest loyalty, hair stands in for emotional bonds, and foxes echo the trickster spirit Kitsune of her heritage.
By collaging delicate Japanese washi paper onto velvety charcoal passages she creates depth that feels both antique and immediate, a visual equivalent to the way identity accretes over time. Inagaki also founded Miyu Decay, a line of hand-crafted jewelry that extends her mythic vocabulary into brass, silver and gold adornments shaped like tiny talons, vertebrae or crow skulls, allowing wearers to carry her narrative world on the body. Her first solo exhibition Metamorphosis at Century Guild, Los Angeles, sold out, and she continues to show internationally while contributing to the collaborative Temple of Art documentary project alongside peers like David Mack and Bill Sienkiewicz. Through every drawing, necklace or large-scale mixed-media piece, Inagaki invites viewers to confront dualities of life and death, creation and destruction, crafting a personal mythology where strength and vulnerability coexist in elegant, macabre harmony.
Tuesday, October 28, 2025 Artist: DS
Title: Chill
Medium: Giclee Print
Size: 48 x 48 cm
Edition: 15
Price: £125
Tuesday, October 28, 2025 Artist: Helio Bray
Title: Indie
Medium: Giclee Print
Size: 54.5 x 80 cm
Edition: 75
Price: $298
Helio Bray, born Hélio Ferreira in Lisbon in 1984, is a Portuguese painter who discovered graffiti only when he first lifted a spray can to a wall himself. Raised far from major cities, he encountered no street art scene yet felt an instant alchemy with paint, lettering and public space. Early pieces were built on bespoke alphabets, flowing calligraphic lines that wrapped corners and slid across shutters, earning him the shortened tag “Bray” that now doubles as logo and signature. Years of mural work across Europe and the United States sharpened his sense of scale and speed, but 2012 marked a decisive shift toward studio exploration.
Inside the atelier he fused aerosol with acrylic, ink, collage and resin, moving from pure typography to figurative suggestion: faces, fish, birds and botanical forms emerge through explosive colour fields stopped by hard geometry. The process remains physical: hand-cut stencils, poured pigment and gestural strokes are sanded, masked and varnished until the surface gleams like polished tile. Bray cites city nights, Atlantic waves and childhood comic books as equal influences, aiming to bottle kinetic energy so the viewer feels motion standing still. Collaborations with Vans, DC Shoes, Adidas and Quiksilver pushed his graphics onto apparel, skate decks and boutique interiors, while exhibitions in Madrid, Milan, London and Miami position the work between street culture and contemporary fine art. Constant transformation is his stated creed; each series chases a new spectrum, yet the pulse of graffiti rhythm always underpins the composition, reminding audiences that joy, rebellion and beauty can coexist on any wall, canvas or object that welcomes pigment.
Tuesday, October 28, 2025 Artist: Dan Kitchener
Title: Street Geisha
Medium: Giclee Print
Size: (A1) 59.4 x 84.1 cm
Edition: 50
Price: £175
Dan Kitchener, who also signs his walls as DANK, is a street artist and mural painter from Essex, England. Born in 1974, he trained in illustration and animation, spending early career years crafting television motion graphics where he studied lighting, composition and cinematic pacing. That background now fuels an instantly recognisable style he calls modern impressionist: rain soaked neon cityscapes rendered entirely freehand with spray cans, no stencils, grids or projectors ever used. Photographs taken on late night walks through Tokyo, New York or London provide reference, then layers of saturated colour, blurred edges and electric highlights are built straight onto brick or canvas until the surface pulses like living circuitry. Energy is central; Kitchener runs daily marathons and paints to techno tracks, completing giant murals in days rather than weeks, a pace that keeps strokes loose and emotional. Commissions have come from Paul McCartney, Lenny Kravitz and Miley Cyrus, while public works rise across Europe, Asia and the United States, including the landmark Tokyo Rain piece at Berlin’s Teufelsberg. Solo gallery shows such as Tokyo Rain in Wynwood extend the practice indoors, tracing journeys from snapshot to sketch to painted final, yet the aim remains the same: translate the rush, solitude and strange beauty of urban night into paint so viewers can step inside a fleeting moment and feel raindrops that were never really there.