Jo Pearson 'Cow' Print Available

Artist: Jo Pearson
Title: Cow
Medium: 2 Color Risograph Print
Size: 29.7 x 29.7 cm
Edition: OPEN
Price: £30

Jo Pearson is a self-taught visual artist and printmaker based on the Ards Peninsula in Northern Ireland, a region within the United Kingdom. Originally from South London, she moved to the scenic area surrounding Strangford Lough, which serves as the namesake and primary inspiration for her creative practice under the moniker Strangford. Her professional journey into the arts began unexpectedly; she previously worked as a secondary school science teacher in North Belfast and holds a degree in ecology. Her interest in printmaking was sparked through her involvement in climate activism, where she initially learned to carve banners for protests. This activism-led introduction eventually transitioned into a full-time career as she dedicated herself to the craft of relief printing during the global pandemic.

As of early 2026, Pearson’s work is recognized for its bold and whimsical depictions of animals, often characterized by vibrant colors and humorous themes. Her process involves hand-carving intricate designs into materials such as linoleum or plywood, which she then prints using a modified cold-press laminator. Recently, she has expanded her techniques to include woodblock and reduction printing, focusing on creating heavily textured, one-of-a-kind pieces that embrace handmade inconsistencies. Her art frequently features a playful cast of creatures ranging from pigeons to exotic animals, reflecting both her ecological background and a desire to create uplifting, lighthearted imagery.

Aches 'Doom' Print Available

Artist: Aches
Title: Doom
Medium: Giclee Print
Size: 59.4 x 76 cm
Edition: 15
Price: €500

Aches, real name Fergal Coghlan is a prominent artist from Ireland who has achieved international acclaim for his innovative approach to muralism and graffiti. Born and raised in Dublin, he began his creative journey in the early 2000s, initially focusing on traditional graffiti lettering before evolving his style into a complex fusion of digital aesthetics and physical street art. He is best known for his mastery of the additive color model, frequently employing a technique that mimics the sub-pixel structure of modern digital screens. By layering translucent streaks of red, green, and blue, he creates portraits and typographic works that appear to vibrate or glitch when viewed from different angles.

His work often explores the intersection of technology and human identity, challenging the viewer to reconsider how digital mediums distort or enhance our perception of reality. Despite the high-tech appearance of his murals, Aches executes these pieces entirely by hand using spray paint, demonstrating a profound technical skill in color theory and perspective. His large-scale installations can be found in major cities across the globe, including London, New York, and Copenhagen, yet he remains deeply connected to the Irish art scene. He frequently participates in local festivals and projects that aim to revitalize urban spaces through public art. By blending classical portraiture with modern visual distortions, Aches has established himself as a leading figure in the evolution of street art, bridging the gap between historical painting techniques and the rapid pace of the digital age.

Mary O'Connor 'Triskele' Print Available

Artist: Mary O'Connor
Title: Triskele
Medium: Deckled Multi Color Screen Print
Size: 50 x 70 cm
Edition: UNIQUE
Price: €495

 

Mary O'Connor is a distinguished abstract artist whose work explores the intricate relationships between color, texture, and spatial depth. Based in Dublin, Ireland, she has developed a unique visual language that prioritizes emotional resonance over literal representation. Her practice often involves building up numerous layers of paint and then selectively stripping them back to reveal hidden histories within the canvas. This additive and subtractive process creates a sense of weathered permanence, suggesting the passage of time or the erosion of natural landscapes.

Her compositions frequently feature a sophisticated palette of muted earth tones punctuated by sudden, vibrant accents. These shifts in color serve to guide the viewer’s eye through complex geometric arrangements and organic forms. O'Connor draws significant inspiration from the rugged Irish coastline and the shifting light patterns found in rural environments. Rather than painting these scenes directly, she translates the feeling of the atmosphere into non-representational arrangements that invite personal interpretation.

Throughout her career, O'Connor has maintained a commitment to the physical properties of her medium. She often incorporates mixed media elements such as sand, wax, or found materials to enhance the tactile quality of her surfaces. This focus on materiality ensures that each piece possesses a distinct physical presence. Her contributions to the modern art scene in Ireland and abroad have been recognized through various exhibitions and private collections. By focusing on the internal logic of the painting rather than external subjects, May O'Connor continues to challenge viewers to engage with art on a purely sensory and intuitive level.

Fin Dac 'Shinoya' Mini Print Available

Artist: Fin Dac
Title: Shinoya
Medium: Giclee Print
Size: (A6) 10.8 x 15.2 cm
Edition: 100
Prices: £200

Fin Dac is a self-taught urban artist originally from Cork, Ireland, though he has spent much of his career based in London. He is widely recognized for his distinct style, which he terms Urban Aesthetics. This approach combines traditional street art techniques with an elegant, fine art sensibility. His work typically focuses on stylized portraits of East Asian women, often depicted in traditional attire but reimagined with a modern, rebellious edge. These figures are frequently characterized by a signature splash of vibrant color across the eyes, resembling a mask or war paint, which serves as a recurring motif in his global portfolio.

Technically, Fin Dac avoids the typical grime associated with street art, opting instead for clean lines and a meticulous stencil-and-spray method. His murals are often large in scale, integrated into the architecture of cities like Hong Kong, Paris, and New York. He possesses a unique ability to use the surrounding environment to enhance the storytelling of his pieces, such as using a building's ledges to ground his subjects. Beyond public walls, he has achieved significant success in the gallery world, producing intricate works on canvas and wood that retain the texture and soul of his outdoor projects. By blending Western street art influences with Eastern cultural motifs, Fin Dac has carved out a niche that transcends geographic boundaries. His art invites viewers to appreciate the beauty of multiculturalism while challenging stereotypical depictions of femininity in the modern urban landscape. He remains a prolific figure in the international art scene.

Conor Harrington 'Elvis is Back in the Building' Print Available

Artist: Conor Harrington
Title: Elvis is Back in the Building
Medium: 5 Color Screen Print
Size: 70.5 x 93.5 cm
Edition: 60
Price: £790

Conor Harrington (b. 1980) is an Irish-born, London-based artist renowned for his captivating fusion of classical oil painting and contemporary street art. His distinctive work, which graces both global city walls as large-scale murals and international gallery spaces like the Saatchi Gallery, masterfully blends the refined techniques of academic art with the raw energy and graphic sensibilities of graffiti. Harrington began his career as a teenage graffiti artist in Cork before attending Limerick School of Art and Design, where he studied art history and honed his technical skills, eventually bridging these two seemingly disparate worlds in his unique visual language.

His large-scale figurative works often feature realistic, dynamic images of people, frequently depicted in 18th-century colonial or military attire, juxtaposed with abstract elements, bold lines, and bursts of color. This striking contrast creates a powerful social commentary, allowing him to explore complex themes such as masculinity, identity, power, and the cyclical nature of history. Harrington uses the visual rhetoric of historical portraiture to interrogate modern issues, presenting figures of authority and challenging the permanence of dominance.

Harrington's process involves a meticulous blend of traditional and modern materials, from oils and acrylics to spray paint. The artist, who once outsold Banksy at auction, continually pushes the boundaries of his medium, creating works that are both aesthetically beautiful and intellectually provocative. He remains a significant figure in the contemporary art world, known for his ability to seamlessly integrate the historical with the hypermodern, defying easy categorization and challenging viewers to reflect on the complexities of contemporary existence.

Fuchsia Macaree 'Floating' Print Available

Artist: Fuchsia Macaree
Title: Floating
Medium: Giclee Print
Size: (A1) 59.4 x 84.1 cm
Edition: 150
Price: €135

Fuchsia Macaree is an Irish illustrator whose bright, pared-back scenes celebrate the quiet poetry of everyday life. Born in Dublin and now based in County Clare, she trained in Visual Communication at the National College of Art & Design before completing an MA in Illustration at Camberwell College of Arts, London. This grounding in design taught her to distil complex ideas into clear visual language, a skill that underpins her instantly recognisable style: solid blocks of warm colour, simplified perspectives and bold, looping outlines that guide the eye straight to the heart of the story.

Her imagery springs from people watching and coastal walks. Sketchbooks fill with fleeting moments two friends sharing crisps and pints at 8:40 pm, swimmers greeting a high tide, cyclists paused under streetlights which she then translates into prints, murals, editorial illustrations and even way-finding maps. Crucial details remain (a packet of Tayto, the curve of a Galway bay), yet backgrounds are stripped to flat planes of coral, teal and butter yellow, allowing recognisable warmth to shine through.

Macaree’s client list spans cultural institutions and global brands. She has created campaigns for Google’s Dublin data centre, rebranded Center Parcs with nature-rich graphics, designed mental health imagery for the text service 50808 and drawn tidal calendars that encourage wild swimming along the Wild Atlantic Way. Her bestselling Great Irish Weather Book (Gill Books, 2018) cements her gift for turning meteorological data into engaging visual narrative.

Recent exhibitions at Hang Tough Contemporary and Plámás Gallery showcase large scale prints and painted panels that continue to elevate ordinary Irish life into joyful, luminous art, proving that simplicity, when rooted in sincere observation, can carry the weight of shared memory and collective delight.

Canvaz 'Good Grief (Charlie Brown)' Print Available

Artist: Canvaz
Title: Good Grief (Charlie Brown)
Medium: Hand Pulled 3 Color Screen Print
Size: 50 x 70 Inches
Edition: 75
Prices: €180

*there is also a hand embellished special edition for €850

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Canvaz is the working name of an Irish street artist who began painting on the walls of Dublin in the late 1990s. Using a mix of stencils, spray paint and urban intervention, he combines figurative imagery with bold graphic shapes, producing works that range from metre high paste ups to large building facades. His early pieces appeared around Temple Bar and the Liberties, often featuring a mischievous panda or a wide-eyed bear that became informal mascots for the city’s growing graffiti scene.

Over the past two decades he has extended his practice to canvas, sculpture and limited-edition screen prints that sell through independent Irish galleries and online platforms. Recurring motifs include native wildlife, childhood toys and political slogans, all rendered in layered colour that nods to both pop art and traditional sign painting. Recent outdoor projects have taken him to Barcelona, Paris and Berlin, where he has painted collaborative murals under his “Big Bad Me” banner, inviting local artists to add their own marks to his outlined characters.

Canvaz maintains a low public profile, preferring to let the work speak from walls, alleyways and abandoned warehouses. By keeping production small and messages playful, he continues to champion the idea that street art can be both a civic gift and a personal diary, proving that a single image pasted in the right spot can still brighten a passer-by’s day.

BRILLIANT Fintan Switzer Installation In Ireland

Wow! Close up below :)