Enrique Chagoya 'Border Patrol On Acid' Print Available

Artist: Enrique Chagoya
Title: Border Patrol On Acid
Medium: Hand Painted Intaglio Etching Print
Size: 50.6 x 45.25 cm
Edition: 26
Price: $1,800

 

Born in 1953 in Mexico City, Enrique Chagoya is a Mexican American painter and printmaker whose work serves as a powerful bridge between diverse cultural histories and political realities. His early upbringing in Mexico provided a deep well of inspiration, as his father was an artist by night who taught him color theory and sketching while his indigenous nurse fostered a lifelong respect for pre-Columbian history. Although he initially studied political economy at the National Autonomous University of Mexico from 1971 to 1974, his creative drive was already evident through the political cartoons he contributed to student and union newsletters. After immigrating to the United States in 1979 and settling in Berkeley, Enrique Chagoya shifted his professional focus entirely toward the fine arts, eventually earning a Bachelor of Fine Arts in printmaking from the San Francisco Art Institute in 1984 and a Master of Fine Arts from the University of California at Berkeley in 1987.

As a contemporary artist who skillfully navigates the tensions of the United States Mexico border, Enrique Chagoya has built a career defined by satirical brilliance and technical mastery. His significant accomplishments include receiving a Guggenheim Fellowship in 2021, two National Endowment for the Arts fellowships, and a Lifetime Achievement Award from the Southern Graphics Council International. These accolades reflect his unique ability to blend Western religious iconography, American pop culture, and Mesoamerican symbols to critique colonialism and global politics. His work is held in prestigious public collections, including the Museum of Modern Art in New York, the Whitney Museum of American Art, and the San Francisco Museum of Modern Art, solidifying his status as a major figure in the world of limited edition prints and fine art posters.

The exhibition history for Enrique Chagoya is extensive, featuring major solo shows such as Borderlandia, a twenty five year survey organized by the Des Moines Art Center that traveled to the Berkeley Art Museum, and the 2013 retrospective Palimpsesto Canibal at Artium in Spain. He has also been featured at the Legion of Honor Museum and the George Adams Gallery in New York, which represents much of his printed output. Collector interest remains high for his intricate codices and prints, which often utilize amate paper to mirror ancient traditions. Notable pieces that define his oeuvre include Their Freedom of Expression... The Recovery of Their Economy, the Illegal Alien's Guide to Greater America, and the suite titled The Return to Goya's Caprichos. Other significant works like The Misadventures of the Romantic Cannibals and Border Patrol on Acid continue to be highly sought after by those focusing on narrative and socio-political printmaking.

Sarah Crowner 'Rotated Skyline' Print Available

Artist: Sarah Crowner
Title: Rotated Skyline
Medium: 3 Color Intaglio Lithograph Print
Size: 31.75 x 38.25 Inches
Edition: 32
Price: $6,000

 

Sarah Crowner is a contemporary American artist recognized for her multidisciplinary approach that bridges the gap between fine art, craft, and architecture. Born in 1974, she has gained international acclaim for her large-scale geometric abstractions that often transcend the traditional boundaries of canvas. Her practice is deeply rooted in the history of modernism, drawing inspiration from hard-edge painting, twentieth-century stage design, and the applied arts.

A defining characteristic of Crowner’s work is her meticulous construction process. Rather than applying paint directly to a single surface, she often sews together individual panels of painted canvas or linen. This technique transforms the act of painting into a tactile, sculptural process where the seams function as both structural elements and drawn lines. This physical assembly reflects her interest in the relationship between the hand-made and the industrial.

Beyond textiles, Crowner frequently works with ceramics to create immersive environments. She designs intricate tile installations for floors and walls that encourage viewers to engage with art through movement and touch. These installations often feature bold patterns and vivid colors, turning galleries into experiential spaces. By integrating her aesthetic into functional architectural elements, she challenges the hierarchy between decorative and fine arts.

Crowner’s work has been exhibited in prominent institutions such as the Solomon R. Guggenheim Museum and the Mass MoCA. Her ability to synthesize historical motifs with a modern, material-focused sensibility has established her as a pivotal figure in contemporary abstraction. Her art remains a celebration of form, color, and the labor-intensive beauty of construction.