Margo Wolowiec '-57°' Mixed Media Edition Available

Artist: Margo Wolowiec
Title: -57°
Medium: Framed Mixed Media on Textile
Size: 45 x 51 cm
Edition: 25
Prices: €2,118

 

Margo Wolowiec is a contemporary American artist recognized for her innovative approach to textile art, where she bridges the gap between digital ephemera and physical craft. Born in 1985 and based in Detroit, she utilizes a complex process that translates the fleeting nature of internet imagery into permanent woven structures. Her work typically begins with a curated selection of images sourced from social media or online databases, often linked by specific hashtags or trending topics. By capturing these digital fragments, she documents the visual noise and social anxieties of the modern era.

The technical execution of her pieces involves a specialized dye-sublimation process. She transfers her digital compositions onto polymer threads before hand-weaving them on a traditional floor loom. This method introduces a degree of chance and distortion, as the precise digital lines shift and blur during the physical weaving process. The result is a series of abstract tapestries that resemble glitched screens or static-filled broadcasts, inviting viewers to contemplate the loss of information as it migrates from the virtual world to the material realm.

Wolowiec’s art addresses themes of surveillance, connectivity, and the ephemeral nature of memory. By freezing the rapid flow of the internet into a labor-intensive textile, she challenges the speed of digital consumption. Her large-scale installations often occupy a space between painting and sculpture, emphasizing the tactile quality of the warp and weft. Through this synthesis of ancient technique and modern technology, Wolowiec provides a profound commentary on how we perceive and archive the relentless stream of information defining the twenty-first century.

Ai Weiwei 'Self Portrait' Red/Green Release Details

Artist: Ai Weiwei
Title: Self Portrait (Red/Green)
Medium: Framed 5 Color Embroidered Textile
Size: 40 x 40 x 3.7 cm
Edition: UNSURE
Prices: €1,500

*available on Monday January 26th, 2026

Ai Weiwei 'Self Portrait' Green/Blue Release Details

Artist: Ai Weiwei
Title: Self Portrait (Green/Blue)
Medium: Framed 5 Color Embroidered Textile
Size: 40 x 40 x 3.7 cm
Edition: UNSURE
Prices: €1,500

*available on Monday January 26th, 2026

Ai Weiwei 'Self Portrait' Blue/Pink Release Details

Artist: Ai Weiwei
Title: Self Portrait (Blue/Pink)
Medium: Framed 5 Color Embroidered Textile
Size: 40 x 40 x 3.7 cm
Edition: UNSURE
Prices: €1,500

*available on Monday January 26th, 2026

Harmonia Rosales 'Portrait Of Eve' Print Release Details

Artist: Harmonia Rosales
Title: Portrait Of Eve
Medium: Varnished Giclee Print
Size: 58 x 58 cm
Edition: TIMED
Price: £726

 

*available at Noon EST on Wednesday October 29th, 2025

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Harmonia Rosales is an Afro-Cuban American painter born in Chicago in 1984 who rewrites art history by placing Black women at the center of Renaissance grandeur. Raised on the West Side, she grew up immersed in Santería and stories of Yoruba orishas told by her grandmother, while her mother, a children’s book illustrator, modeled her as the original Addy for American Girl, seeding an early awareness of representation. Entirely self taught, Rosales uses oil on Belgian linen to craft luminous scenes where classical composition meets Afrocentric power: in Creation of God she recasts Michelangelo’s Sistine moment as a Black woman birthing Eve from a celestial womb, flipping the narrative of origin and authority.

Her palette glows with gold leaf and jewel tones, echoing Renaissance luxury while depicting natural hair, dark skin and African textiles as the new ideal of beauty. Works such as Birth of Oshun reimagine Botticelli’s Venus as the Yoruba orisha of love and rivers, surrounded by Black angels who radiate both sensuality and divinity. These paintings serve as acts of healing, offering her daughter and viewers of the diaspora mirrors of strength and self love within stories long dominated by white figures.

Exhibitions at the Museum of the African Diaspora, Los Angeles County Museum of Art and a touring show Master Narrative have positioned Rosales at the forefront of contemporary discourse on race, gender and identity. By merging impeccable Old Master technique with radical reclamation, she invites us to question accepted canons and to see harmony in a world where Black women reign as creators, goddesses and agents of their own history.