Henrik Delehag 'Lovers 1' Print Available

Artist: Henrik Delehag
Title: Lovers 1
Medium: Giclee Print
Size: (A2) 42 x 59.4 cm
Edition: UNSURE
Price: €200

For collectors of limited edition art prints and graphic posters, the name Henrik Delehag has become synonymous with a stark and visceral exploration of the human form through minimal palettes. Born in Stockholm, Sweden, in 1973, Delehag has built a reputation for creating icons that bridge the gap between ancient symbolism and the modern graphic landscape. His early creative development was deeply influenced by the years he spent in New Zealand as a teenager, where he was first introduced to the intricate symbolic power of Maori art. This formative period established the foundation for his lifelong fascination with how essential symbols can communicate complex emotional realities.

The formal education of Henrik Delehag took place at the Berghs School of Communication in Stockholm, where he refined his skills in graphic design and typography from 1996 to 1998. This rigorous training in communication and visual structure eventually led him to London in 2000, where he spent nearly a decade working as an artistic director in the advertising industry. This professional background is evident in the typographic clarity of his personal work, which often treats the human figure as a refined graphic mark. By stripping away extraneous detail, he focuses on the brutal relationship between black and white, seeking harmony and chaos within those polar opposites.

One of the most significant professional accomplishments for Henrik Delehag is his involvement in the artistic duo Benrik alongside Ben Carey. Their collaborative efforts, which include the best selling book This Diary Will Change Your Life, reached a global stage when their work was featured in exhibitions associated with major institutions like the Museum of Modern Art (MoMA) in New York. Beyond his collaborative success, Delehag has maintained a prolific solo career, often working from a studio located in the bell tower of a nineteenth century church in South London. His work is now a staple in major private collections worldwide, appealing to those who value the intersection of fine art and high end graphic printmaking.

Throughout his career, Henrik Delehag has participated in various exhibitions that highlight his evolving style. Notable art shows and gallery appearances include the group show at Riflemaker in Soho, where he debuted the massive silkscreen print titled A Good Year. More recently, he held a retrospective titled It Does Not Matter Anymore in 2023 at Atelier JI, which featured a set of four commemorative phosphorescent silk screen prints. His work has also been represented through digital and physical galleries such as Notton Art and Artsy, providing collectors with access to his sought after limited edition runs.

Dave Buonaguidi 'Gentle Reminder II' Retired Screen Available

Artist: Dave Buonaguidi
Title: Gentle Reminder II
Medium: Retired Screen
Size: 50.5 x 61 cm
Edition: 10
Price: £495

Dave Buonaguidi is a London based artist who has successfully transitioned from a high profile career in advertising to become a major force in the world of limited edition art prints. Known widely by his artist alter ego The Real Hackney Dave, he spent over thirty five years as a creative leader in the advertising industry before turning his full attention to screen printing. Born in London in 1964, Buonaguidi grew up in an Italian household and originally attended art school in the early 1980s where he completed a foundation course and a graphics program. Despite this early training, he spent decades founding and leading major agencies such as St. Luke’s and Karmarama. It was not until 2014, during a period of professional hiatus he calls his gardening year, that he took a one day screen printing workshop at Print Club London which fundamentally shifted his career path.

Since focusing on his practice, The Real Hackney Dave has developed a signature style characterized by bold, often fluorescent typography layered over found objects and vintage materials. His work is heavily influenced by the visual language of propaganda and the democratic nature of pop art. One of his most significant early accomplishments was the creation of the iconic Make Tea Not War poster for the 2003 anti war march in London. This piece has since achieved historic status and is held in the permanent collection of the Victoria and Albert Museum and is also exhibited at the Imperial War Museum and the Trento Museum of Modern Art.

The artistic output of The Real Hackney Dave is prolific and frequently addresses cultural themes in real time. His portfolio includes several famous pieces that have become staples for collectors of limited edition posters. Notable titles include True Love Never Dies, Norf Sarf, and the widespread series featuring the phrase Is Always A Good Idea applied to various locations like London, New York, and Cornwall. During the 2020 pandemic, he gained further recognition for his Keep Yer Chin Up series, which was distributed to provide hope during the lockdown.

Buonaguidi has participated in numerous high profile art shows and gallery exhibitions that have solidified his reputation among serious print collectors. He has held several solo exhibitions at Jealous Gallery including Now That’s What I Call Dave Buonaguidi and Dave Buonaguidi Is Always A Good Idea. His work has also been featured in solo shows like STAY WEIRD and High Crimes & Dirty Habits at BSMT Space in London. By combining his deep understanding of communication from his advertising days with a raw and experimental approach to printmaking, he continues to create work that resonates emotionally while remaining accessible to a broad audience of art enthusiasts.

Moses + Taps 'Image Of Graffiti' Print Available

Artist: Moses + Taps
Title: Image Of Graffiti
Medium: Multi Color Screen Print
Size: 50 x 50 cm
Edition: 100
Price: CHF 300

The artist collective MOSES & TAPS consists of two primary founders who originate from Germany and have been active in the European graffiti scene for decades. While the collective maintains a level of anonymity to protect its members, it is widely known that both individuals began focusing on their craft independently as early as 1994, primarily using public transport systems as their canvases. Formal details regarding their academic education remain largely private, a common trait among graffiti pioneers who prioritize street level experience and technical mastery over institutional credentials. By the early 2000s, they had already painted thousands of trains across Europe, and in 2007, they officially joined forces to form the collective known as TOPSPRAYER™. This partnership allowed MOSES & TAPS to elevate their work from traditional tagging to a conceptual practice that frequently challenges the boundaries of public space and legal frameworks.

One of the most significant accomplishments of MOSES & TAPS was the completion of their ambitious project to paint 1000 trains in 1000 days, which was documented in the highly successful book International Topsprayer. This feat solidified their status within the global urban art community and was followed by other notable conceptual actions, such as the 2010 creation of a deceptively realistic fake train door on a Hanover S-Bahn and the 2015 project titled The Wall, where they built a brick wall inside a train car in Hamburg. These actions sparked international media debate regarding the nature of graffiti and the absurdity of its prosecution. In the realm of high art, their piece titled Das Kann Ich Auch sold at auction for €11,700 in 2018, demonstrating their commercial viability and cross-over appeal.

The collective has participated in numerous prestigious art shows and gallery exhibitions that bridge the gap between the street and the white cube. Their first solo gallery show, titled WALLFLOWERS, took place at the Colab Gallery in Weil am Rhein, where they introduced their CORPORATE IDENTITY™ series. They have also held significant exhibitions at the Kolly Gallery in Switzerland, including shows like ALPHABET™ in 2018 and SPLASH™ CARTA in 2021. Other notable participations include the Viral Vandals exhibition at the MU Hybrid Art House in 2017 and their 2024 debut at the Museum of Graffiti in Miami. Their work continues to be featured in major international events like the Urban Art Biennale at the Völklinger Hütte.

Known for their avant-garde approach, MOSES & TAPS™ have produced several famous pieces and series that are highly sought after by collectors of limited edition art prints and posters. Significant works include The Wall, which remains one of their most culturally impactful installations, and the Sellout project, where they used dollar bills to critique the commercialization of the scene. Other prominent titles in their portfolio include Zeitgeist, Image of Graffiti, Scratchiti, and the Splash series, which utilizes punctured spray cans to create abstract action paintings. By consistently subverting the traditional rules of the genre while maintaining a prolific output, the collective has redefined what it means to be a modern master in the field of graffiti and conceptual art.

For enthusiasts within the limited edition art print and poster collector community, the works of MOSES & TAPS™ represent a unique intersection of transience and permanence. Their transition from the ephemeral surfaces of European transit systems to the curated environments of global galleries has created a robust secondary market for their documented actions and physical editions. The meticulous documentation found in their publications and the abstract energy of their Splash series provide a tangible connection to the conceptual evolution of the collective. Collectors often prioritize these pieces for their historical significance and the way they challenge the conventional definition of urban aesthetics. As the collective continues to debut new bodies of work in major institutions and international biennials, their influence remains a cornerstone for those studying the progression of avant-garde practices in public spaces.

Emma Kohlman 'We Are Three' Print Available

Artist: Emma Kohlman
Title: We Are Three
Medium: Aquatint Wood Block Print
Size: 26 x 72 cm
Edition: 24
Price: €1,000

 

Emma Kohlmann is a prolific American artist whose distinctive aesthetic has garnered significant attention within the global community of fine art print and poster collectors. Born in 1989 and originally from New York City, she began focusing intently on her creative practice during her formative years before pursuing a formal education at Hampshire College in Amherst, Massachusetts. Her work is characterized by a fluid, intuitive approach to watercolor and sumi ink, often exploring themes of nature, gender, and the human form through a lens that feels both primordial and deeply personal. While many categorize her within the broader art scene, her specific style transcends simple labels, blending a folk art sensibility with a refined understanding of color theory and silhouette.

Early in her career, Emma Kohlmann established a reputation for her immense output, frequently producing hundreds of drawings that capture fleeting emotions and organic shapes. This relentless dedication led to her first major exhibitions and a growing presence in the DIY zine and independent publishing circuits. As her profile rose, her work transitioned from underground spaces to prestigious international institutions. Collectors of limited edition works often seek out her prints for their raw, emotive quality and the artist's ability to maintain a hand drawn feel even within mechanical reproduction processes. To stay updated on her latest projects and visual diary entries, fans often follow Emma Kohlmann through her digital presence where she shares insights into her studio life.

One of the most significant accomplishments in her career was her participation in the solo exhibition titled Watercolored Wilds at the V1 Gallery in Copenhagen. This show highlighted her ability to command a room with large scale works that maintain the intimacy of a small sketch. She has also been featured in notable group settings at the Museum of Modern Art where her contributions to contemporary print media are preserved within their permanent collection. Another landmark event was her solo presentation at Jack Hanley Gallery in New York, which solidified her status as a vital voice in the American art landscape. These shows are frequently cited by collectors as pivotal moments that increased the desirability of her physical editions.

Kohlmann has also collaborated with diverse platforms to bring her vision to different mediums, including textile designs and record covers. Her notable pieces often bear descriptive titles that reflect their ethereal subject matter, such as The Garden of Earthly Delights and Various Figures with Flora. Her involvement with The Journal Gallery further demonstrates her range and the high demand for her work among serious art enthusiasts. By avoiding traditional commercial tropes, she has carved out a niche that appeals to those who value authenticity and stylistic independence. Her work remains a staple for those looking to invest in pieces that bridge the gap between high gallery art and accessible, beautifully crafted editions.

Jerry Booth 'Palo Duro Canyon' Print Release Details

Artist: Jerry Booth
Title: Palo Duro Canyon
Medium: Giclee Print
Size: 18x24 or 24x32 Inches
Edition: TIMED
Price: $150 or $195

*available for 48 hours on Sunday March 22nd, 2026

Jerry Booth 'Trail Rider' Print Release Details

Artist: Jerry Booth
Title: Trail Rider
Medium: Giclee Print
Size: 18x24 or 24x32 Inches
Edition: TIMED
Price: $150 or $195

*available for 48 hours on Sunday March 22nd, 2026

Jerry Booth 'Long Way Down' Print Release Details

Artist: Jerry Booth
Title: Long Way Down
Medium: Giclee Print
Size: 18x24 or 24x32 Inches
Edition: TIMED
Price: $150 or $195

*available for 48 hours on Sunday March 22nd, 2026

Jerry Booth 'Days Gone By' Print Release Details

Artist: Jerry Booth
Title: Days Gone By
Medium: Giclee Print
Size: 24x24 or 36x36 Inches
Edition: TIMED
Price: $180 or $275

*available for 48 hours on Sunday March 22nd, 2026

Jerry Booth 'Electric Range' Print Release Details

Artist: Jerry Booth
Title: Electric Range
Medium: Giclee Print
Size: 24x24 or 36x36 Inches
Edition: TIMED
Price: $180 or $275

*available for 48 hours on Sunday March 22nd, 2026

Jerry Booth 'All Went Quiet' Print Release Details

Artist: Jerry Booth
Title: All Went Quiet
Medium: Giclee Print
Size: 24x24 or 36x36 Inches
Edition: TIMED
Price: $180 or $275

*available for 48 hours on Sunday March 22nd, 2026

____________

The professional journey of 

Jeremy Booth

 represents a significant evolution within the modern western art movement, captivating the limited edition art print and poster collector community with a signature style defined by daring minimalism and cinematic atmosphere. Born in 1986 and based in Kentucky, United States, this artist has successfully transitioned from a prolific career in commercial illustration to becoming a powerhouse in the fine art world. Jeremy Booth first started focusing on art professionally as a commercial illustrator, where he garnered international representation and worked with high profile global brands including Apple, Nike, and British GQ. His early education in the arts was unconventional as he did not attend college but instead sought specialized training at various art schools to master the foundational principles of drawing and painting. This disciplined technical background allowed him to develop a refined aesthetic that he eventually applied to his personal exploration of the American West.

The shift toward fine art occurred several years ago when Jeremy Booth decided to move away from client driven projects to pursue a more personal narrative centered on the cowboy lifestyle and rugged landscapes. His significant accomplishments include having his work featured and sold through the world renowned Christie’s auction house, a rare feat that underscores the high demand for his unique visual language among serious collectors. His art is frequently sought after for its ability to distill complex western motifs into bold, flattened color fields and sharply defined shapes that resonate with an audience valuing honesty and simplicity.

In terms of public exhibitions, he has participated in several high profile events that have further solidified his standing in the industry. One of his most notable solo exhibitions, titled Sweat and Blood, was held at Square One Gallery in St. Louis from February 7 to March 7, 2025. This show showcased stoic archetypes of western life through a lens of quiet intensity and grit. Additionally, his collaborative exhibition with Postwook, titled The Silence and the Signal, was presented at SCOPE Miami Beach from December 2 to 7, 2025, during the prestigious Miami Art Basel week. He also participated in a group exhibition titled Neon Range at West Chelsea Contemporary in Austin, which ran from July 18 to August 25, 2025.

Collectors of limited edition posters and prints closely follow his timed releases, which are known for their exclusivity and rapid sell out rates. Some of the most famous pieces of art by the artist include Desert Steel, Over the Ridge, and Bossin Cattle. Other highly regarded works that have gained traction in the gallery circuit and auction houses include Resolute, Daring, Desert Jade, and Cattle Run. By eschewing traditional realism in favor of a more distilled and cinematic approach, the work produced by this artist continues to redefine the boundaries of western art for a new generation of enthusiasts.