Ai Weiwei 'Forever Bicycle' (Blue + Silver) Print Release Details

Artist: Ai Weiwei
Title: Forever Bicycle (Blue + Silver)
Medium: Gold Leaf Embellished 3 Color Screen Print
Size: 75 x 75 cm
Edition: 100
Prices: €2,420

*application open until Monday November 17th, 2025

Ai Weiwei 'Forever Bicycle' (Red + Gold) Print Release Details

Artist: Ai Weiwei
Title: Forever Bicycle (Red + Gold)
Medium: Gold Leaf Embellished 3 Color Screen Print
Size: 75 x 75 cm
Edition: 100
Prices: €2,420

*application open until Monday November 17th, 2025

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Ai Weiwei is a Chinese artist, architect and activist born in Beijing in 1957 who uses sculpture, photography, film and social media to challenge authority and champion human rights. The son of poet Ai Qing, he grew up during the Cultural Revolution and later studied at Parsons School of Design in New York, where exposure to conceptual art shaped his belief that ideas carry more weight than objects. His best known works transform traditional materials into pointed political statements: Sunflower Seeds consists of one hundred million porcelain seeds hand painted by artisans in Jingdezhen, inviting viewers to consider mass labour and individuality, while Straight comprises ninety tons of rebar recovered from schools destroyed in the 2008 Sichuan earthquake, the bent metal painstakingly straightened to memorialise young lives lost to corruption.

Architecture is another arena of critique. He helped design Beijing National Stadium for the 2008 Olympics, yet later distanced himself from the project, calling the games a propaganda show. His subsequent installations often expose state surveillance: surveillance cameras cast in marble or bronze sit like silent idols, questioning who watches whom in modern society.

Detention in 2011 for eighty one days without charge intensified his global profile. Since regaining his passport he has lived in Portugal and Britain, continuing to produce work that links personal experience to universal themes of freedom and exile. Whether building a fence across New York landmarks or wrapping refugees in thermal blankets on Berlin concert hall steps, he insists that art must engage with the world beyond the gallery. By merging ancient craft with contemporary dissent, he proves creativity can be a powerful form of resistance.

Derrick Adams 'Fixing My Face' Print Release Details

Artist: Derrick Adams
Title: Fixing My Face
Medium: 21 Color Screen Print
Size: 20 x 20 Inches
Edition: 40
Prices: $4,000

*available Tuesday October 21st, 2025

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Derrick Adams is an American artist born in Baltimore in 1970 who works across painting, collage, sculpture, performance and digital media. He studied at Pratt Institute and earned an MFA from Columbia University, grounding his practice in both fine art and critical theory. His vibrant mixed media pieces celebrate Black joy, leisure and self fashioning, presenting everyday life as a site of cultural richness and resistance.

Adams layers acrylic, fabric, paper and found objects to build portraits and domestic scenes that pulse with pattern and colour. Flat planes of emerald, fuchsia and gold echo African textiles while recalling the geometric language of early modern abstraction. The work often incorporates hair weaves, clothing labels and magazine cutouts, turning consumer debris into signifiers of identity and aspiration. Recurring motifs include crowns, luxury bags and television static, suggesting that visibility and representation are constant negotiations.

Performance remains central to his output.

In 2018 he staged “We Came to Party and Plan” at the Brooklyn Museum, transforming the space into a disco where archival footage of 1970s Black dance shows played alongside live DJs, linking celebration to community organising. Recent exhibitions include “Where I’m From” at the Hudson River Museum and “Motion” at Luxembourg and Dayan, New York, while his collage “Style Variation #25” entered the collection of the Metropolitan Museum of Art.

When he is not in the studio, Adams mentors young artists and curates pop culture archives, believing that creativity is a collective resource. By merging celebration with critique, he invites viewers to recognise that joy itself is a radical act.

Jason Raish 'Destroy All Monsters' Prints Release Details

Artist: Jason Raish
Title: Destroy All Monsters
Medium: Giclee Print on Card
Size: 24 x 36 Inches
Edition: 100
Prices: $65

*available with a couple variants at Noon EST on Monday October 20th, 2025

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Jason Raish is a New York based illustrator whose hyper real, fashion-forward images merge couture flair with subtle social commentary. Born in Seoul and raised amid the forests of western New York, he spent six years freelancing across Beijing, Tokyo, Barcelona, Seoul, London and Paris before settling in Brooklyn, where he now jogs each morning with his rescue Husky Dubuchim. His style is self described as hyper-realistic, colourful and stylish, built with delicate ink linework and luminous digital colour that makes fabric shimmer and skin appear lit from within.

Raish’s breakout personal project, Croquet & Ink, blends his love of fashion illustration with observations on class and race, depicting genteel croquet matches populated by models of diverse heritage. The series earned a Silver Medal from the Society of Illustrators and opened the door to major editorial and advertising commissions, including the New York Times, Saatchi & Saatchi, Leo Burnett and The Times of London. He approaches each brief as a narrative vignette, researching period costumes, contemporary runway looks and symbolic props to create scenes that feel both aspirational and quietly subversive.

Working from a cluttered IKEA desk in a shared apartment studio, he combines a 2014 Mac Mini, Wacom tablet and vertical mouse, preferring the tactile friction of pen on screen to achieve hair-thin detail. Recent self-initiated work includes a tarot deck that weaves Korean folk motifs with modern divination imagery, further expanding his exploration of identity and heritage. Whether illustrating a silent WALL-E for the Criterion Collection or crafting a glamorous magazine cover, Jason Raish invites viewers to look twice, discovering that beneath the gloss lies a thoughtful commentary on who gets to sit at the garden party of contemporary culture.

Neverwork 'Angel 2' Print Available

Artist: Neverwork
Title: Angel 2
Medium: Giclee Print on Card
Size: 30 x 30 cm
Edition: 25
Prices: £45

Neverwork is the professional alias of a British post-urban contemporary artist born in Leeds in 1979. The tag itself is a manifesto: a refusal of nine-to-five repetition and a declaration that creativity should never be confined to tidy galleries. Armed early with spray cans and a restless imagination, he began transforming vacant walls, billboards and found scraps into vivid declarations that celebrate chaos over conformity.

His visual language fuses situationist detournement with the raw colour of street culture and the irreverent pulse of punk. Surrealist fragments collide with abstract expressionist gestures, producing works that feel like dream journals written in public space.

Layered acrylics, torn paper and stencilled slogans overlap until a single piece can suggest both a nightclub flyer and an archaeological relic of consumer excess. Neverwork exhibits internationally and sells original canvases and prints through his own website and online auction platforms, yet he still prefers the immediacy of a brick wall to the silence of a white cube. By turns celebratory and critical, his output invites onlookers to question mass produced reality and to reclaim city surfaces as shared sketchbooks. In doing so, he proves that a name scrawled in alley light can carry as much weight as any formal signature, and that art truly lives when it refuses to behave.

Canvaz 'Good Grief (Charlie Brown)' Print Available

Artist: Canvaz
Title: Good Grief (Charlie Brown)
Medium: Hand Pulled 3 Color Screen Print
Size: 50 x 70 Inches
Edition: 75
Prices: €180

*there is also a hand embellished special edition for €850

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Canvaz is the working name of an Irish street artist who began painting on the walls of Dublin in the late 1990s. Using a mix of stencils, spray paint and urban intervention, he combines figurative imagery with bold graphic shapes, producing works that range from metre high paste ups to large building facades. His early pieces appeared around Temple Bar and the Liberties, often featuring a mischievous panda or a wide-eyed bear that became informal mascots for the city’s growing graffiti scene.

Over the past two decades he has extended his practice to canvas, sculpture and limited-edition screen prints that sell through independent Irish galleries and online platforms. Recurring motifs include native wildlife, childhood toys and political slogans, all rendered in layered colour that nods to both pop art and traditional sign painting. Recent outdoor projects have taken him to Barcelona, Paris and Berlin, where he has painted collaborative murals under his “Big Bad Me” banner, inviting local artists to add their own marks to his outlined characters.

Canvaz maintains a low public profile, preferring to let the work speak from walls, alleyways and abandoned warehouses. By keeping production small and messages playful, he continues to champion the idea that street art can be both a civic gift and a personal diary, proving that a single image pasted in the right spot can still brighten a passer-by’s day.

Ted Patrick 'Think Outside The Box' Statues Coming Soon

Artist: Ted Patrick 
Title: Think Outside The Box
Medium: Cold Cast Iron
Size: 15 x 35 cm
Edition: 28
Prices: £499

*there will also be a bronze version for £989

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Ted Patrick is the playful alias adopted by an anonymous UK printmaker who surfaced in 2019 with a small screen print handed out to visitors near Banksy’s pop-up project Dismaland in Weston-super-Mare. The image, a crude beach scene stamped “Ted Patrick edition,” was offered free on the street and later sold online for modest sums, fuelling online chatter about whether the name masked Banksy himself or simply capitalised on the event’s afterglow.

Forum debates reveal no solid proof of direct authorship by Banksy; instead, Ted Patrick appears to be an independent figure riding the coattails of the anonymous star, using the same tactic of low edition drops, punning titles and cloak-and-dagger distribution to create buzz without revealing identity. Some buyers hoped for a hidden Banksy signature, yet Pest Control, the only body that can authenticate Banksy works, has never endorsed a Ted Patrick print. The moniker may even reference the American “father of deprogramming,” adding another layer of mischief. Today the prints circulate as affordable souvenirs of the Dismaland summer, valued less for artistic innovation than for their place in the ongoing mythology surrounding Banksy and the urban art circus his stunts inevitably attract.

Luke Martin 'Big Bud' (Panama Red) Print Available

Artist: Luke Martin
Title: Big Bud (Panama Red)
Medium: 1 Color Screen Print
Size: 24 x 24 Inches
Edition: 25
Prices: $55

Luke Martin is an American illustrator and silk screen printer who has quickly become a sought after name in contemporary rock poster circles. Working under the banner Suburban Avenger Studios, he blends 1960's psychedelia with modern graphic punch, producing limited-edition prints that sell out within minutes of release. His process starts as loose pencil thumbnails inspired by song lyrics and venue atmosphere; the strongest sketches are inked, scanned and separated for hand-pulled screen prints that layer up to eight transparent colours. The resulting images feel both vintage and futuristic: melting skylines, cosmic wolves and neon lightning bolts float around bold lettering that honours the musical act while establishing Martin’s distinct voice.

Raised on skate graphics, comic books and California surf culture, Martin taught himself printmaking through trial, error and late-night pulls in a garage studio. That self-directed energy caught the eye of promoters for Phish, Jerry Garcia, Dave Matthews Band, My Morning Jacket, The Black Keys, Avett Brothers, Jack White, Robert Plant and Guns N Roses all of whom have commissioned posters that now trade on secondary markets for several times their original price. Each job begins with a deep listen to the band’s latest record, after which Martin translates rhythm and mood into swirling visual narratives that invite viewers to discover hidden symbols keys, eyes, constellations tucked between sweeping colour bands.

When he is not drawing, Martin hits the road to sell prints at merch tables, believing that face-to-face exchanges keep the art grounded in the communal spirit of live music. By merging DIY ethic with meticulous craft, Luke Martin proves that a concert poster can still be a pocket-sized revolution you can pin on your wall.

Justin Hampton 'Lunar Impulses' Print Release Details

Artist: Justin Hampton
Title: Lunar Impulses
Medium: 9 Color Screen Print
Size: 18 x 24 Inches
Edition: 50
Prices: $125

*these are "Coming Soon" with some variants

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Justin Hampton is an American illustrator and printmaker whose dramatic imagery has shaped rock music culture for three decades. Born in 1971 and raised in the Pacific Northwest, he studied graphic design at Western Washington University before moving into concert posters, drawn by the energy of live music and the freedom of screen-printed art. Working primarily in scratchboard and ink, Hampton carves intricate textures that he enhances with layers of translucent colour, creating depth without losing the stark contrast that defines his style.

His client list reads like a hall of fame: Pearl Jam, Nine Inch Nails, KISS, Soundgarden, The Beastie Boys, The Black Keys, Ween, The Flaming Lips, Mark Lanegan Band, 311, QOTSA and The Who have all commissioned posters that merge gothic symbolism with art nouveau curves. Each design begins as loose thumbnails made while listening to the band’s latest record, then develops into detailed compositions where serpents coil around microphones, roses bloom from skulls and cityscapes dissolve into star fields. The final prints are produced in limited editions that sell out within minutes, turning gig memorabilia into collectible art.

Beyond music, Hampton has created covers for DC Comics, packaging for craft breweries and murals for Seattle’s Pike Place Market. When he is not drawing, he lectures on design history and mentors young artists, advocating for craftsmanship in an era of digital speed. By merging Victorian engravings with modern iconography, Justin Hampton continues to prove that a concert poster can be both a souvenir and a timeless work of art.

Anthony Sunter 'No Reason To Be Afraid' Available

Artist: Anthony Sunter
Title: No Reason To Be Afraid
Medium: Archival Pen on Paper
Size: 29.7 x 29.7 cm
Edition: UNSURE
Prices: £165