EINE 'Circus Letters' Bunting Available

Artist: EINE
Title: Circus Bunting
Medium: 26 Letter Bunting Flags
Size: 1,000 x 32 cm
Edition: UNSURE
Prices: £70

London-born Ben Flynn (EINE) swapped a dull insurance job for the thrill of tagging Tube lines in the 1990s, gradually shifting from illicit scrawls to supersized, candy-coloured letters that now light up shutters from Shoreditch to Tokyo. His breakthrough idea painting the entire alphabet across Middlesex Street turned a nondescript East-End road into the world-famous “Alphabet Street” and proved typography could be street art’s main event, not just its caption.

In 2003 he co-founded the print studio Pictures on Walls (POW) with Banksy, becoming the in-house screen-print maestro who hand-pulled editions for Jamie Hewlett, Mode2 and Banksy himself; the DIY outfit gave early street artists a legitimate income stream long before commercial galleries would return their calls. The alliance paid diplomatic dividends in 2010 when David Cameron gifted EINE’s canvas Twenty First Century City to Barack Obama, catapulting the once-underground painter into headlines and the V&A, MoCA and Urban Nation permanent collections.

Today EINE’s murals, clothing line and record-breaking 17,500 sq ft “CREATE” wall (visible from space) continue his mission to make words punch as hard as images, reminding passers-by that letters are “characters” in both the typographic and human sense.

Arlo Sinclair 'Pacman: Pills & Ghosts' Print Available

Artist: Arlo Sinclair
Title: Pacman: Pills & Ghosts
Medium: Framed Hand Painted Real Floppy Disk
Size: 29 x 29 x 5 cm
Edition: 20
Prices: $425

  

Arlo Sinclair (b. 1980, South Africa) is a London-based painter who swapped code for canvas, transforming a childhood shaped by economic hardship and 1980s arcade addiction into wry, pixel-perfect oil paintings that mourn and celebrate obsolete tech. Self-taught after a career in computer programming, he treats magneto-digital storage floppy disks, VHS sleeves, early game cartridges as modern relics, rendering their scuffs, labels and corporate typography with Old-Master precision and a satirist’s grin. Star Wars, Jurassic Park, Top Gun, JAWS, Space Invaders, Pokemon and more have all been covered by his floppy disk design style.

Each composition blends nostalgia with critique: stripes of corrupted data become abstract color fields, while brand logos float like devotional icons, inviting viewers to confess their geek nostalgia and question planned obsolescence. Sculptural detours see Sinclair cast vintage Hot Wheels in bronze or embed circuit boards in resin, turning playroom trophies into luxury artifacts that taunt the art market’s own appetite for retro chic.

Since debuting in 2016 he has sold out editions at Woolff Gallery, Guy Hepner, Toxic Arts, and Artsy, while critics hail him as “the IT department’s Van Dyck” for the way he marries impasto paint with binary exactitude. Whether depicting a cracked AOL CD or a CRT screen mid-explosion, Sinclair’s work insists that the digital ghosts we archive in attics deserve the same reverence society reserves for marble busts proof that memory, like hardware, is always one click away from crashing.

Bahar Artan Oskay 'The Presence Of Absence' Print Available

Artist: Bahar Artan Oskay
Title: The Presence Of Absence
Medium: Wall Sculpture
Size: 24.2 x 20.5 cm
Edition: 150
Prices: $900

 

Istanbul-born Bahar Artan Oskay (1984) turns destruction into design. Armed with degrees from Yeditepe and Yıldız Technical Universities culminating in a Ph.D. she began by re-styling modern masters, inserting Mondrian grids and Matisse cut-outs into pop-culture contexts to test how fame warps seeing. Frustrated by her own polished surfaces, she literalized Picasso’s maxim that “every act of creation is first an act of destruction.” Oskay now saws dry figurative canvases into loose squares, then re-assembles the shards into swirling, pixel-like abstractions where brush-strokes meet saw-blade scars. The process is half chess, half chance: she never knows which color relationships will survive the shuffle, so each final panel records a tense truce between control and chaos.

The resulting wall works shown in solo and group exhibitions across Turkey and Japan read as slow-motion explosions of her earlier style, simultaneously erasing and preserving personal art history. By grafting fragments above the picture plane, she also toys with sculptural depth, letting shadows complete the composition as daylight shifts. When she isn’t cutting canvases, Oskay teaches and co-directs the Fine Arts program at Yeditepe, mentoring the next generation to question, cut and rebuild whatever tradition they inherit.

Andrej Barov 'Urban Fire 3' Print Available

Artist: Andrej Barov
Title: Urban Fire 3
Medium: Giclee Print
Size: 39.4 x 26.4 Inches
Edition: 150
Prices: $650

 

Andrej Barov, born in Leningrad in 1958, grew up inside a family orchestra of composers and actors, so stage-light and rehearsal-room shadows became his first visual vocabulary. After earning a 1981 theater-studies degree from Leningrad’s Academy of Theatre, Music and Film, he emigrated to Munich in 1988 and turned the proscenium into the pixel, swapping scripts for scanners to probe how media manufactures collective memory. Working photographically, painterly and digitally often on the same canvas Barov “paints” directly into a computer with stylus and brush, then prints, stretches and varnishes the data until the screen’s cold glow warms into tactile pigment.

Series such as Durchlöscher dissect iconic drink labels into vertical color bars, translating brand recognition into abstract scent-triggers, while Correlation re-codes Mediterranean landscapes through an “axial-image requirement principle,” reducing natural vistas to rhythmic signal impulses that test the limits of perceptual psychology. The goal is not documentation but revelation: to make viewers feel how digital fragmentation re-writes history in real time.

Barov’s output has appeared in over 120 European museum and gallery exhibitions since 1988, earning honors that range from the European Photography Award (1993) to Russia’s Ministry of Culture prize (1998) and Germany’s Bronze ADC (2003). Whether he is visualizing the color of perfume or compressing geopolitical timelines into geometric mosaics, Barov keeps asking one question: if our eyes no longer trust reality, what does the mind obey?

Kat Honey 'Spiked + Striped' Print Available

Artist: Kat Honey
Title: Spiked + Striped
Medium: Giclee Print
Size: 30 x 40 Inches
Edition: 3
Prices: $1,250 CAD

 Toronto-based mixed-media artist Kat Honey remixes fashion magazines into razor-sharp collages that expose the cracks beneath glossy ideals. Born in 1966, she spent two decades as an award-winning graphic designer before a 2009 camper-van sabbatical convinced her to trade client briefs for gallery walls. Honey now slices, tears and re-orders luxury adverts until perfect faces become fragmented masks, then enlarges the fragments until printing dots and ragged edges loom like topographic maps of consumer desire.

Her process of hand-cut at magazine scale, digitally blown up to mural size magnifies every pore, tear and halftone, turning slick marketing into tactile evidence of manipulation. Solo shows at Red Head Gallery, Quest Art and Station Gallery, plus a 2024 takeover of every corridor in Toronto’s renovated Union Hotel, position her collages as both decor and dissent. A permanent neon piece at Gladstone House and three suites in Newmarket’s Postmark Hotel translate her aesthetic into glowing signage and hospitality art

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Off the wall, Honey co-hosts the free monthly Virtual Collage Jam on YouTube, nurturing a global scissors-and-glue community featured in Kolaj magazine. She teaches online and at Haliburton School of Art + Design, arguing that creativity is learned, not bestowed. Cycling between studio, classroom and gym, Honey pedals the city she critiques, continually peeling back layers of identity, commerce and belonging.

Marcelina Amelia 'Hero' Print Available

Artist: Marcelina Amelia
Title: Hero
Medium: 3 Color Screen Print
Size: (A3) 29.7 x 42 cm
Edition: 15
Prices: £200

Marcelina Amelia is a London-based Polish artist whose work blends fine art, illustration, and design into a distinctive visual language that is both intimate and symbolic. Drawing inspiration from her heritage, personal experiences, and emotional landscapes, Amelia creates images that explore themes of femininity, sexuality, identity, and spirituality. Her practice often balances between vulnerability and strength, innocence and eroticism, weaving together opposing forces into striking visual harmony.

Her mixed-media approach spans painting, printmaking, and digital illustration, resulting in bold compositions that combine delicate lines with vivid colors and textured layers. Amelia frequently incorporates symbolism, referencing folk traditions, religious iconography, and mythological elements, which she reinterprets through a contemporary lens. The result is work that feels both timeless and fresh rich with narrative while remaining open to interpretation.

Amelia’s art has been exhibited internationally, including at the Affordable Art Fair and group shows across Europe and the United States. Beyond gallery exhibitions, she has collaborated on editorial illustrations, posters, and limited-edition prints, making her work accessible to broader audiences. She has also contributed to independent publications and zines, showcasing her versatility across different formats.

At its heart, Amelia’s practice is deeply personal, reflecting her interest in psychology and the human condition. Her pieces invite viewers into a dreamlike realm where beauty meets raw honesty, offering a mirror to collective and individual emotions. With her unique blend of cultural references, emotional depth, and striking visual storytelling, Marcelina has carved out a powerful voice in the contemporary art scene.

Benjamin Thomas Taylor 'I Want To Jump In David Hockney's Swimming Pool' Print Available

Artist: Benjamin Thomas Taylor
Title: I Want To Jump In David Hockney's Swimming Pool
Medium: Hand Finished Screen Print
Size: 70 x 100 cm
Edition: 75
Price: £645

Benjamin Thomas Taylor is a British contemporary artist celebrated for his vibrant, surreal landscapes that blur the line between reality and imagination. His work often juxtaposes natural beauty with playful typography, inserting bold words and phrases into sweeping vistas of mountains, deserts, forests, and skies. These compositions create striking visual contradictions, inviting viewers to reflect on the relationship between language, nature, and human perception.

Taylor’s paintings are rooted in a fascination with the outdoors, reflecting both the grandeur of nature and the way it is mediated through culture. His landscapes often draw from the Romantic tradition, yet they are disrupted by brightly colored words that seem to float within the scene, as if they were signs, graffiti, or fragments of thought. This bold use of text transforms the landscape into a stage for storytelling, infusing it with irony, humor, and cultural commentary.

Educated at Goldsmiths, University of London, Taylor has exhibited widely in galleries across the UK and internationally. His work has attracted collectors and critics alike for its unique ability to blend fine art traditions with contemporary design sensibilities. In addition to paintings, Taylor has created prints and murals, extending his artistic language into accessible formats that reach broader audiences.

At the heart of Taylor’s practice is a dialogue between the timelessness of natural environments and the transient, often artificial, markers humans impose on them. Through his playful yet thought-provoking imagery, Benjamin Thomas Taylor challenges viewers to reconsider how words and images shape our understanding of the world.

SKIO 'Mensch & Form' Show Available NOW

Artist: Skio
Title: Cleopatre
Medium: Acrylic + Aerosol on Canvas
Size: 83 x 92 cm
Edition: Original
Price: €3,800

*incredible pieces by SKIO for his Mensch & Form show with Pretty Portal Gallery

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SKIO, born Nicolas Scauri in Nice in 1993, is a French contemporary artist whose career began with street murals rooted in rebellious letterforms. Over time, his visual language evolved into a figurative, romantic style deeply influenced by pop culture, cinema, and television. Trained as a designer, SKIO draws upon both his academic background and urban experiences to craft a distinctive body of work that merges graphic precision with human emotion. His practice often combines geometric abstraction with realistic portraiture, producing striking contrasts between form and subject.

One of SKIO’s most recognizable motifs is the recurring concealment of his figures’ eyes, a symbolic gesture that questions identity, perception, and the complexity of contemporary urban life. His compositions reference Bauhaus aesthetics, surrealism, and modernist geometry, while remaining grounded in the immediacy of street art. Working seamlessly across mediums including aerosol spray paint, brushwork, and digital illustration. SKIO translates his ideas into canvases, murals, prints, and large-scale installations.

His artworks have been showcased internationally in cities such as Paris, London, Mexico City, and Shanghai, reflecting his ability to resonate across cultures and contexts. SKIO’s collaboration with platforms like Diggers Factory and GrandHouse London highlights his multidisciplinary approach, bridging the worlds of fine art, design, and urban creativity. Whether displayed in galleries, printed editions, or monumental public murals, his work explores the dialogue between minimalism and complexity, realism and abstraction.

By weaving together geometry, anatomy, and emotion, SKIO has established himself as a significant voice in contemporary art, redefining how street-born aesthetics can engage global audiences.

Judith Supine 'Blue Morpho' Print Available

Artist: Judith Supine
Title: Blue Morpho
Medium: Giclee Print
Size: 50 x 70 cm
Edition: 35
Price: €450

*there are also unique hand embellished collage a/p's available for €800

Judith Supine is the name Brooklyn-based contemporary artist Brendan Fagan is recognized as. His surreal, psychedelic collages that blur the boundaries between street art and fine art. Emerging in the early 2000s, Supine gained attention by wheat-pasting large-scale works across New York City, often in daring and inaccessible locations. His practice combines the cut-and-paste rawness of street culture with the refinement of meticulously constructed collage, producing images that are both fantastical and unsettling.

Supine’s work is characterized by its dreamlike quality, often merging distorted human figures with bold color palettes and layered textures. Drawing on imagery from magazines, advertising, and pop culture, his collages transform familiar fragments into strange new forms, suggesting subconscious desires, fears, and altered states of mind. The result is a body of work that is at once humorous, grotesque, and visually hypnotic, inviting viewers into a world where reality and fantasy collide.

Unlike many of his contemporaries, Supine keeps a low personal profile, preferring his work to speak for itself. His anonymity adds to the enigmatic aura surrounding his art, while his unconventional methods such as dangling large pieces off bridges or suspending them in unexpected urban spaces highlight his commitment to pushing boundaries in both form and presentation.

Beyond the streets, Supine’s work has been exhibited internationally in galleries and museums, further cementing his reputation as a significant figure in the crossover between urban intervention and contemporary collage. His art continues to challenge conventions, inviting audiences to reconsider how we perceive the city, the subconscious, and the fragments of visual culture that shape our everyday lives.

Jan Kalab 'Dripping Black Hole NE' Print Available

Artist: Jan Kalab
Title: Dripping Black Hole NE
Medium: 5 Color Screen Print
Size: 50 x 70 cm
Edition: 50
Price: €600

Jan Kaláb is a Czech contemporary artist whose career bridges the worlds of graffiti, street art, and fine art. Born in Prague in 1978, he began his artistic journey in the early 1990s as one of the first graffiti pioneers in his country after the fall of communism. Known under pseudonyms such as “Cakes” and “Point,” Kaláb quickly earned recognition for his innovative styles and bold interventions in public space. His transition from urban walls to galleries and museums was natural, fueled by a restless curiosity and a desire to explore new dimensions of visual expression.

Kaláb’s work is defined by an obsession with geometry, color, and form. He creates vibrant paintings, sculptures, and installations that play with spatial perception, often blurring the line between two- and three-dimensionality. Circles, ovals, and organic shapes are recurring motifs in his art, used to suggest movement, depth, and balance. His mastery of gradient color transitions gives his works a sense of glowing energy, almost as if they are breathing or vibrating with life.

Over the years, Kaláb has exhibited internationally, from New York and Miami to Buenos Aires, Shanghai, and across Europe, contributing to the global conversation on contemporary abstraction. His pieces resonate equally in outdoor murals and white cube galleries, reflecting his ability to adapt and reinvent while staying true to his roots. Today, Jan Kaláb stands as a significant voice in the evolution of street art into a sophisticated visual language, bridging graffiti’s raw energy with refined, meditative abstraction.