Stanley Donwood 'Sol' Print Available

Artist: Stanley Donwood
Title: Sol
Medium: Deckled 10 Color Screen Print
Size: 74 x 103 cm
Edition: 66
Price: £277

   

Stanley Donwood is the professional name of British artist and writer Dan Rickwood, born in Essex in 1968. Since 1994 he has created every album cover and much of the visual identity for the band Radiohead, working side-by-side with front-man Thom Yorke in the recording studio and translating the music’s mood into dystopian landscapes, satirical maps and fractured cityscapes. His palette veers from bruised purples to warning reds, applied with knives, sticks and digital tools until the surface feels war scarred yet hypnotic.

Although no evidence links Donwood directly to Banksy as a collaborator, critics often bracket the two because both wield street art style stencils, dark humour and anti-establishment slogans. Donwood’s early paste-ups around Exeter and later graphics for Glastonbury Festival share Banksy’s tactic of hijacking public space to question power, consumerism and environmental collapse. Both artists have also guarded their private lives, letting the work speak first.

Beyond music, Donwood has exhibited worldwide, published short stories and won two Grammy Awards for album packaging. His 2025 retrospective at the Ashmolean Museum pairs paintings with Thom Yorke for the first time, cementing his status as a visual chronicler of modern anxiety. Whether on a record sleeve, city wall or gallery canvas, Stanley Donwood continues to prove that graphic urgency and poetic unease can coexist, influencing generations of image makers including the anonymous figure known as Banksy his stablemate at Pictures On Walls.

Vicente Aguado 'MOD 001' Painting Available

Artist: Vicente Aguado
Title: MOD 001
Medium: Varnished Acrylic on Canvas
Size: 31.5 x 39.4 Inches
Edition: UNIQUE
Price: $925

  

Vicente Aguado is a Spanish artist born in Valencia in 1980 who fuses drawing, painting and recycled materials into sharp social commentary. He holds a degree in Fine Arts and a master in Contemporary Art and Visual Culture from the Polytechnic University of Valencia, training that grounded his practice in theory while feeding a fascination with mass media imagery. In 2017 he relocated to Edinburgh, Scotland, returning to Spain in 2021, experiences that broadened his visual vocabulary and confirmed his role as a nomadic observer of popular culture.

Aguado specialises in mixed media works on recycled cardboard, printed wallpaper and found paper. Using acrylic, marker and spray paint, he layers bold outlines over newsprint or packaging, allowing tears, scuffs and leftover masking tape to remain visible as proof of process. The resulting pieces feel like ransom notes from the internet age, confronting surveillance, conspiracy culture and political theatre with gallows humour.

Recent series such as Quiet Riot Ritual present self portraits where the artist’s face dissolves into static, slogans and corporate logos, suggesting that identity itself is a cut and paste job. Limited edition prints and original paintings circulate on Artsy, Saatchi Art and The Artling, placing his work in private collections worldwide. When he is not in the studio, Aguado scavenges Valencia’s streets for discarded posters and cardboard, believing that waste carries the DNA of the city. By turning trash into testimony, he invites viewers to question who controls the narrative and to find art in the overlooked debris of daily life.

Cote Escriva 'Untitled' Print Available

Artist: Cote Escriva
Title: Untitled
Medium: 3 Color Screen Print
Size: 17.3 x 8.6 Inches
Edition: 70
Price: $99

  

Cote Escriva is a Spanish artist born in Valencia in 1982 who fuses street attitude with cartoon nostalgia to create paintings, prints and collectible sculptures that feel both mischievous and masterfully crafted. Trained in industrial design, he spent his early career in graphic studios before stepping away to launch a personal project that could channel his twin loves of American pop culture and underground comics. Working now from his hometown, he produces acrylic paintings on wood where familiar animated icons are stretched, scarred or re costumed into darkly comic characters that stare down the viewer with bulbous eyes and razor sharp grins.

His process begins as loose ink sketches made while listening to punk records; these rough ideas are scanned, refined and enlarged, then translated by hand onto shaped panels or toy prototypes using bold flat colour and meticulous line work. The finished pieces often carry titles that wink at childhood memories while hinting at adult anxiety, a balance that has earned him solo shows in Los Angeles, Barcelona, Tokyo and Singapore and placements in major art fairs from Urban Break to Art Taipei. Despite global demand, Escriva keeps editions small and paints every surface himself, believing that the slight imperfections of a human wrist give his universe its soul.

By merging skateboard graphics, lowbrow surrealism and the visual language of Saturday morning television, Cote Escriva offers a mirror in which innocence and rebellion coexist, proving that a cartoon can still bite.

Magnus Gjoen 'I Hold A Beast, An Angel And A Madman In Me' Print Available

Artist: Magnus Gjoen
Title: I Hold A Beast, An Angel And A Madman In Me
Medium: Multi Color Screen Print
Size: 27.6 x 71 Inches
Edition: 10
Price: $2680

  

Magnus Gjoen is a London born contemporary artist who reimagines the past through a jewel toned lens. Trained in fashion design and raised across Europe by Norwegian parents, he spent a decade at the elbow of Vivienne Westwood before turning his flat into a gallery of altered Old Masters and discovering that walls could be canvas. Working now in limited edition giclee and screen prints, he lifts fragments of baroque paintings, religious frescoes and royal porcelain from museum archives, then overlays them with lacquered skulls, grenades or skateboard graphics so that fragility and power swap roles within a single frame. 

His method begins with high resolution scans of heritage artworks which he digitally dissects, adding gold leaf highlights and candy coloured glazes until a grenade resembles Sèvres china and a skull glows like stained glass. The finished pieces are produced on heavy cotton rag paper, each layer of archival ink building a depth that echoes the original oil while remaining unmistakably contemporary. Collectors respond to the dark humour embedded in the beauty: memento mori becomes fashion accessory, weapon becomes ornament, inviting a second look at both art history and modern appetite.

Gjoen exhibits worldwide, from Tokyo to Santa Monica, and describes his style as a bridge between Andy Warhol and William Morris, a continuum where rebellion meets luxury. By fusing reverence with subversion, he proves that the past can still shock, seduce and speak urgently to the present.

Simeon Farrar 'Love' Print Available

Artist: Simeon Farrar
Title: Love
Medium: 1 Color Screen Print
Size: 40 x 60 cm
Edition: OPEN
Price: £40

 

Simeon Farrar is the British artist and designer behind Black Score, a London label that turns sharp social commentary into wearable art. Born in 1975, he studied fashion at Central Saint Martins before launching his own brand in 2004, frustrated by the industry’s pace and waste. Working from a studio in Shoreditch, he hand prints every T-shirt, sweatshirt and canvas tote with bold, single colour graphics that quote pop culture, politics and art history.

Farrar’s process begins with freehand ink drawings made on hotel notepads during late night flights. These sketches are scanned, enlarged and burned onto silk screens, then pushed across cotton using water based pigment. The limited runs often sell out within hours, creating a cult following that includes musicians, actors and museum curators. Recent collections have featured reinterpretations of Renaissance masterpieces, supermarket logos and tabloid headlines, each image stripped to its essential outline so the message hits quickly.

Despite commercial success, Farrar keeps production local and small, believing that scarcity preserves integrity. When he is not printing, he paints large canvases that extend the same visual language into gallery spaces, exhibiting at venues such as the Saatchi Gallery and Somerset House. By merging fashion, activism and fine art, Simeon Farrar proves that a simple cotton shirt can be a billboard for ideas, and that independent creativity can still shout above the noise of mass production.

Gerard McDonagh 'Pop Art' Blue Print Available

Artist: Gerard McDonagh
Title: Pop Art (BLUE)
Medium: Giclee Print
Size: 35 x 50 cm
Edition: 20
Price: $150

 

Gerard McDonagh’s original prints are created by hand in the studio, each one pulled from the screen with care and attention to detail. These works are not reproductions but artworks in their own right, made using traditional printmaking methods that bring texture, depth, and individuality to every impression. Signed and produced in small editions, they reflect both the craft of the process and Gerard’s ongoing exploration of popular culture, film, and music. Gerard uses vibrant colors to convey energy and excitement. 

Henri Boissiere 'Horizon VI' Print Available

Artist: Henri Boissiere
Title: Horizon VI (Special Edition)
Medium: Giclee Print
Size: 39 x 39 Inches
Edition: UNIQUE
Price: $700 Each

 

Henri Biossiere is a Belgian artist born in 1982 who lives and works in Brussels. He studied fine art at university before dedicating himself to full time studio practice. Working primarily in oil on linen, Biossiere builds each painting through translucent layers of colour, allowing the weave of the cloth to remain visible so that every image feels gently discovered rather than imposed.

His subject matter moves between urban twilight, coastal light and the human figure caught in moments of quiet reflection. He begins with photographs taken during long walks, then edits the scene down to essential shapes and tones. Soft greys, muted blues and the occasional flash of vermilion are applied in thin veils over weeks, creating depth without heavy texture. The final surface appears almost weightless, a balance of precision and suggestion that invites the viewer to complete the narrative.

Recent bodies of work have focused on harbours at dusk, where moored boats and distant street lamps glow against failing sky. These paintings record not only a place but also a sensation: the hush that settles when wind drops and water turns glassy. Biossiere exhibits regularly throughout Belgium and has placed work in private collections across Europe and North America via Saatchi Art.

When he is not in the studio, he continues to walk coastal paths and city edges, gathering notes and snapshots that will feed the next canvas. By offering atmosphere ahead of detail, Biossiere reminds us that memory and landscape are equally fluid, shaped as much by mood as by fact.

Graham Franciose 'A Cut Flower Can't Last' I & II Available

Artist: Graham Franciose
Title: A Cut Flower Can't Last l + A Cut Flower Can't Last ll
Medium: Framed Watercolor on Canvas
Size: 7 x 13 Inches
Edition: UNIQUE
Price: $700 Each

 

Graham Franciose is an American artist born in 1981 who lives and works in the United States. He studied illustration at the Massachusetts College of Art and Design before turning his full attention to painting and drawing. Working primarily in watercolor, ink and graphite on heavy paper, Franciose builds each image through delicate washes and precise line work, allowing the white of the page to glow beneath translucent layers of pigment.

His subject matter drifts between folklore, natural history and quiet human drama. Solitary figures wander moonlit forests, birds carry tiny lanterns and wolves peer from thickets rendered in muted greens, indigos and earthy browns. The scenes feel like half remembered dreams, suspended somewhere between comfort and unease. He begins with small pencil sketches made during long walks in New England woods, then develops the most resonant ideas into larger works that can take weeks to complete.

Recent bodies of work have focused on cycles of growth and decay, where blooming flowers share space with weathered bones and drifting feathers. These paintings record not only visible nature but also emotional weather: the ache of longing, the hush of acceptance, the wonder of finding light in deep shadow. Franciose exhibits widely across the United States and his work is held in private collections worldwide.

When he is not in the studio, he continues to explore rural trails and coastal edges, gathering reference photographs, pressed leaves and fragments of stories that will feed the next drawing. By offering atmosphere ahead of narrative, Franciose invites viewers to step into his world and complete the tale with their own memories and hopes.

David Edward Johnson 'Your Voice' Available

Artist: David Edward Johnson
Title: Your Voice
Medium: Mixed Media, Paper on Canvas
Size: 18 x 24 Inches
Edition: UNIQUE
Price: $2,675

 

David Edward Johnson is a British artist born in 1971 who lives and works in the United Kingdom. He studied fine art at university before dedicating himself to full time studio practice. Working primarily in oil on linen, Johnson builds each painting through translucent layers of colour, allowing the weave of the cloth to remain visible so that every image feels gently discovered rather than imposed.

His subject matter shifts between coastal light, urban dusk and the human figure caught in moments of reflection. He begins with photographs taken during long walks, then edits the scene down to essential shapes and tones. Muted ochres, soft greys and the occasional burst of cobalt are applied in thin veils over many weeks, creating depth without heavy texture. The final surface appears almost breathless, a balance of precision and suggestion that invites the viewer to complete the narrative.

Recent bodies of work have focused on harbours at twilight, where moored boats and distant street lamps glow against failing sky. These paintings record not only a place but also a sensation: the hush that settles when wind drops and water turns glassy. Johnson exhibits regularly throughout the United Kingdom and has placed work in private collections across Europe and North America via Saatchi Art.

When he is not in the studio, he continues to walk coastal paths and city edges, gathering notes and snapshots that will feed the next canvas. By offering atmosphere ahead of detail, Johnson reminds us that memory and landscape are equally fluid, shaped as much by mood as by fact.

Aaron Lee 'Card Pop' Original Available

Artist: Aaron Lee
Title: Card Pop
Medium: Acrylic on Canvas
Size: 30 x 30 Inches
Edition: UNIQUE
Price: $1,300

 

Aaron Lee is a British artist born in 1988 who lives and works in the United Kingdom. He studied fine art at university before committing himself to full time studio practice. Working primarily in oil on linen, Lee builds each painting through translucent layers of colour, allowing the weave of the cloth to remain visible so that every image feels gently breathed into place.

His subject matter moves between coastal light, urban dusk and the solitary figure caught in moments of quiet reflection. He begins with photographs taken during long walks, then edits the scene down to essential shapes and tones. Soft greys, muted blues and the occasional flash of vermilion are applied in thin veils over weeks, creating depth without heavy texture. The final surface appears almost weightless, a balance of precision and suggestion that invites the viewer to complete the narrative.

Recent bodies of work have focused on empty promenades and glowing windows at twilight, where distant street lamps flicker against failing sky. These paintings record not only a place but also a sensation: the hush that settles when wind drops and water turns glassy. Lee exhibits regularly throughout the United Kingdom and has placed work in private collections across Europe and North America via Saatchi Art.

When he is not painting, he continues to walk coastal paths and city edges, gathering notes and snapshots that will feed the next canvas. By offering atmosphere ahead of detail, Lee reminds us that memory and landscape are equally fluid, shaped as much by mood as by fact.