Anthony Lee 'The Best Medicine Is Laughter' Print Available

Artist: Anthony Lee
Title: The Best Medicine Is Laughter
Medium: Giclee Print
Size: 11 x 14 Inches
Edition: 35
Prices: $75

 

Cleon Peterson 'So It Goes' Throw Timed Edition Available

Artist: Cleon Peterson
Title: So It Goes
Medium: 100% Cotton Throw
Size: 62 x 62 Inches
Edition: TIMED
Prices: $200

 

*available until 10am EST on Wednesday November 13th, 2025

Tavar Zawacki 'Connected Studies' Available

Artist: Tavar Zawacki
Title: Connected Studies
Medium: Acrylic on Canvas
Size: 32 x 42 cm Each
Edition: UNIQUE
Prices: $1,000 Each

 

Tavar Zawacki is a Berlin based abstract artist who spent twenty years under the moniker ABOVE. Born in California in 1981, he left the United States at nineteen and painted his way through more than forty countries, placing thousands of upward pointing arrows on walls, trains and rooftops to encourage viewers to rise above limitations. Each arrow was cut from flexible stencil board, sprayed in a single vivid tone and often accompanied by short texts that addressed homelessness, economic inequality or political oppression, turning simple street markings into social messages. After two decades of nomadic creation, Zawacki decided in 2017 to step out from behind the pseudonym and focus on studio work, explaining that anonymity had become a mask he no longer needed. He kept his love of hard edges and optical movement, but translated it onto wood panels, aluminium and resin, layering laser cut shapes, transparent acrylic washes and glossy resin coats that make colours float above the surface. Recent series such as Connected and Metamorphosis explore how positive and negative space can merge so that one plus one equals three, a concept he illustrates through interlocking arches, shifting chevrons and concentric portals that appear to vibrate when seen from different angles. Alongside canvas pieces he continues to paint large outdoor murals, recently completing his biggest work to date on a silo in Buffalo, where twenty seven hues of arrow burst outward like a frozen firework. Whether working on the street or in the gallery, Zawacki remains committed to clarity of form, crisp lines and the belief that art should propel the eye, and the mind, ever upward. 

Luke Martin 'Migrations' Print Available

Artist: Luke Martin
Title: Migrations
Medium: 5 Color Screen Print
Size: 24 x 18 Inches
Edition: UNSURE
Prices: $60

*there is also a keyline variant available

Damien Hirst + Invader 'InvadHirst' Ends Monday At Noon

Artist: Damien Hirst + Invader
Title: InvadHirst
Medium: Framed 21 Color Screen Print
Size: 108.7 x 86.2 cm (Framed)
Edition: TBD
Price: $3,000

*application open ends 12pm EST on Monday November 10th, 2025

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Invader is the pseudonym of a French artist born in 1969 who has spent the past quarter century staging playful invasions of public space with ceramic mosaics inspired by 1978 arcade graphics. A graduate of the École des Beaux Arts in Paris, he moved from canvas experiments to durable bathroom tiles, cementing the first alien on a Paris wall in 1998 as a way to liberate pixel creatures from the television screen. Each miniature work is meticulously mapped to its surroundings, so a red ghost may hover above a neon bistro sign or a turquoise Space Invader may lurk beside a Baroque molding, turning the city into an open air gallery and passers by into unwitting players of his treasure hunt.

The project has grown to more than four thousand pieces across seventy nine cities, from Los Angeles to Kathmandu, and even to the International Space Station where astronaut Samantha Cristoforetti floated an alien mosaic 248 miles above Earth. Invader keeps score through an app called Flash Invaders that awards points for photographs of his works, encouraging fans to chase the hardest hidden tiles much like the original arcade challenge. Along the way he has expanded his practice into Rubikcubism sculptures made from solved cubes, large scale panels that fetch six figures at auction, and collaborations with fashion and design houses, all while maintaining anonymity behind a mask or pixelated blur. Whether installing a Hello Kitty in Tokyo, Spiderman on a Paris chimney, or planets outside the European Space Agency, Invader continues to transform urban surfaces into joyful reminders that art can hide in plain sight and that the city itself is the greatest game board of all.

Futura 2000 'MADS' Print Available

Artist: Futura 2000
Title: MADS
Medium: Deckled Lithographic Stone Print
Size: 48 x 55 cm
Edition: 50
Prices: $1,500

 

Leonard Hilton McGurr, known worldwide as Futura 2000, was born in New York City in 1955 and rose from subway tunnels to museum walls. As a teenager he painted rolling steel, but he broke away from letter based graffiti in 1980 by covering an entire subway car with abstract forms and no words, a piece simply titled Break. That act introduced atom shapes, floating orbs and linear bursts that felt like cosmic diagrams, establishing him as the first major abstractionist in street art history. His swift lines, achieved with skinny spray caps, earned comparisons to Kandinsky and gave visual form to the energy of early hip hop. In 1981 he toured with The Clash, painting live backdrops and recording the vinyl manifesto The Escapades of Futura 2000, merging punk rock and aerosol culture.

Gallery shows at Fun Gallery and Tony Shafrazi followed, placing him alongside Basquiat, Haring and Scharf in the vanguard that carried street expression into fine art institutions. Over five decades he has refined his vocabulary while continuing to collaborate across disciplines, designing album sleeves for U.N.K.L.E., customizing Akari lamps for the Noguchi Museum and directing visual campaigns for Virgil Abloh, Nike, BMW and Comme des Garçons. His label Futura Laboratories extends the aesthetic into apparel and objects, proving that the same forms which once animated train cars can inhabit tote bags, sneakers and digital projections. A major retrospective titled Breaking Out is on view at the Bronx Museum through March 2025, tracing an evolution from clandestine metro panels to museum scale installations and testifying to the enduring power of his interstellar mark making.

Anthony Sunter 'Red Laces' Print Available

Artist: Anthony Sunter
Title: Red Laces
Medium: Archival Pen on Paper
Size: (A4) 21 x 29.7 cm
Edition: UNSURE
Prices: £155

Anthony Sunter is a UK artist born in 1977 who channels movement, energy and light into vivid drawings and murals. After studying at Ewell School and then Epsom School of Art, he built a studio practice that fuses clean geometry with playful street attitude, often working in archival pen on paper to create dense fields of repeating petals, waves and crystalline forms that shimmer like optical tapestries. Public commissions have taken his bright patterns from gallery walls to the sides of buildings, and he welcomes new mural and design briefs through his website, promising site specific works that invite viewers to slow down and trace every line.

For more than a decade Anthony was also a founding half of the collaborative duo Kai and Sunny. Together with lifelong friend and fellow Epsom graduate Kai Clements, he produced meticulously layered paintings and prints that explore motion in nature: thousands of slender lines curve and burst to suggest migrating birds, wind shear or ocean ripples. Their joint output attracted global brands, book publishers and museums, while partnerships with artists such as Shepard Fairey and David Mitchell expanded their reach. In 2023 Anthony stepped away from the pairing to focus on solo projects and personal health, but the symmetrical precision and rhythmic energy that defined Kai and Sunny remain visible in his individual work. Whether he is mapping a single continuous bloom across a gallery wall or releasing limited edition screen prints, Anthony Sunter continues to transform disciplined mark making into celebrations of flow, light and the joy of seeing patterns in the world around us.

Halima Cassell 'Eclipsis' Framed Sculpture Available

Artist: Halima Cassell
Title: Eclipsis
Medium: Framed Jesmonite Tile
Size: 27 x 45 x 6.6 cm
Edition: 100
Prices: £800

 

Halima Cassell is a British Pakistani artist celebrated for geometric ceramic reliefs that feel carved from geology rather than clay. Born in 1975 in Pakistan and raised in Lancashire, she blends Islamic pattern, Bauhaus clarity and a builder’s instinct for structure. Each hand-pressed tile or vessel begins as a sketched grid, then grows through deep incisions that create stepped shadows, fractal pockets and rhythmic terraces. Earthy oxides and metallic slips are flooded into the recesses before a single high-temperature firing, locking vibrant turquoises, indigos and rusts beneath a glassy skin. The finished pieces read like miniature cliff faces or quarries sliced into perfect cubes, inviting touch as much as gaze. Although the work nods to Mughal jali screens and North African tilework, Cassell’s vocabulary is resolutely her own: sharp facets, spiralling cubes and sudden voids that breathe. Public commissions range from a three-metre relief at the British Embassy in Dubai to a permanent pavilion floor at London’s Olympic Park, proving her patterns can expand from palm-sized tile to civic monument without losing intimacy. Alongside large scale works she produces limited studio editions such as the cast stone relief VEN available through The Hepworth Wakefield shop, a pocket-sized distillation of her chiselled language that collectors can hold in one hand. Whether working in scarlet stoneware or monochrome concrete, Cassell continues to quarry order from chaos, turning humble clay into architectural poetry that crosses continents and craft traditions.

Halima Cassell 'Venn' Framed Sculpture Available

Artist: Halima Cassell
Title: Venn
Medium: Framed Jesmonite Tile
Size: 27 x 45 x 6.6 cm
Edition: 100
Prices: £800

Halima Cassell is a British Pakistani artist celebrated for geometric ceramic reliefs that feel carved from geology rather than clay. Born in 1975 in Pakistan and raised in Lancashire, she blends Islamic pattern, Bauhaus clarity and a builder’s instinct for structure. Each hand-pressed tile or vessel begins as a sketched grid, then grows through deep incisions that create stepped shadows, fractal pockets and rhythmic terraces. Earthy oxides and metallic slips are flooded into the recesses before a single high-temperature firing, locking vibrant turquoises, indigos and rusts beneath a glassy skin. The finished pieces read like miniature cliff faces or quarries sliced into perfect cubes, inviting touch as much as gaze. Although the work nods to Mughal jali screens and North African tilework, Cassell’s vocabulary is resolutely her own: sharp facets, spiralling cubes and sudden voids that breathe. Public commissions range from a three-metre relief at the British Embassy in Dubai to a permanent pavilion floor at London’s Olympic Park, proving her patterns can expand from palm-sized tile to civic monument without losing intimacy. Alongside large scale works she produces limited studio editions such as the cast stone relief VEN available through The Hepworth Wakefield shop, a pocket-sized distillation of her chiselled language that collectors can hold in one hand. Whether working in scarlet stoneware or monochrome concrete, Cassell continues to quarry order from chaos, turning humble clay into architectural poetry that crosses continents and craft traditions.

James Ulmer 'Todays Trip' Print Available

Artist: James Ulmer
Title: Today's Trip
Medium: Hand Pulled Deckled 13 Color Screen Print
Size: 58 x 68 cm
Edition: 50
Prices: €367

James Ulmer is a New York based painter who distills memory into flat bright vignettes. Born in 1981 he earned a BFA in Illustration and Design from the University of the Arts in Philadelphia where the Society of Illustrators awarded him the Thornton Oakley Medal for achievement. He began showing in Philadelphia at the legendary Space 1026 collective then moved to Brooklyn and built a practice that merges postcard sweetness with quiet unease. Working almost exclusively in matte Flashe paint he lays down velvety fields of coral mint or butter yellow and populates them with simplified figures animals and household objects that feel lifted from a half remembered childhood book. A couple might embrace on a beach yet a tiny volcano puffs on the horizon a bird casts a shadow shaped like a question mark and a sun the size of a coin repeats like a stamp across canvases grounding the scenes in a ritual geometry. These shifts invite viewers to question what is idyllic and what is uncanny within ordinary moments. Solo exhibitions at institutions such as The Pit in Los Angeles V1 Gallery in Copenhagen The Hole in New York and JJ.Amala in Tokyo have amplified his reputation for blending minimalist forms with narrative suggestion. His work also appeared in thematic shows at Jeffrey Deitch Gallery and Salon 94. Public collections including the Long Beach Museum of Art and the Ogunquit Museum of American Art have acquired his paintings securing his place within contemporary dialogues about figuration abstraction and memory. Whether depicting a checkered towel floating like a censor bar or a sailboat gliding through a dreamlike seascape Ulmer continues to transform everyday observations into enigmatic visual poems that celebrate both clarity and mystery.