David Welker 'The Dragons Lair' Print Release Details

Artist: David Welker
Title: The Dragon's Lair
Medium: Screen Print
Size: 14 x 20 Inches
Edition: 100
Price: $100

 

*available at 1pm EST on Thursday November 13th, 2025

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David Welker is an American painter, muralist and printmaker born in 1964 in Poughkeepsie, New York. He studied painting and illustration at Syracuse University and has built a career blending fine-art technique with rock-and-roll energy. His elaborate gig posters for bands such as Phish, Pearl Jam, The Black Keys and Primus have become collector items, while his 1993 cover for Phish’s album Rift was listed among the ten best album covers of all time by Relix magazine.

Welker’s visual language fuses Depression-era surrealism, underground comix, Westcoast surf culture and early 20th century Ashcan School realism. Working almost entirely by hand, he layers ink, graphite and acrylic to create dense narratives packed with symbolic figures, distorted architecture and his own ornate lettering that marries 19th century sign typography with modern graffiti flair. Each piece begins as loose thumbnail sketches; colour separations are drawn manually rather than computer-generated, ensuring every print bears the subtle irregularities of craft.

Beyond concert art, Welker has spent decades on private mural commissions, once specializing in Chinoiserie wall paintings for luxury residences, an experience he credits with sharpening his technical range while teaching him that legacy matters more than lavish settings. Now focused on gallery work, he continues to explore subconscious storytelling, producing large canvases where urban realism dissolves into dreamlike fantasy and where beauty is, in his words, “beautiful when it’s based in honest emotion and conveyed with appropriate discipline.” Whether painting a rooftop mural in New York or pulling a limited screen print, Welker invites viewers to lose themselves in intricate worlds that pulse with music, memory and the restless spirit of American popular culture.

Amber Butler 'Lose Yourself' Print Available

Artist: Amber Butler
Title: Lose Yourself
Medium: Giclee Print
Size: (A2) 42 x 59 cm
Edition: 100
Price: £45

 

Amber Butler is a British printmaker who turns everyday observations into quietly powerful screen printed statements. Based in Margate, she works from a small studio overlooking the tidal pool, collecting fragments of beach conversations, faded seaside signage and the pastel haze of sunset skies. These elements feed compositions that celebrate the ordinary while hinting at something stranger beneath.

Working primarily with water based inks, Butler builds layers of translucent colour on recycled cotton paper, allowing each pull to overlap and shift slightly off register. The result is a soft, dreamlike vibration where lilac bleeds into peach and seafoam green floats above rust orange, echoing the way memory blurs detail yet intensifies mood. Motifs recur: empty deckchairs, half read postcards, lone gulls perched on wind bent railings, all rendered with minimal line work that leaves space for the viewer to finish the story.

Her editions are small, rarely exceeding forty, and each sheet is hand titled and signed on the reverse, reinforcing the intimate nature of the work. Recent collections have sold through People of Print, while commissions have personalised wedding invitations, boutique hotel wallpapers and the interior of a converted ice-cream van now serving coffee along the promenade.

When she is not printing, Butler leads community workshops, teaching newcomers to mix colour, cut paper stencils and discover the pleasure of imperfect registration. Through every layer of ink she offers a gentle reminder: beauty is not always dramatic; sometimes it lives in the faded paint of a beach hut door or the echo of laughter carried on salt wind, waiting for someone to notice and press it gently into paper.

Mike Mitchell 'Fat Bastard' Nov 2 Available

Artist: Mike Mitchell
Title: Fat Bastard Nov 2
Medium: Giclee Print on Giclee Print
Size: 8 x 10 Inches
Edition: UNIQUE
Price: $300

 

Ricky Byrne 'Lost Without You' Prints Available

Artist: Ricky Byrne
Title: Lost Without You (Blue+Navy Blue)
Medium: Hand Embellished 2 Color Prints
Size: 30 x 30 cm Each
Edition: 10 Each
Price: £95 Each

 

*also available in red+fluoro and green+pale green colors

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Ricky Byrne was born in Cape Town, South Africa, in 1983 and grew up between the Atlantic surf and the flat topped silhouette of Table Mountain. That coastal light and urban edge still feed the abstract cityscapes and seascapes he now paints from his studio in Woodstock, a district where Victorian warehouses rub shoulders with street art and weekend food markets. Byrne trained as a graphic designer at Cape Peninsula University of Technology, a discipline that taught him to reduce complex scenes to essential shapes and bold colour relationships, skills he now applies to fine art with oil, acrylic and aerosol on canvas, wood and reclaimed billboard paper.

His process begins with photographs taken during dawn walks along the promenade or twilight drives through the city bowl. Back in the studio he distils these images into interlocking planes of ultramarine, cadmium orange, titanium white and raw umber, allowing drips and spray mist to remain as evidence of speed and movement. Horizon lines tilt, shadows slide across facades and waves crest in simplified curves that suggest sound and spray without describing every ripple. The result is a body of work that feels simultaneously familiar and dreamlike, a memory of a place rather than a map of it.

Exhibitions at the Lovell Gallery in Cape Town, group shows in Johannesburg and art fairs along the Garden Route have met strong sales, while international collectors visiting the city often leave with rolled canvases tucked under their arms. Despite growing demand, Byrne continues to surf at sunrise, sketch on restaurant napkins and donate prints to local charity auctions, believing that creativity should remain as fluid as the tides that shape his hometown.

Jerome Masi 'Look On The Bright Side' Print Available

Artist: Jerome Masi
Title: Look On The Broght Side (Fluorescent Red)
Medium: 1 Color Screen Print
Size: 3x (A5) 14.8 x 21 cm Each
Edition: UNSURE
Price: €75

 

Jerome Masi is a French painter and printmaker whose bold, reductive style turns complex ideas into instantly readable images. Born in 1970 and raised in the Alpine city of Grenoble, he studied graphic arts before moving to Paris, where advertising posters, metro tiles and punk flyers taught him that a single shape can carry emotional weight. Working primarily with acrylic and screen print, he builds compositions from flat colour blocks and crisp silhouettes, often limiting himself to three hues so that every line must justify its existence.

His process is both methodical and intuitive. Masi begins with loose charcoal sketches, refining forms until a figure, animal or object emerges with the clarity of a road sign. He then cuts rubylith stencils by hand, preserving the small imperfections that reveal the artist’s touch. Layers of ink are pushed through mesh onto handmade paper or raw canvas, creating surfaces that hum with saturated reds, cobalt blues and sunflower yellows. Negative space plays a crucial role; untouched areas become light, wind or sound, inviting viewers to complete the story.

Recent series explore memory and migration, presenting solitary travellers wrapped in geometric cloaks that echo both safety blankets and national flags. Exhibitions at Galerie Issue in Paris, group shows in Berlin and art fairs across Europe have sold out, while commercial commissions have brightened hospital corridors and independent magazines alike.

Whether printing a pocket sized poster or painting a three metre canvas, Masi seeks the fragile moment when simplicity reveals complexity, proving that elegance born from restraint can speak across languages and cultures.

Mark Wallinger 'Proteus XVIII' Print Available

Artist: Mark Wallinger
Title: Proteus XVIII
Medium: Framed Giclee Print
Size: 68.5 x 93 cm
Edition: 25
Price: $1,750

 

Mark Wallinger 'Proteus XIV' Print Available

Artist: Mark Wallinger
Title: Proteus XIV
Medium: Framed Giclee Print
Size: 68.5 x 93 cm
Edition: 25
Price: $1,750

  

Mark Wallinger 'Proteus IX' Print Available

Artist: Mark Wallinger
Title: Proteus IX
Medium: Framed Giclee Print
Size: 68.5 x 93 cm
Edition: 25
Price: $1,750

 

Mark Wallinger 'Proteus VI' Print Available

Artist: Mark Wallinger
Title: Proteus VI
Medium: Framed Giclee Print
Size: 68.5 x 93 cm
Edition: 25
Price: $1,750

  

Mark Wallinger is a British contemporary artist born in 1959 in Chigwell, Essex, celebrated for works that probe identity, nationhood and belief through poetic wit and conceptual rigour. After studying at the Chelsea School of Art and Goldsmiths, he first gained notice in the 1980s with paintings that inserted humble racehorses into Old Master compositions, questioning ideas of value, lineage and spectacle. This fascination with overlooked symbols continued in A Real Work of Art (1994), for which he bought and raced a horse named after the piece, blurring the boundary between artwork and living creature.

In 2007 Wallinger won the Turner Prize for State Britain, a meticulous recreation of Brian Haw’s protest camp outside Parliament, complete with banners, banners and slogans. Installed in Tate Britain, the work transformed a site of dissent into a haunting monument to free speech and civil liberty. Equally powerful is Ecce Homo (1999), a marble resin figure of Christ placed on the Fourth Plinth in Trafalgar Square, its diminutive scale and exposed vulnerability confronting imperial grandeur and inviting reflection on power, compassion and public space.

Religious and philosophical inquiry runs throughout his practice. Labyrinth (2013) comprises 270 enamel plaques installed across the London Underground, each bearing a red maze that invites contemplation amid commuter rush. The World Turned Upside Down (2019) presents a giant globe with the South Pole at the top, challenging viewers to reconsider familiar perspectives and the constructs that govern perception.

Wallinger works across media, from film and sculpture to installation and text, always seeking the poetic moment when concept and material align. Whether filming himself walking a white line through Jerusalem or casting his own shadow in bronze, he invites viewers to question certainties and to recognise the complex, often contradictory forces that shape contemporary life.

Hera 'The World Needs All The Super-Heroes It Can Get' Print Available

Artist: Hera
Title: The World Needs All The Super-Heroes It Can Get
Medium: 3 Color Lithograph
Size: 24 x 30 Inches
Edition: 100
Price: €570

 

Hera is the public alias of Jasmin Siddiqui, the Frankfurt-raised half of German streetart duo Herakut. Born in 1981 to a Pakistani-German family, she grew up between two languages and cultural codes, an experience that feeds her image-making today. While studying art therapy she began painting walls with fellow student Akut, forming Herakut in 2002 and quickly gaining notice for their dreamlike murals that merge her gestural drawing with his photorealistic spray technique.

Hera’s role centres on storytelling. She sketches loose, expressive figures in charcoal or watered-down acrylic, allowing drips and splashes to remain as emotional evidence. Giant children, weary elephants and cloaked storytellers stare out from brick façades, their eyes often half closed as if weighed down by unseen burdens. Around these protagonists she writes short poetic lines in English or German, fragmentary thoughts on innocence, exile and resilience that invite passers-by to pause and complete the narrative.

Her palette is muted yet tender: dusty roses, bruised purples and moonlit blues swirl together, creating atmospheres that feel both comforting and unsettling. She applies paint with brushes, rags and fingers, leaving fingerprints and gritty brush marks visible, proof that the wall is alive and breathing.

When not travelling for festivals or commissions, Hera works in the studio on canvas and paper pieces, often layering old children’s book pages beneath translucent washes, embedding forgotten stories into new ones. Through every image she offers a gentle reminder: vulnerability is not weakness, but a bridge that connects disparate lives across concrete and language.