Shepard Fairey Obey 'Live Anthology' Tom Petty Print Release Details

Artist: Shepard Fairey/Obey
Title: Live Anthology (Tom Petty)
Medium: Multi Color Screen Print
Size: 18 x 24 Inches
Edition: 1,000
Price: $75

Tom Petty was an American singer, songwriter and guitarist whose plain spoken lyrics and chiming guitars helped define heartland rock. Born in Gainesville, Florida in 1950, he formed the Epics at fourteen, then Mudcrutch, which evolved into Tom Petty and the Heartbreakers in 1976. Their debut album delivered radio staples Breakdown and American Girl, establishing a signature sound built on jangling Rickenbacker chords, driving bass and Petty’s nasal, everyman drawl.

Over four decades he released thirteen studio albums with the Heartbreakers, plus three solo projects and two as part of the Traveling Wilburys. Songs like Refugee, Don’t Come Around Here No More and I Won’t Back Down blend defiance with vulnerability, chronicling restless lovers, dreamers and outsiders who refuse to surrender. His writing prizes concise storytelling and memorable hooks, influenced by the Beatles’ melodic craft and Southern roots of Creedence Clearwater Revival.

Petty’s stage presence was deceptively laid back; behind the lacid smile lay meticulous attention to arrangement and dynamics. He fought record industry greed, declaring bankruptcy in 1979 to void a bad contract, and later battled streaming services over artist royalties, earning a reputation as a defender of creative control.

In 2017 he concluded a triumphant fortieth anniversary tour with the Heartbreakers, then died suddenly of cardiac arrest, prompting an outpouring of grief from fans and peers who hailed him as a voice of quiet rebellion. His catalog remains a roadmap for navigating disappointment with melody, humor and stubborn hope, proof that simple chords can carry complex truths and that rock and roll, at its best, is an act of compassionate defiance.

Judy Chicago 'Reincarnation' Triptych Available

Artist: Judy Chicago
Title: Reincarnation (Triptych)
Medium: Sparkle Gloss Varnished 24 Color Screen Print
Size: 105 x 44 cm
Edition: 50
Price: €3,025 

 

Judy Chicago is an American artist, educator and writer born in 1939 in Chicago, Illinois, celebrated for her pioneering role in feminist art and her commitment to exploring the female experience through bold, collaborative works. Trained at UCLA, she challenged the male-dominated art world by creating powerful pieces that celebrate women’s history, sexuality and creativity. Her most famous work, The Dinner Party (1974-79), is a monumental installation featuring a triangular table with 39 elaborate place settings dedicated to significant women from history and mythology, each rendered in ceramics, textiles and embroidery, merging craft with fine art to elevate traditionally feminine skills.

Chicago’s practice spans painting, sculpture, installation and performance, often employing vivid colours and symbolic forms to confront taboos and reclaim female narratives. Her Birth Project (1980-85) involved hundreds of volunteers in creating textile pieces depicting childbirth, while The Holocaust Project (1985-93) explored genocide through tapestry and stained glass, demonstrating her ability to tackle complex historical subjects with emotional depth and visual impact.

A dedicated educator, Chicago founded the first feminist art program in the United States at Fresno State College in 1970, inspiring generations of artists to question gender roles and institutional power. Her teaching emphasized collaboration, personal narrative and the validation of craft as high art, breaking down barriers between disciplines and hierarchies.

Today, Chicago continues to create and advocate, producing works that address climate change, ageing and the ongoing struggle for gender equality. Her art is held in major museums worldwide, including the Brooklyn Museum and the Tate Modern. Through her unwavering commitment to feminist principles and collaborative practice, Judy Chicago has transformed contemporary art, ensuring that women’s voices and experiences are seen, heard and celebrated.

Ron English 'Rabbit and Raccoon' Print Available

Artist: Ron English
Title: Rabbit and Raccoon
Medium: Giclee Print
Size: 12 x 16 Inches
Edition: 30
Price: $150

 

Ron English is an American contemporary artist born in 1959 in Dallas, Texas, celebrated for his vibrant, subversive works that critique consumer culture, advertising and political power. Trained at the University of North Texas, he pioneered “POPaganda,” a term he coined to describe his fusion of high and low imagery, blending iconic characters with grotesque or satirical twists. His photorealistic technique, honed through years of billboard takeovers, allows him to seamlessly merge familiar icons with unsettling alterations, creating images that are both humorous and disturbing.

English’s most famous creations include “MC Supersized,” an obese Ronald McDonald that critiques fast-food culture, and “Abraham Obama,” a portrait blending Abraham Lincoln and Barack Obama, symbolising the intersection of history and contemporary politics. His “Cereal Killers” series reimagines breakfast mascots as decaying or zombie like figures, targeting the sugarcoated marketing aimed at children. Working across painting, sculpture and street art, he often employs bright, candy colours to lure viewers into darker narratives about addiction, conformity and corporate greed.

A key figure in the street-art movement, English has illegally altered billboards across America, replacing advertisements with his own twisted versions, a practice he calls “culture jamming.” These interventions challenge the passive consumption of media and encourage viewers to question the images that surround them. His work has been exhibited internationally, from New York’s Whitney Museum to galleries in London and Tokyo, and he continues to produce new works that critique contemporary society.

Whether painting a canvas, sculpting a toy or hijacking a billboard, English aims to disrupt the norm, using art as a tool for social commentary and cultural critique. His enduring message is clear: question everything, consume critically and never accept the surface at face value.

Anthony Lister 'Spider Woman' Print Available

Artist: Anthony Lister
Title: Spider Woman
Medium: Giclee Print
Size: 21 x 26 cm
Edition: 30
Price: $290 AUD

 

Anthony Lister is an Australian painter and street artist born in Brisbane in 1979, celebrated for his raw, expressive style that fuses high and low culture into visceral contemporary narratives. He studied at the Queensland College of Art before moving to New York in the early 2000s, where he apprenticed under pop surrealist Ron English, absorbing techniques that blend graffiti energy with classical figuration. Working across canvas, wall and found objects, Lister builds surfaces through layered aerosol, oil stick and acrylic, allowing drips, smears and gestural marks to remain as evidence of speed and emotion.

His imagery centres on masked or distorted figures, often female, who appear to wrestle with inner turmoil or societal expectation. Eyes are frequently obscured by splashes or bold strokes, suggesting vulnerability and defiance simultaneously. Colour is applied with urgency, hot pinks and bruised purples colliding against asphalt greys, creating a visual tension that mirrors the chaos of urban life. Influences range from Francis Bacon’s existential anguish to the raw mark making of Jean-Michel Basquiat, filtered through a distinctly antipodean lens that celebrates both beauty and decay.

Lister's work has been exhibited internationally, from London’s Saatchi Gallery to public walls in Berlin and Los Angeles, while his paintings are held in private collections worldwide. Despite commercial success, he continues to paint illegally, believing that the street offers an unfiltered dialogue with the public. Whether rendering a six-metre wall or a small canvas, Lister seeks to capture the fragile moment when personal emotion spills into shared space, reminding viewers that vulnerability can be a source of strength and that art, like life, is most powerful when it remains unfinished, honest and free.

Cat Phillipps + Peter Kennard 'Photo Op' Print Available

Artists: Cat Phillipps + Peter Kennard
Title: Photo Op
Medium: Photo Lithographic Print
Size: 49 x 49 cm
Edition: UNSURE
Price: £75 

 

Cat Phillipps is a British artist and printmaker based in London who uses bold graphics and stark contrast to question power, memory and national myth. Born in the Midlands and trained at the Royal College of Art, she works primarily in screen print, combining hand drawn imagery with found photographs and archival material to build layered compositions that feel both urgent and timeless. Her palette is restricted to black, white and flashes of red, a deliberate choice that amplifies the emotional charge of each piece while echoing the visual language of propaganda posters and newsprint.

Phillipps first gained notice for Proud Haddock, a series that reimagines historical British symbols as fragile, crumbling icons, suggesting that imperial glory is built on shifting sand. She cuts stencils directly from old maps, military ledgers and children’s storybooks, then overlaps them until portraits of generals dissolve into silhouettes of factory workers, creating visual collisions that ask who is remembered and who is erased. The process is physical: ink is pushed through mesh by hand, registration is intentionally misaligned, and tears in the paper are left visible, evidence that history itself is imperfect and contested.

Recent exhibitions at the Imperial War Museum, Peckham Platform and group shows across Europe have drawn critical acclaim, while her prints are held in the collections of the British Library and the Victoria and Albert Museum. Alongside studio work she runs community workshops, teaching teenagers to cut their own stencils and question the monuments they walk past every day.

Whether producing a pocket sized zine or a three metre wall piece, Phillipps approaches every surface with the same intent: make the viewer stop, look again, and confront the stories that nations tell about themselves.

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Peter Kennard is a British artist and educator born in London in 1949, widely regarded as one of the most influential political artists of his generation. He studied at the Slade School of Fine Art and the Royal College of Art, where he began developing a practice that fuses photomontage, painting, and digital media to interrogate power, war, and social injustice. Rejecting traditional notions of beauty, Kennard uses found images, newspaper photographs, and official documents, tearing and recombining them to create jarring visual critiques that disrupt the narratives of mass media.

His breakthrough series Haywain with Cruise Missiles (1981) reimagines Constable’s pastoral painting as a nuclear battlefield, replacing the rural idyll with a convoy of warheads, a visual that became iconic in the Campaign for Nuclear Disarmament movement. Throughout the 1980s and 1990s, Kennard produced searing photomontages addressing the Falklands War, the Gulf War, and the arms trade, often collaborating with activists and writers to distribute his work on posters, postcards, and banners. His technique is raw and immediate: images are torn, burned, and re-photographed, then overlaid with aggressive brushwork, creating compositions that feel both urgent and timeless.

In recent years, Kennard has embraced digital tools while retaining his signature fragmentation, producing works that confront climate collapse, surveillance capitalism, and the refugee crisis. Exhibitions at the Imperial War Museum, Tate Modern, and the Victoria and Albert Museum have cemented his reputation, yet he continues to prioritize accessibility, posting new works online and distributing prints at protests. Whether producing a postcard or a museum installation, Kennard’s mission remains constant: to make visible the violence and inequality that official images conceal, and to empower viewers to question the world they inhabit.

Pat Cantin 'Patente a Grosses' Print Available

Artist: Pat Cantin
Title: Patente a Grosses
Medium: Giclee Print
Size: 20 x 30 Inches
Edition: 10
Price: $420 CAD

 

Pat Cantin is a Canadian artist who paints bold geometric abstractions that pulse with rhythmic colour and tactile depth. Born in Montreal and trained in design, he spent years directing commercial graphics before turning full time to fine art, a shift that allows him to merge disciplined composition with intuitive gesture. Working from a bright studio in Victoriaville, Quebec, he builds each canvas through patient layering, pouring, scraping and glazing until smooth gradients collide with crisp angles, creating a sense of movement frozen mid beat.

His palette leans toward saturated oranges, electric blues and sunlit yellows, hues that echo the neon signage of nighttime city drives and the warm glow of analog television test patterns. Cantin avoids brushes, preferring squeegees, palette knives and taped edges to push acrylic across the surface, a method that leaves subtle ridges and glossy pools, evidence of physical negotiation between artist and material. Recent series explore the idea of sonic visualization, translating bass lines and drum breaks into interlocking shapes that seem to reverberate off the canvas.

Exhibitions at Galerie Bernard in Montreal, Art Basel Miami and group shows across Canada have sold out, while corporate collections including Cirque du Soleil and Ubisoft have acquired large scale pieces that energise open office spaces. Despite growing demand, Cantin keeps production intimate, hand finishing every work and releasing small editions of archival prints that carry the same luminous depth as the originals.

Whether rendering a three metre wall commission or a pocket sized study, he seeks the fragile moment when colour, rhythm and memory lock into perfect sync, reminding viewers that abstraction can feel as immediate as a favourite song heard on a late night highway.

Tizlu 'Pop Up' Print Available

Artist: Tizlu
Title: Pop Up
Medium: Acrylic, Aerosol, Collage + Marker on Canvas
Size: 15.9 x 30 x 15.9 cm
Edition: 18
Prices: $12,000

  

Tizlu is the professional alias of Tiziano Lucchese, a German-Italian street artist and muralist born in Bolzano in 1983 and now based in London. Raised bilingually in the Alps, he studied Broadcasting and Film in the Netherlands before committing full-time to visual art, bringing a cinematic sense of pacing and colour to every wall he paints. Working exclusively with acrylic and aerosol, he fuses photorealistic portraiture with abstract colour storms: faces emerge from rippling gradients, then fracture into geometric shards and sweeping calligraphic strokes, creating freeze frame impressions of urban energy. Metallic silvers, traffic-light greens and deep magentas lock together under bold black outlines, while negative space is treated as an active element that propels the composition forward.

Tizlu paints without stencils, mapping loose charcoal arcs directly onto brick or canvas before building layers of transparent glaze and opaque spray. This instinctive method allows drips and overspray to remain as evidence of motion, echoing the artist’s belief that perfection is less interesting than the moment of creation. He balances paid work with grassroots projects, teaching aerosol techniques to local teenagers and donating prints to charity auctions.

Recent exhibitions at Kunstbunker Nuremberg and group shows with The London Police collective have sold out, while public murals in Barcelona, Copenhagen and his adoptive London continue to attract photographers and skaters alike. Whether printing a pocket-sized zine or painting a ten-metre wall, Tiziano Lucchese approaches every surface with the same goal: spread colour, spark motion and remind viewers that creativity, like language, is most powerful when it crosses borders and connects cultures.

Marq Spusta 'Dazzled' Print Application Open

Artist: Marq Spusta
Title: Dazzled
Medium: Screen Print on Greasy Black Rubbery Paper
Size: 14 x 16 Inches
Edition: 140
Prices: $100

   

*application open until 12:20pm EST on Thursday November 13th, 2025

Jeff Koons 'Lobster' Sculpture

Artist: Jeff Koons
Title: Lobster
Medium: Porcelain Sculpture
Size: 26 x 85 x 59 cm
Edition: 99
Prices: €85,000

   

Jeff Koons is an American artist born in Pennsylvania in 1955 who has spent four decades transforming everyday objects into monumental declarations of beauty and desire. After studying at the School of the Art Institute of Chicago and the Maryland Institute College of Art, he moved to New York and worked on Wall Street while inventing works that celebrated mass production. His practice embraces stainless steel sculptures that mirror viewers and their surroundings, turning banal items into radiant icons.

Koons gained international notice with the Rabbit, a sleek metallic hare that distilled childhood memory into flawless form. He continued to mine popular culture, inflating pool toys and cartoon figures to architectural scale, insisting that pleasure and contemplation can coexist. The lobster, rendered in vivid red and stretching several meters, exemplifies his approach: the crustacean, familiar from seafood restaurants and seaside postcards, becomes an object of wonder through exacting fabrication and placement. Its shell gleams under gallery lights, inviting thoughts about appetite, luxury and the moment when nourishment turns into spectacle.

Exhibitions at the Whitney Museum, the Centre Pompidou and the Guggenheim Bilbao have traced his evolution from ready made displays to intricate Baroque inspired compositions. Critics debate the line between sincerity and irony in his output, yet audiences continue to flock, drawn by the generosity of color, scale and reflection. Whether he is planting a topiary puppy outside a museum or suspending a basketball in distilled water, Koons invites viewers to reconsider what deserves attention and to find joy in the objects that surround daily life.

Yusuke Hanai 'Cooperation' Sculpture Application Ending Soon

Artist: Yusuke Hanai
Title: Cooperation
Medium: Bronze Sculpture
Size: 15.9 x 30 x 15.9 cm
Edition: 18
Prices: $12,000

  

Yusuke Hanai is a Japanese artist born in Kanagawa in 1978 whose friendly figures and wavy landscapes channel 1960s California surf culture. At seventeen he discovered the psychedelic concert posters of Rick Griffin and felt an instant pull toward bold outlines, sun baked palettes and storytelling line work. That passion led him to San Francisco in 2003 to study illustration at the Academy of Art, where nights spent sketching buskers and oceanfront drifters shaped his compassionate cast of characters.

Hanai returned to Japan with a signature style that mixes ukiyo e simplicity with skateboard graphics. His recurring everyman, a round nosed wanderer with floppy hair, appears in wood panel paintings, large wall murals and limited silkscreens, often shown sitting quietly with coffee, casting a fishing line into impossible waves, or simply gazing at wide open skies. Flat color blocks and rhythmic contour lines give the scenes a mellow pulse, while subtle shadows hint at inner solitude, balancing cheerfulness with contemplation.

Exhibitions in Tokyo, New York, London and São Paulo have carried his vision far beyond coastal Japan, and collaborations with Uniqlo, Greenroom Festival and Vans have placed his art on shirts, sneakers and hotel walls, proving that handmade warmth can thrive in commercial contexts. Whether he is carving a small wooden fish, printing a three meter woodcut, or painting a live mural while surfers wait for waves, Hanai invites viewers to slow down, breathe salty air and remember that quiet moments hold their own quiet power.