Grafter 'Gilding The Lily' Print Available

Here is the latest piece called 'Gilding The Lily' by artist Grafter. This is a 5 hand cut hand painted stencil 30 x 22 inch print on 300GSM Somerset deckled water colour paper with an edition size of 50, comes signed and numbered by the artist for £110 each.

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WIN Paul Budnitz 'I Am Plastic, Too' Book + 'Zombie Robber' Dunny

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Methane Studios 'Banjo Man' Print Available

Here is another killer art print called 'Banjo Man' by artist Robert Lee of Methane Studios. This is a 4 colour 18 x 24 inch screen print with an edition size of 100, comes signed and numbered by the artist for $25 each.

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Joe Ledbetter 'Calavera Bunny' Print Available

Here is the next print called 'Calavera Bunny' by artist Joe Ledbetter. This is the sixth release of his 'Mutant Bunny' 2011 series. This is a 5 x 7 inch giclee on heavy weight water colour paper with an edition size of 99, comes signed and numbered by the artist for $40 each.

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Pete Yahnke Railand 'The Last Of It' Print Available

Here is a beautiful print called 'The Last Of It' by artist Pete Yahnke Railand. This is a 4 colour 25 x 37 inch screen print on recycled acid free paper with an edition size of 55, comes signed and numbered by the artist for $65 each.

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JBoy 'Hunnycide' + 'After Wonderland' One Off's Available NOW

Be quick, very limited! Click on the Banana.

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Gregory Euclide 'Untitled' (Bon Iver) Print Available

Here is the latest print called 'Untitled' by artist Gregory Euclide. This is a 24 x 24 inch giclee on 308GSM Hahnemuhle photo rag paper with an edition size of 500, comes signed and numbered by the artist for $225 each.  

*50% of net proceeds donated to Agapé Riding Center and the greater Mankato area United Way Connecting Kids Program

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Banksy 'The Antic Roadshow' Video Available Online

This version of Banksy's 'Antic Roadshow' is available for North American viewers.

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Methane Studios Robert Lee 'Halloween Owl' Prints Available

Here are two AWESOME prints called 'Halloween Owl' by artist Robert Lee of Methane Studios. These come in either orange or blue and are both 2 colour 18 x 24 inch screen prints with edition sizes of 50, they come signed and numbered for $20 each.

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Chris Shaw + Chuck Sperry 'Temporarily Bound' Installation

If you are in San Fran, I recommend you check this out.

June 2011 to January 2012

SFMOMA Window Gallery

Natoma Street, SF
Acrylic on 3 sec­tions of 6 artic­u­lated hard-panels.
Each sec­tion mea­sures 6’8″ x 12′ installed. (6’8″ h x 18′ flat.)

"Chris Shaw and Chuck Sperry have been close friends for many years, but have only worked in tan­dem cre­at­ing art on a hand­ful of occa­sions. Both artists have both incor­po­rated and appro­pri­ated con­cepts and imagery from a myr­iad of sources in their designs for Rock Posters and paintings. “Tem­po­rally Bound” marks this col­lab­o­ra­tion by the two artists not only as an event, but also in the form and sub­ject of the art­work. The work’s form is derived from an asian “accor­dion” book, while the sub­ject, “Three Gor­gons” reflects the artists’ west­ern influ­ences. The free inter­twin­ing of East­ern and West­ern ref­er­ences is not only evoca­tive of the mod­ern tech­no­log­i­cal world, but also of San Fran­cisco, a cul­tural melt­ing pot on the Pacific Rim. The instal­la­tion is com­posed of 3 sec­tions of 6 artic­u­lated hard pan­els, painted in acrylic and hand-made paints. The artic­u­lated form allows the art­work to bend or com­press, the which lets the art­work take almost any form, in 2 or 3 dimen­sional space. Sperry and Shaw’s design con­cept for the Natoma Street win­dows of the SFMOMA Window Gallery called for an 18 foot wide hor­i­zon­tal image to com­press into a 12 foot wide area. The artists chose wooden hard-panels for the instal­la­tion sub­strate which cre­ates a sturdy self-supporting struc­ture with 52º angles, a golden pro­por­tion har­mo­nious to the instal­la­tion space. In their expe­ri­ences in cre­at­ing Rock Posters, Shaw and Sperry had both worked pre­vi­ously with multi-panel poster images. When com­pos­ing the “Three Gor­gons” the artists paid spe­cial atten­tion to the way the images would frag­ment when the pan­els were in their com­pressed and folded state. Because many of the view­ers pass­ing the instal­la­tion on the side­walk would be approach­ing at very oblique angles, the artists cre­ated semi-symmetrical images that would appear to change and unfold as the viewer passed by. View­ing the art at oblique angles and close prox­im­ity cre­ates a dis­tinct sense of “false abstrac­tion”, while view­ing the pieces from afar (the oppo­site side­walk) gives the viewer cohe­sive, rep­re­sen­ta­tional images of the Three Gorgons. The 3 Gor­gon images were cre­ated to work indi­vid­u­ally or together as a unit. In tan­dem, the artists each cre­ated their own dis­tinct ver­sions of a Gor­gon (Shaw,left / Sperry, right). While each artist cre­ated their com­po­si­tions and selected color indi­vid­u­ally, cer­tain deci­sions were made together to help enhance the over­all art­work when viewed in a unit. Red and Gold were both cho­sen as main color com­po­nents, which again ref­er­ences East­ern art. The over­all bold col­ors and hard graphic black­line of the Gor­gons addi­tion­ally reflects the artists work as poster artists and print­mak­ers. Sperry and Shaw then worked together to cre­ate the 3rd, cen­ter Gor­gon, a “hybrid” of their styles that would fur­ther bridge and inte­grate their indi­vid­u­ally cre­ated Gor­gon panels."

Check it out HERE