Dan May 'The Light We Carry' Print Available

Artist: Dan May
Title: The Light We Carry
Medium: Giclee Print
Size: 22 x 10.5 Inches
Edition: TIMED
Price: $65

  

*available until October 15th, 2025

The Miaz Brothers 'Supernature III' Print Available

Artist: The Miaz Brothers
Title: Supernature III
Medium: Deckled Giclee Print
Size: 60 x 70 cm
Edition: 25
Price: £245

  

The Miaz Brothers are an Italian artist duo composed of brothers Roberto and Renato Miaz. They are best known for their distinctive style of portraiture that blends realism with abstraction, creating ethereal and atmospheric images. Their work often features human faces and forms rendered in soft, blurred layers that seem to dissolve into the background. This technique gives their subjects a ghostly, transient presence, suggesting the impermanence of identity and memory.

The brothers work collaboratively, often painting on the same canvas, which adds to the layered and textured quality of their pieces. Their process involves building up translucent veils of paint, allowing forms to emerge gradually rather than being sharply defined. This approach invites viewers to engage more deeply, as the images reveal themselves slowly and subtly.

Their art explores themes of perception, consciousness, and the passage of time. By obscuring detail, they challenge traditional portraiture and question how we recognize and connect with others. The Miaz Brothers’ work has been exhibited internationally, gaining recognition in both contemporary art circles and among collectors who appreciate their meditative and philosophical approach.

Their pieces often evoke a sense of introspection, prompting viewers to consider the fragility of human presence and the fluid nature of identity. Through their unique visual language, the Miaz Brothers continue to push the boundaries of figurative art, creating works that are both emotionally resonant and visually compelling.

Tim Timmey 'Timmey Birds' Print Available

Artist: Tim Timmey
Title: Timmey Birds
Medium: Giclee Print
Size: 56 x 56 cm
Edition: 20
Price: $190

   

Tim Timmey is the professional alias of Swedish artist Tim Nedrup, born and based in Helsingborg, Sweden. Originally trained as a graffiti writer, Nedrup has evolved into a multidisciplinary creator whose bright, playful murals stretch across Sweden, Denmark and Norway. His signature style pairs saturated colour blocks with whimsical animal motifs: toucans ride pineapples, chameleons change hue mid wall and three dimensional wooden creatures invite passers by to climb and interact

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Nedrup begins each piece with loose ink sketches inspired by street sketches and childhood cartoons. These drawings are enlarged by hand onto building façades or shaped plywood, then filled with acrylic and spray paint, leaving visible brush and drip marks that celebrate process over polish. The recurring chameleon serves as a personal emblem of adaptability and celebrates uniqueness in every living thing

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Beyond the street, he accepts commissions from companies such as IKEA, Comfort Hotel and Helsingborgs Stadsteater, translating his graphic language onto interior walls, festival stages and limited edition screen prints. Solo exhibitions like “It’s Fruity!” and group shows including “Urban Animals” have solidified his reputation within the Nordic urban art scene, while his wooden sculpture installations at events such as No Limit Borås turn entire alleyways into colourful playgrounds

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Whether painting a three storey toucan or a gallery canvas, Tim Timmey maintains one simple goal: to spark positivity and imagination in everyday life, proving that a splash of colour and a dose of humour can transform a city wall into an open invitation to smile.

KAWS 'Sesame Street' Vinyl Figures Release Details

Artist: KAWS
Title: Sesame Street (Big Bird Not Included)
Medium: Vinyl Figures
Size: O+E:10 Inches B+E:12.5 Inches
Edition: UNSURE
Price: $1,300/SET

  

*available at 11pm EST on October 15th, 2025

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KAWS is the professional alias of American artist Brian Donnelly, born in Jersey City, New Jersey, in 1974. He studied illustration at the School of Visual Arts in New York and began his creative life as a graffiti writer, tagging the four meaningless letters K-A-W-S on trains and walls because he liked their shape and rhythm

. In the mid 1990s he moved from illegal work to authorised interventions, altering bus-stop and phone-booth advertisements by painting his own characters over the existing models so that fashion campaigns suddenly featured bulbous skull-headed figures with crossed-out eyes. These public takeovers earned him street credibility and led to freelance animation work for Disney on series such as 101 Dalmatians and Daria, experiences that sharpened his sense of line and timing.

During a 1997 trip to Tokyo, Donnelly discovered the Japanese vinyl toy scene and began producing limited edition figures of his character Companion, a Mickey Mouse shaped silhouette whose gloved hands cover a face marked by X eyes. The sculptures sold out instantly and created a global network of collectors who now queue for each new colour way, pushing secondary market prices into the millions. Painting, printmaking and large scale sculpture followed the same graphic clarity: canvases present cartoon icons dissolved into dripping colour fields, while bronzes enlarge the toys to monumental scale, their heads bowed as if weighed down by pop culture itself.

Collaborations with Nike, Uniqlo, Sesame Street, and Dior have carried the KAWS emblem onto sneakers, T shirts and handbags, continuing the artist’s stated aim to communicate with the widest possible audience without hierarchy between museum wall and cereal box. By merging street energy with luxury production, Brian Donnelly has turned a teenage tag into an internationally recognised symbol of contemporary desire.

Daniel Arsham + Dr Seuss 'The Lorax' Print Available

Artist: Daniel Arsham + Dr Seuss
Title: The Lorax
Medium: 100% Recycled Poster
Size: 61 x 92 cm
Edition: UNSURE
Price: €72

   

Daniel Arsham is an American artist born in 1980 who lives and works in New York City. Raised in Miami after a childhood in Cleveland, he studied at the Cooper Union, where his interest in architecture, performance and sculpture began to merge into a single practice. Arsham’s signature concept is “fictional archaeology”: he casts everyday objects such as cameras, basketballs, telephones and even cars in geological materials like volcanic ash, selenite and sand, presenting them as future relics that appear freshly unearthed from a distant tomorrow. The eroded surfaces and crystalline fractures give each piece a ghostly elegance, inviting viewers to question how time, value and memory are formed.

Architecture plays a vital role in his work. Walls ripple, staircases dissolve and clocks sink into gallery surfaces, creating environments where the built world behaves like pliable clay. These interventions blur the line between art, design and theatre, a boundary first explored when Merce Cunningham invited Arsham to design stage sets in 2004. That experience led to ongoing collaborations with dance, music and fashion, including projects with Adidas, Dior and Porsche, and the founding of Snarkitecture, a studio that reimagines spatial practice through sculpture and installation.

Despite colour blindness, Arsham employs a largely monochrome palette, ranging from chalk white to coal black, allowing texture and form to carry emotional weight. Major exhibitions include “Paris 3020” at Galerie Perrotin, “Relics in the Landscape” at Yorkshire Sculpture Park, and “What Remains” at Moco Barcelona, while his work resides in collections such as the Centre Pompidou and the ICA Miami. By merging romanticism with pop culture and science fiction, Daniel Arsham creates art that feels simultaneously ancient and avant-garde, a poetic reminder that the present is already slipping into myth.

Maxine Gregson 'Checkmate' Print Available

Artist: Maxine Gregson
Title: Checkmate
Medium: 6 Color Screen Print
Size: 70 x 50 cm
Edition: 100
Price: £187

Maxine Gregson is a London based artist and printmaker whose vibrant work fuses typography, architecture and photographic collage into what critics call “nostalgic futurism”. Born and raised in the United Kingdom, she trained as a graphic designer during the early days of digital agencies, a background that honed her love of grid structures, clean vectors and bold colour . Working primarily through hand pulled screen prints, she layers vintage postcards, magazine clippings and her own photographs to build luminous, semi abstract landscapes that feel both retro and otherworldly.

Her process begins with hours spent trawling online auctions for mid century travel ephemera, selecting images that carry a whiff of lost optimism. These finds are scanned, cropped and recombined with geometric shapes, sweeping gradients and blocks of text that often read as cryptic signage. The resulting compositions glow with sunset oranges, pool blues and neon pinks, suggesting desert motels, lunar swimming pools or empty cocktail lounges suspended in time . Each edition is printed in her East London studio, where she mixes translucent inks to create depth without losing the flat, poster like punch that defines her style.

Gregson has exhibited at the Royal Academy Summer Exhibition, Tate Modern’s Dora Maar Open Call and Jealous Gallery, while commercial commissions range from album sleeves to hotel murals . When she is not printing, she mentors young designers, advocating for slower, more tactile methods in an increasingly screen based world. By merging mid century dreams with contemporary colour, Maxine Gregson invites viewers to cruise down an endless highway where memory and imagination share the driver’s seat.

Stanley Donwood 'Sol' Print Available

Artist: Stanley Donwood
Title: Sol
Medium: Deckled 10 Color Screen Print
Size: 74 x 103 cm
Edition: 66
Price: £277

   

Stanley Donwood is the professional name of British artist and writer Dan Rickwood, born in Essex in 1968. Since 1994 he has created every album cover and much of the visual identity for the band Radiohead, working side-by-side with front-man Thom Yorke in the recording studio and translating the music’s mood into dystopian landscapes, satirical maps and fractured cityscapes. His palette veers from bruised purples to warning reds, applied with knives, sticks and digital tools until the surface feels war scarred yet hypnotic.

Although no evidence links Donwood directly to Banksy as a collaborator, critics often bracket the two because both wield street art style stencils, dark humour and anti-establishment slogans. Donwood’s early paste-ups around Exeter and later graphics for Glastonbury Festival share Banksy’s tactic of hijacking public space to question power, consumerism and environmental collapse. Both artists have also guarded their private lives, letting the work speak first.

Beyond music, Donwood has exhibited worldwide, published short stories and won two Grammy Awards for album packaging. His 2025 retrospective at the Ashmolean Museum pairs paintings with Thom Yorke for the first time, cementing his status as a visual chronicler of modern anxiety. Whether on a record sleeve, city wall or gallery canvas, Stanley Donwood continues to prove that graphic urgency and poetic unease can coexist, influencing generations of image makers including the anonymous figure known as Banksy his stablemate at Pictures On Walls.

Vicente Aguado 'MOD 001' Painting Available

Artist: Vicente Aguado
Title: MOD 001
Medium: Varnished Acrylic on Canvas
Size: 31.5 x 39.4 Inches
Edition: UNIQUE
Price: $925

  

Vicente Aguado is a Spanish artist born in Valencia in 1980 who fuses drawing, painting and recycled materials into sharp social commentary. He holds a degree in Fine Arts and a master in Contemporary Art and Visual Culture from the Polytechnic University of Valencia, training that grounded his practice in theory while feeding a fascination with mass media imagery. In 2017 he relocated to Edinburgh, Scotland, returning to Spain in 2021, experiences that broadened his visual vocabulary and confirmed his role as a nomadic observer of popular culture.

Aguado specialises in mixed media works on recycled cardboard, printed wallpaper and found paper. Using acrylic, marker and spray paint, he layers bold outlines over newsprint or packaging, allowing tears, scuffs and leftover masking tape to remain visible as proof of process. The resulting pieces feel like ransom notes from the internet age, confronting surveillance, conspiracy culture and political theatre with gallows humour.

Recent series such as Quiet Riot Ritual present self portraits where the artist’s face dissolves into static, slogans and corporate logos, suggesting that identity itself is a cut and paste job. Limited edition prints and original paintings circulate on Artsy, Saatchi Art and The Artling, placing his work in private collections worldwide. When he is not in the studio, Aguado scavenges Valencia’s streets for discarded posters and cardboard, believing that waste carries the DNA of the city. By turning trash into testimony, he invites viewers to question who controls the narrative and to find art in the overlooked debris of daily life.

Cote Escriva 'Untitled' Print Available

Artist: Cote Escriva
Title: Untitled
Medium: 3 Color Screen Print
Size: 17.3 x 8.6 Inches
Edition: 70
Price: $99

  

Cote Escriva is a Spanish artist born in Valencia in 1982 who fuses street attitude with cartoon nostalgia to create paintings, prints and collectible sculptures that feel both mischievous and masterfully crafted. Trained in industrial design, he spent his early career in graphic studios before stepping away to launch a personal project that could channel his twin loves of American pop culture and underground comics. Working now from his hometown, he produces acrylic paintings on wood where familiar animated icons are stretched, scarred or re costumed into darkly comic characters that stare down the viewer with bulbous eyes and razor sharp grins.

His process begins as loose ink sketches made while listening to punk records; these rough ideas are scanned, refined and enlarged, then translated by hand onto shaped panels or toy prototypes using bold flat colour and meticulous line work. The finished pieces often carry titles that wink at childhood memories while hinting at adult anxiety, a balance that has earned him solo shows in Los Angeles, Barcelona, Tokyo and Singapore and placements in major art fairs from Urban Break to Art Taipei. Despite global demand, Escriva keeps editions small and paints every surface himself, believing that the slight imperfections of a human wrist give his universe its soul.

By merging skateboard graphics, lowbrow surrealism and the visual language of Saturday morning television, Cote Escriva offers a mirror in which innocence and rebellion coexist, proving that a cartoon can still bite.

Magnus Gjoen 'I Hold A Beast, An Angel And A Madman In Me' Print Available

Artist: Magnus Gjoen
Title: I Hold A Beast, An Angel And A Madman In Me
Medium: Multi Color Screen Print
Size: 27.6 x 71 Inches
Edition: 10
Price: $2680

  

Magnus Gjoen is a London born contemporary artist who reimagines the past through a jewel toned lens. Trained in fashion design and raised across Europe by Norwegian parents, he spent a decade at the elbow of Vivienne Westwood before turning his flat into a gallery of altered Old Masters and discovering that walls could be canvas. Working now in limited edition giclee and screen prints, he lifts fragments of baroque paintings, religious frescoes and royal porcelain from museum archives, then overlays them with lacquered skulls, grenades or skateboard graphics so that fragility and power swap roles within a single frame. 

His method begins with high resolution scans of heritage artworks which he digitally dissects, adding gold leaf highlights and candy coloured glazes until a grenade resembles Sèvres china and a skull glows like stained glass. The finished pieces are produced on heavy cotton rag paper, each layer of archival ink building a depth that echoes the original oil while remaining unmistakably contemporary. Collectors respond to the dark humour embedded in the beauty: memento mori becomes fashion accessory, weapon becomes ornament, inviting a second look at both art history and modern appetite.

Gjoen exhibits worldwide, from Tokyo to Santa Monica, and describes his style as a bridge between Andy Warhol and William Morris, a continuum where rebellion meets luxury. By fusing reverence with subversion, he proves that the past can still shock, seduce and speak urgently to the present.