EVER SINCE

Limited Edition Art Prints, Posters, Giclee Prints & Screen Print Releases

Monday
Nov032025

Mike Mitchell 'Skully III' (Desert) Print Available

Artist: Mike Mitchell
Title: Skully III (Desert)
Medium: Giclee Print
Size: 8 x 8 Inches
Edition: 75
Price: $60

  

Mike Mitchell is a Los Angeles based artist whose bright, pop infused paintings and digital illustrations celebrate the power of positivity. Born in 1982 and raised in Texas, he studied graphic design at the University of Texas at Arlington, where he learned to merge bold colour theory with clean, communicative imagery. Working under the online alias Sir Mitchell, he built an early following by posting daily digital sketches that combined superhero iconography with gentle humour, a project that honed his signature style of saturated palettes, crisp outlines and optimistic themes.
Mitchell’s process begins with loose pencil sketches that are scanned and refined in Photoshop, allowing him to experiment with colour relationships and subtle texture overlays until the image radiates warmth. He then translates selected pieces into acrylic on canvas, building smooth surfaces through patient layering so that highlights appear to glow from within. Recurring motifs include blooming flowers, soaring birds and wide eyed children, all rendered in flat blocks of coral, turquoise and butter yellow that pulse against soft pastel backgrounds. His Just Keep Going series pairs uplifting phrases with minimalist landscapes, while limited edition prints sell out online within minutes, the proceeds often donated to mental health charities.
When he is not painting, Mitchell mentors emerging artists through virtual workshops, sharing techniques and encouraging them to embrace vulnerability in their work. Whether designing a mural for a children’s hospital or a small greeting card, he approaches each project with the same goal: remind viewers that beauty is abundant and hope is always within reach.
Monday
Nov032025

Jeff Soto 'Migration' Print Available

Artist: Jeff Soto
Title: Migration
Medium: Giclee Print
Size: 16.7 x 25 Inches
Edition: 50
Price: $210

 

Jeff Soto is a Californian painter, muralist and printmaker who fuses gritty street energy with dreamlike fantasy. Born in Fullerton in 1975, he grew up skateboarding and simultaneously discovered graffiti and traditional oil painting, twin passions that still feed his work. After earning a BFA with distinction from Art Center College of Design in Pasadena, he spent years travelling the globe, exhibiting in galleries from New York to Nuremberg and translating band posters into collectible art.
Soto’s distinct colour palette glows with phosphorescent greens, radioactive oranges and deep midnight blues, laid down in acrylic and aerosol. His imagery bridges pop surrealism and street art: robotic owls, blooming skulls, circuit-board forests and gentle giants stride across canvases that feel like storybook pages left in the rain. Influences range from eighties fantasy films and science-fiction paperbacks to Max Ernst and Frida Kahlo, yet the final vision is unmistakably his own.
He approaches each mural without projections, sketching loose charcoal arcs then building layers of spray and brush until walls shimmer like arcade cabinets. Gig posters for Phish, My Morning Jacket and The Flaming Lips showcase the same ethos, marrying technical screen-print precision with raw, emotional colour. A retrospective titled Potatostamp at Riverside Art Museum gathered over seventy posters and dozens of original ink drawings, celebrating fifteen years of printmaking obsession.
Today Soto balances studio work with teaching studio art at Riverside City College, mentoring the next generation while continuing to paint public walls and release limited editions that sell out in minutes. Whether rendering a six-storey endangered bee or a small talismanic print, he seeks the fragile moment when nature and technology, beauty and decay, dissolve into luminous harmony.
Sunday
Nov022025

Olalolu Slawn 'Hot Air Balloon' Print Available

Artist: Olalolu Slawn
Title: Hot Air Balloon
Medium: Giclee Print
Size: 70 x 100 cm
Edition: 100
Price: $1,000

 

Olaolu Akeredolu-Ale, known worldwide as Slawn, is a twenty first century cultural phenomenon who fuses Nigerian energy with London street attitude. Born in Lagos in 2000, he grew up drawing clowns and cartoon faces, a visual vocabulary that still powers his work. After moving to the United Kingdom he studied at the University of Northampton, where boredom during lockdown pushed him from paper scraps to large canvases and walls. His style is immediate and raw: bold black outlines, candy colours and googly eyes collide in compositions that feel like notebook doodles scaled to epic size. Using spray paint, markers and household emulsion, he attacks blank space with cheerful aggression, creating pop infused tableaux that nod to Yoruba pattern and hip hop album art in one breath.
Slawn courts controversy as easily as he courts collectors. His caricature figures, once dismissed by a teacher as shoddy, have become signature motifs that some viewers read as social critique while others see pure mischief. Works such as Three Arthurs and Alara, Ajero and Orangun spark heated debate, yet the artist insists he is simply drawing what he knows, inviting audiences to question their own assumptions about race, taste and intent. This fearless stance has earned him high profile patrons: Skepta curated his auction debut at Sothebys, Virgil Abloh championed his streetwear label Motherlan, and Louis Vuitton tapped him for a capsule collection.
In 2023 he became the youngest and first Nigerian born artist to design the BRIT Awards trophy, a bronze trio of helmeted figures that salute British music and his own skate crew roots. He followed that by redesigning the FA Cup in 2024 and painting a Formula One race car in 2025, proving his vision can travel at two hundred miles per hour and still feel like a back alley tag. Whether exhibiting at the Truman Brewery, launching a coffee shop named after his son Beau, or handing out free canvases at parties, Slawn operates on the principle that art should be fun, fearless and a little bit chaotic. Through every spray can burst he offers a simple message: stay playful, stay rebellious and never let a blank wall go to waste.
Sunday
Nov022025

Enzo Prina 'That's A Moire' HPM #28 Available

Artist: Enzo Prina
Title: That's A Moire #28
Medium: Hand Embellished Giclee on Canvas
Size: 24 x 30 Inches
Edition: UNIQUE
Price: $1,000

 

Enzo Prina is an Italian contemporary artist whose kinetic moiré works transform static walls into pulsing fields of visual vibration. Born in Italy and now based in Salt Lake City, Utah, he discovered early that overlapping precise lines could create the illusion of motion, a fascination that grew into his signature technique . Working with acrylic, epoxy resin and sometimes aluminum panel, he builds multiple transparent layers, each carrying hair thin grids or concentric arcs. When these layers shift against one another, either by viewer movement or subtle rotation of the surface, waves, spirals and glitches ripple across the picture plane, an effect he likens to digital code made physical.
Process is both scientific and intuitive. Prina begins with vector diagrams plotted on screen, yet final decisions happen in the studio as he sands, pours and polishes resin to achieve glass like depth. Colour palettes range from volcanic reds and charred oranges in the large scale VESUVIUS to cool cobalt and silver in his recent Digital Love series, each hue chosen to amplify the moiré flutter without overwhelming it . The works behave like living organisms, changing under different light conditions and never revealing the same image twice.
Exhibitions at Zach Frank Gallery and Art Miami have sold out rapidly, while short form videos of his canvases spinning on turntables circulate widely online, turning optical illusion into social media spectacle . Through meticulous craft and playful engineering, Prina offers viewers a rare experience: the chance to watch paint stand still while the picture dances.
Saturday
Nov012025

Luke Martin 'Love Of Mine' Framed Wood Print Available

Artist: Luke Martin
Title: Love Of Mine
Medium: Custom Framed 1 Color Screen Print on Wood
Size: 24 x 30 Inches
Edition: UNSURE
Prices: $250

Saturday
Nov012025

Remed 'El Lago Intimo' Print Available

Artist: Remed
Title: El Lago Intimo
Medium: Giclee Print
Size: 60 x 60 cm
Edition: 33
Prices: €450

Remed is the professional alias of Guillaume Alby, a French painter, muralist and multidisciplinary artist born in Paris in 1978 and now based between Madrid and the coastal town of Suances in northern Spain. He discovered painting in 1995 during after-school classes in his childhood city of Lille, where early exposure to the structured geometry of Art Nouveau, the bold colour blocks of Fernand Léger and the rhythmic patterns of North African zellige tile-work fused into a personal visual language that feels both ancient and freshly sprayed.
Working at every scale, from hand-pulled screen prints to building-high facades, Remed builds luminous compositions that merge hard-edge abstraction with stylised human forms. Figures are reduced to almond eyes, elongated limbs and shield-shaped torsos, then set adrift inside radiant fields of cobalt, vermilion and gold leaf that shimmer like sunrise on Mediterranean water. Letters and numbers weave through the compositions, spelling out fragments of poetry or the artist’s mantra “l’art comme remède”, art as remedy, a belief that colour and rhythm can heal urban alienation.
Process is physical and intuitive. Murals begin with charcoal arcs that map the wall’s energy; acrylic and spray paint are layered, sanded and repainted until the surface resembles weathered fresco. Canvas works receive the same archaeological treatment, with metallic pigments flicked across final coats so the image changes under shifting light.
Exhibitions at Varsi Gallery Rome, Colab Gallery Berlin and the Truck Art Project across Spain have sold out, while public paintings rise from Marrakesh alleyways to Miami parking lots, each site absorbing his signature palette and spiritual optimism. Whether rendering a rooftop Madonna or a small talismanic print, Remed invites viewers to step inside chromatic calm, offering paint as prayer and geometry as guidance through contemporary noise.
Saturday
Nov012025

Neverwork 'Warning Thieves Operate In This Area' Print Available

Artist: Neverwork
Title: Warning Thieves Operate In This Area
Medium: Giclee Print on Card
Size: 33 x 45 cm
Edition: 25
Prices: £50

Saturday
Nov012025

10FOOT + TOX + FUME 'Tunnel Block' Print Available

Artist: 10FOOT + TOX + FUME
Title: Edition
Medium: Multi Color Screen Print
Size: 70 x 50 cm
Edition: 97
Price: £750

Graffiti legend 10FOOT is the working name of a British street artist who has spent over three decades turning city walls into monumental tributes to character based spray art. Emerging from the Bristol scene during the early 1990s, he adopted the tag as a literal goal, aiming to paint cartoon figures ten feet tall using nothing but steady hand control and standard caps. His early pieces featured bulbous, smiley creatures with sausage limbs and star shaped pupils, rendered in candy colours that popped against grey concrete. Over time the style evolved into sleek, chrome plated robots, melting clocks and psychedelic dragons, yet the playful scale and crisp outline work remained constant.
Working without stencils or projections, 10FOOT relies on freehand technique, sketching a loose skeleton in diluted paint then building form through layered fills, fades and highlights. A single wall can take several days, with each session documented for Instagram followers who track the transformation from blank brick to glossy storybook. Recent works incorporate metallic leaf and transparent glazes, allowing daylight to shimmer across scales, bolts and bubbles.
Despite gallery interest, he prefers the street, describing legal walls as “giant sketchbooks for the public.” Murals in Manchester, London, Barcelona and New York have become pilgrimage spots for writers and photographers, while limited print releases sell out online within minutes. Workshops with youth groups keep the craft alive, passing on can control and colour theory to a new generation.
Whether painting a five storey robot or a tiny doorway mouse, 10FOOT approaches every surface with the same mission: spread colour, spark wonder and prove that imagination can still tower over the urban landscape.

+

TOX is the tag of a London graffiti writer whose stark four letter signature has become one of the city most visible and contested marks. Active since the late 1990s, TOX began as a teenager armed with stolen tins and a marker, hitting bus windows, shop shutters and tube carriage interiors with a relentless repetition that baffled commuters and infuriated authorities. His style is deliberately raw: a simple rounded font executed in one colour fills and thick black outlines, often accompanied by the current year and nothing more. No characters, no elaborate backgrounds, just the name repeated until it burns into public memory.

This minimalist approach turned TOX into a polarising figure. To graffiti purists his dedication to quantity over aesthetics is a pure expression of the culture core value: get your name up at all costs. To city officials he became public enemy number one, cited in Parliament and blamed for inspiring copycat scrawls across the capital. In 2011 he received a 27 month prison sentence for criminal damage, a punishment that elevated his tag from street nuisance to symbol of urban rebellion.
Despite intensive surveillance, the identity behind TOX remains officially unconfirmed, allowing the mark to function as both personal signature and anonymous collective act. Photographs of faded TOX tags on brickwork, bridges and bins now circulate as archaeological evidence of London’s restless energy, while art collectors frame peeled stickers bearing the infamous four letters.
Whether viewed as vandalism or folk art, TOX output demonstrates the power of sheer persistence. By refusing to beautify or explain, he forces the city to confront its own surfaces, turning every wall into a contested page where legality, visibility and memory collide in spray painted shorthand.
+
FUME stands as one of London’s most resolute underground marksmen. Born and bred within the five square mile rectangle that edges the Hammersmith and City line, he began writing in April 1992 and has since covered the capital’s steel and brick with unmissable four letter throw ups. Operating under the DDS crew banner, he helped shape the city’s train bombing culture, often targeting the porous metal of vintage carriages that absorbed paint like a time capsule.
His style is raw and immediate: big, blocky capitals sprayed in high contrast colours, outlined once and left unadorned. There is no finesse of wild style, only the blunt declaration that FUME was here, a signature repeated so relentlessly that even power washing cannot erase the ghost left behind. Despite mainstream graffiti drifting toward legal walls and gallery spaces, he has stayed loyal to trackside spots and sidings, claiming above ground feels ugly compared with the forgotten tunnels where old tags still stain the girders.
Recent studio experiments translate that tunnel dust into gallery works, sprinkling genuine tube grime onto canvases coated with spray glue, then overlaying fresh tags and spectral platform figures. The pieces retain the coarse palette of aerosol caps, yet the inclusion of pulverised brick and metal filings embeds London’s infrastructure directly into the surface.
FUME avoids social media, gives no interviews and signs nothing except his name, preserving the mystique that once made graffiti figures semi mythic. Through sheer consistency he has turned simple letters into an urban constant, proving that in an age of permissioned murals the most potent statement is still an illegal tag repeated until it becomes part of the city’s heartbeat.
Saturday
Nov012025

Maya Hayuk 'Edition' Print Sneak Peek

Artist: Maya Hayuk
Title: Edition
Medium: Handpulled 8 Color Screen Print
Size: 30 x 40 Inches
Edition: 23 (UNIQUE)
Price: LOTS

Maya Hayuk is a Ukrainian American artist born in Baltimore in 1969, celebrated for immersive murals and paintings that pulse with geometric rhythm and saturated color. She layers acrylic and aerosol in spontaneous yet precise gestures, building mandala like patterns that suggest outer space, airbrushed manicures and traditional Ukrainian Easter eggs all at once. Her large scale works often begin as small studio sketches, but she embraces improvisation on site, allowing drips, overspray and architectural edges to become part of the final image. Hayuk studied at Massachusetts College of Art, Skowhegan and the University of Odessa, absorbing both folk heritage and contemporary energy. She has transformed walls in New York, Los Angeles, Rio de Janeiro and Maastricht, plus the famed Bowery Wall, turning each public surface into a hypnotic portal. Inside the studio she pushes the same language onto canvas and wood, sanding and repainting until colors glow like backlit glass. Collaborations with musicians such as TV on the Radio, Beastie Boys and The Flaming Lips extend her vision to album covers, stage sets and music videos, merging sound and sight into one ecstatic experience. Her work is held by institutions including the Hammer Museum and the Ukrainian Museum, yet she continues to champion independent spaces, running the artist led Center For Contemporary Art in Brooklyn. Whether orchestrating a rooftop paint pour or hand pulling screen prints in her studio, Hayuk seeks to expand consciousness through pure visual vibration, proving that abstract pattern can carry both personal memory and collective hope.

Saturday
Nov012025

Nicky Litchfield 'Playtime' Print Available

Artist: Nicky Litchfield
Title: Playtime
Medium: Giclee Print
Size: 25 x 25 cm
Edition: 195
Price: £108

*Nicky has created a great series of these cheeky animals

_______________

Nicky Litchfield is a British painter who turns everyday English landscapes into glowing stage sets of memory and mood. Born in Preston in 1983, she grew up roaming the Ribble valley and sketching in the margins of exercise books, absorbing the soft greens, tawny browns and pearl greys that still dominate her palette. After completing a fine art degree at the University of Central Lancashire she settled in the Cotswolds, converting an old stone barn into a studio where natural light pours across canvases propped on handmade easels.
Working in oils applied with bristle brushes and palette knives, Litchfield builds luminous surfaces through patient layering. She begins each piece on location, making quick charcoal notations of sky shapes and tree gestures, then retreats indoors to develop the scene from imagination, allowing remembered sensations of wind, birdsong and shifting cloud to guide colour choices. Meadows glow with buttercup yellows, village chimneys rise against rose madder sunsets and distant hills dissolve into ultramarine haze, creating atmospheres that feel simultaneously real and dreamlike.
Her subject matter celebrates the familiar: hedgerows heavy with hawthorn, a lone oak beside a wheat field, terraced houses reflected in rain wet pavement. Yet she heightens reality, pushing tonal contrasts and simplifying forms so that ordinary views become quietly theatrical, inviting viewers to step inside a calmer, kinder England.
Recent exhibitions at Forest Gallery, Stratford upon Avon and the Biscuit Factory, Newcastle have sold out, while private commissions allow collectors to memorialise favourite walks or childhood homes. Whether painting a sweeping valley or a single blossom branch against a window, Litchfield seeks the fragile moment when light turns land into poetry, reminding us that beauty thrives in the landscapes we think we already know.